The author of Xu Yuanshao's painting was Xu Yuanshao himself.
Xu Yuanshao's collection of paintings included Infinite Green Lotus Leaves, Spring Roar, Wisteria, Lotus Wind Painting, Ink Lotus, Spring Sunshine, Peony Painting, etc. His works were fresh and elegant, and the ink painting was dense, full of Jiangnan charm. Xu Yuanshao was a member of the Chinese Artists Association, a national first-class artist, a director of the Jiangsu Province and Bird Painting Research Association, and a painter of the Suzhou Chinese Painting Academy. His works had been selected for many major domestic and international shows, published in various illustrated magazines, and collected. He has also held solo shows and lectures in Japan, the United States, Canada, China Taiwan. Xu Yuanshao had also published a variety of art collections, including Xu Yuanshao's Painting Selection.
Xu Beihong was a modern Chinese painter and art teacher. He did not have many landscape paintings, but he followed tradition and respected the spirit of tradition. His landscape paintings were closer to the " Colored Ink Scenery ". He used ink to create natural images, depicting the sky and the air. He was very particular about the painting of trees, especially pine and cypress. He mostly used a wet brush, and the ink color had a change of dry and wet shades, which was warm and harmonious. Xu Beihong's landscape paintings included "Spring Mountain Donkey Back Painting","Pine Moon Painting","Ancient Cypress Changchun Painting","Li River Spring Rain Painting" and so on. These works demonstrated his unique artistic style and his pursuit of color and moisture, as well as his respect and inheritance of Chinese traditional culture. Xu Beihong's landscape paintings had a visual impact, giving people a sense of immersion.
Xu Hongyan was a Chinese landscape painter. He was also a member of the China Artists Association and the winner of the excellent title of "Virtue and Art" of the Shaanxi Province Federation of Literature and Art Circles. His works included Xu Hongyan's Landscape Painting Collection, Xu Hongyan's Painting Collection, and Xu Hongyan's Landscape Painting Collection. He also published many papers, such as "The aesthetic implication of Chinese landscape painting" and "Research on landscape painting sketching". His works have been exhibited in many large-scale art shows and won awards. Xu Hongyan's works displayed his unique observation and expression of natural landscape.
The prices of Xu Beihong's paintings varied greatly in the market. According to different auction records and transactions, the price of Xu Beihong's works ranged from hundreds of thousands to hundreds of millions. For example, his Five Horses Painting was sold at Sotheby's in 1993 for 3.32 million Hong Kong dollars, setting the highest price for Xu Beihong's Chinese painting at that time. In addition, his work "Running Horse Painting" was sold at a price of 820,000 yuan in 2002, and the total price plus commission reached 902,000 yuan, setting the highest price for a single horse in the Xu family market at that time. In addition, there were also reports that Xu Beihong's works had been auctioned for more than 50 million yuan. However, the specific price of a work would be affected by many factors, including the subject matter, age, size, and artistic value of the work. Therefore, the price of Xu Beihong's paintings and calligraphy works had a wide range of changes. The specific price would be determined according to the market situation and the auction results.
Xu Beihong was one of the founders of modern Chinese painting. He created a large number of paintings in his life. One of the most famous works was " Horse Stepping on a Flying Swallow ", an oil painting created by Xu Beihong in 1937. It was one of the most representative works in the history of modern Chinese art. Other than " Horse Stepping on Flying Swallow ", Xu Beihong had also created many other famous paintings such as " Jiufanggao "," The Foolish Old Man Moves the Mountain ", and " Ballad of Lushan Mountain ". His unique style of work had a profound impact on the development of modern Chinese painting.
Bonard was a French painter, born in 1882 in fontainebleau and died in 1948. His artistic career began in 1902 when he began painting portraits in cafés and restaurants in Paris. Bonard was one of the representative painters of Impressionism and Post-Impressionism. His works usually showed strong light and shadow effects and color contrast. One of Bonnard's most famous works was David, a portrait created in 1910 that is considered one of the greatest works of modern art. This painting shows the image of David's statue. His figure, face and posture are extremely beautiful. At the same time, he uses strong light effects and color contrast to highlight his image. In addition to David, Bonard had many other famous works such as Mona Lisa (La Gioconda) and Antony Da Vinci (the portrait of Antony Da Vinci). His works had a profound impact on the development of modern art.
Shi Jiachang's paintings were not found in the search results provided.
Zhong Kui (about 722-about 780 AD) was a famous painter of the Tang Dynasty. His name was Jing Yue, and he called himself Dong Lizi. He was famous for his paintings of people, customs, and landscapes, especially for their ghost interests. Zhong Kui's paintings were featured by the interest of ghosts. The ghosts in his works were vivid and humorous. Zhong Kui's paintings were not only popular in the Tang Dynasty, but also in the Song Dynasty, Yuan Dynasty, Ming Dynasty and other periods. The Song Dynasty painter Su Hanchen once painted the Painting of Zhong Kui Eating Ghost. The Ming Dynasty painter Wen Zhengming painted the image of Zhong Kui and the ghost scene in his Painting of Zhong Kui. In Chinese culture, Zhong Kui paintings were regarded as having the function of exorcising ghosts and evil spirits, blocking evil spirits, and eliminating disasters. Therefore, they were often used as decorative hanging paintings in homes, offices, and other occasions. In addition, Zhong Kui's paintings often appeared in various cultural exhibition, temple fair, festival celebrations and other occasions, and were deeply loved and appreciated by people.
There were many books on landscape paintings. The following were some of the classics: 1 Introduction to Landscape Painting by Shehelius 2. History of Chinese Landscape Paintings by Yu Ding 3. Techniques of Chinese Landscape Painting by Yu Ding 4. Chinese Landscape Painting Style-by Yang Yun 5. Basic Landscape Painting Course by Zhao Shaoang "Landscape Painting Techniques"-by Chen Chuanxi Chinese Landscape Painting-Liu Lingxiao 8 Elements of Chinese Landscape Painting by Wang Bomin These are some of the more classic landscape painting books. I hope they can be of help to you.
The 100 Series of Chinese Immortals was a set of art books that contained many volumes, including " 100 Chinese Immortals "," 100 Chinese Jiyue "," 100 Chinese Chivalrous Men "," 100 Chinese Buddhist Monks "," 100 Chinese Confucians ", and " 100 Chinese Princes ". This series of books was drawn by Lu Yanguang and written by Wu Lvxing. It was published by New Era Press in 1990 and 1997. Lu Yanguang's paintings used emperors, beautiful women, monks and Buddhas, immortals, and Confucian scholars as their subjects, continuing the tradition of Chinese figure painting. This set of books was widely praised for its quaint style and rich content.