Li Bai's seven-character quatrain, an ancient poem of 56 words
Li Bai's seven-character quatrain was a fifty-six-word ancient poem,"To General Guo." This poem was a seven-character regular poem created by Li Bai. Each line had seven characters, and each poem had eight lines. There were a total of fifty-six characters. This poem described the general's heroic and mighty image of protecting Ziwei in the past. The poem depicted the scene of the general waving his sword to the sky at dawn and returning drunk at dusk. The poem also mentioned the scene of his beloved son blowing the jade flute in the wind, and the beauty dancing in her silk clothes to the moon. This poem showed Li Bai's admiration and admiration for the general.
Li Bai's most domineering poem, a seven-character quatrain
Li Bai's most domineering seven-character quatrain was " Climbing the Phoenix Terrace in Jinling." This poem depicted a phoenix playing on the Phoenix Platform. After the phoenix left, there was only an empty river flowing on the platform. The poem also mentioned the flowers and plants in the Wu Palace and the clothes of the Jin Dynasty, as well as the scene of the three mountains falling into the blue sky and the two rivers dividing the White Egret Island. The whole poem ended with the clouds covering the sun and the scene of Chang 'an being invisible, expressing the magnificence of the magnificent scenery of Chang' an that could not be covered.
Li Bai's Seven-Character Quatrain
Li Bai was a famous poet in the Tang Dynasty. He wrote many beautiful seven-character quatrains. Some of his famous works include "Yellow Crane Tower Seeing Meng Haoran Off to Guangling","Watching the Waterfall of Mount Lu" and "To Wang Lun". " Seeing Meng Haoran Off to Guangling at the Yellow Crane Tower " described the scene of Li Bai and his friends bidding farewell at the Yellow Crane Tower, expressing their feelings of parting and their praise for the Yangtze River. Looking at the Waterfall of Lushan Mountain depicted the magnificent scenery of the waterfall, giving people the illusion that the Milky Way was falling from the sky. "To Wang Lun" expressed Li Bai's deep gratitude to his friend Wang Lun. These seven-character quatrains were famous for their beautiful language and deep emotions, and became one of Li Bai's most famous works.
Ancient poem Li Bai with 6 words and 4 lines
Li Bai's six-character, four-line ancient poem had 'Meditation in a Quiet Night.'
A seven-character quatrain of three words
Cui Hao, a poet of the Tang Dynasty, wrote a seven-character quatrain with three words, titled " Misty Waves on the River." This poem depicted the scene of smoke curling up on the river surface, bringing people a feeling of worry and anxiety. This poem was written by Cui Hao when he visited the Yellow Crane Tower in Wuchang, Hubei Province. Other than that, there was no other information about the three-word quatrain in the search results.
Li Bai's poem with the fewest words
Li Bai had many poems with the least number of words, including "The Bright Moon in Front of the Bed","River Snow","The Mountain Ends in Daytime","Spring Dawn","The Seeker of Hermit Does Not Meet", etc. These poems all expressed profound emotions and artistic conception in concise language, leaving a deep impression on people.
Li Bai's Seven-character Quatrains and Ancient Poetry
Li Bai's seven-character quatrains could be found in many documents. It could be seen that Li Bai had created many seven-character quatrains. Some of the famous seven-character quatrains include Watching the Waterfall of Lushan Mountain (II), Moon Song of Mount Emei, Listening to the Flute in Luo City on a Spring Night, Traveling in a Guest, Giving to Wang Lun, and Giving Meng Haoran to Guangling. These poems were famous for their beautiful language, profound artistic conception, and sincere emotions. However, because the search results provided were incomplete, it was impossible to give a complete collection of Li Bai's seven-character quatrains.
seven-character quatrain
The seven-character quatrain was a genre of traditional Chinese poetry. It originated from the Yuefu songs of the Southern Dynasty or the Yuefu folk songs of the Northern Dynasty. It was finalized and matured in the Tang Dynasty. A seven-character quatrain was composed of four sentences, each of which had seven words and had strict requirements for rhythm. His representative works included Wang Changling's "Furong Lou Farewell Xin Jian," Li Bai's "Early Departure from White Emperor City," and Du Fu's "Meeting Li Guinian in Jiangnan." The seven-character quatrain, with its unique form and beautiful language expression, became one of the most important styles of ancient Chinese poetry.
seven-character quatrain
Seven-character quatrains were a genre of traditional Chinese poetry, belonging to the category of modern poetry. It was composed of four sentences, each of which had seven words, and had strict requirements for rhythm. The seven-character quatrains originated from the Yuefu songs of the Southern Dynasty or the Yuefu folk songs of the Northern Dynasty. They were shaped and matured in the Tang Dynasty. In the Tang Dynasty, the seven-character quatrains reached its peak, and many famous poets created excellent seven-character quatrains. Among them, Wang Changling was known as the " Seven Ultimate Divine Hands ", and Li Bai was also one of the important representatives of the seven-character quatrains. Li Bai's " Moon Song of Mount Emei " and Su Shi's " Dongpo " were both their classics. The seven-character quatrain became one of the most important forms of ancient Chinese poetry with its unique rhythm and beautiful expression.
Which poem is the seven-character quatrain that Fan Xian recited?
The seven-character quatrain Fan Xian had memorized was Li Bai's " Ascending the Mountain."
Which poem is the seven-character quatrain that Fan Xian recited?
The seven-character quatrain that Fan Xian had memorized was Li Bai's " Drinking with the Hidden Man in the Mountains."