What are the inscriptions of Ouyang Xun's regular script?
Ouyang Xun's regular script inscriptions included 'Jiucheng Palace Liquan Inscription',' Huangfu's Birthday Stele','Huadu Temple Stele', etc.
What are the oracle bone inscriptions, Jin Wen, Xiao Zhuan, Li Shu, regular script, cursive script, and running script of the word Cheng?
The oracle bone script, Jin Wen, Xiao Zhuan, Li Shu, regular script, cursive script, and running script of the word Cheng were: Oracle Bone Inscription: (héng) Bronze Character: (héng) Small Seal Script: (héng) Official script: (héng)𐍢𐍤𐍩 Regular script: (héng)𐍢𐍤𐍩 Cursive Script: (héng)𐍢𐍤𐍩 Running Script: (héng) Among them, the word "Cheng" in the inscriptions on bones and tortoise shells and the inscriptions on gold were all single characters, while in the small seal script, official script, regular script, and cursive script, the word "Cheng" was written in the form of two or more Chinese characters to express more meanings and changes.
Ouyang Xun's Calligraphy
Ouyang Xun was a famous calligrapher in the Tang Dynasty. His calligraphy style was mainly regular script, which was called "European Style". His calligraphy was featured by its rigor, neatness, flat, straight and strong, slightly long but neat and rigorous font, tight middle palace, elongated strokes, and unrestrained momentum. Ouyang Xun had summed up the eight methods of practicing calligraphy in his long-term calligraphy practice. These experiences were regarded as valuable calligraphy theoretical heritage. His representative works included the "Ninety percent Palace Liquan Inscription" and others. Ouyang Xun's calligraphy was recognized as the best in regular script and had an important influence on the history of Chinese calligraphy and the history of calligraphy in the world.
What are Ouyang Xun's calligraphy works?
Ouyang Xun's calligraphy works include "Jiucheng Palace Liquan Inscription,""Huangfu Dan Stele,""Huadu Temple Stele,""Huadu Temple Yi Zen Master Stupa Inscription,""Yu Gonggong Wen Yanbo Stele,""Zhongni Dream Dian Tie,""Running Script Thousand Words,""Bu Shang Tie,""Zhang Hansi Perch Tie," etc.
Ouyang Xun's Representative Calligraphy
Ouyang Xun's representative calligraphy works included "Jiucheng Palace Liquan Inscription,""Huangfu's Birthday Stele,""Huadu Temple Stele,""Zhongni Dream Dietie," and "Running Script Thousand Words."
The characteristics of Liu Gongquan's regular script
The characteristics of Liu Gongquan's regular script were vigorous, steady but not ordinary, dangerous but not strange, old but not withered, moist but not fat, harmonious and charming. His strokes were even, hard, and thin, with exposed edges and corners. They were rich in variation, avoiding monotonous repetition. Most of the horizontal paintings are square and round, with strong bones, clear starting and ending, short horizontal thick, long horizontal especially slender, delicate and beautiful. The vertical painting is powerful, tall and thin, concise and solid, sharp strokes, heavy and short strokes, and clean strokes. On the whole, it was introverted and outward expansion, the middle palace tightened, and the limbs spread out. In the rigorous, it showed a loose and open demeanor. Liu Gongquan's regular script was known for its strength and strength. It had three characteristics: square and round, thin and hard, and rigorous structure. The characteristic of his handwriting was the "bone rhythm", which meant that the strokes were full of strength, the bones and muscles were distinct, and there was a sense of rhythm between the strokes. His calligraphy also paid attention to the rules and regulations. He handled the relationship between words and passages just right to form a perfect overall effect. Liu Gongquan's regular script had a great influence on later calligraphers. His works were widely read, and his calligraphy ideas and methods were inherited and used by later calligraphers.
Yan Zhenqing's Small Regular Script
Yan Zhenqing's small regular script works include "Magu Immortal Altar Record."
Ouyang Xun's Representative Works and Calligraphy
Ouyang Xun's representative works included the Inscription of Jiucheng Palace's Liquan, the Stele of Huangfu's Birth, and the Inscription of the Buddhist Monk's Stupa in Huadu Temple. Ouyang Xun's calligraphy was strict, neat, and upright. Although his font was slightly longer, it was divided into white, neat and rigorous, the middle palace was tight, and the main pen was elongated, making it seem bold and unrestrained, sparse and dense, all sides were prepared, exquisite, lively and just right. In terms of the combination of dots and the arrangement of the structure, most of his words expanded to the right, but the center of gravity was still very stable. There was no sense of tilting, but the interest of danger in the right. Ouyang Xun's regular script was mostly in regular script. His writing style was square, slightly formal, strong and meticulous. His calligraphy was called the European style, which emphasized the strength of his fingers. The strokes he wrote were strong and firm, and the backbone was contained. It was neither too thin nor too full. Every stroke was too long and too short. The weight was appropriate and the length was just right.
What are the useful regular script copybooks?
A good regular script copybook could help the learner practice the correct writing posture and stroke skills to improve the writing level. The following are some useful regular script copybooks: [1. Ninety percent Palace Liquan Inscription]: This was one of Ouyang Xun's representative works, the most standard and elegant of the regular script. 2. Mysterious Secret Tower Stele: This is one of Yan Zhenqing's representative works. It has a strong personal style and is also an important classic in regular script. 3. Preface to the Orchid Pavilion: This is one of the representative works of Wang Xizhi, a great calligrapher of the Tang Dynasty. It is regarded as a classic work in the history of Chinese calligraphy. 4."Sacrifice to Nephew Manuscript": This is one of the representative works of Yan Zhenqing, a calligrapher of the Tang Dynasty. It has deep emotional content and a unique artistic style. 5. Cold Food Poetry Calligraphy: This is one of the representative works of Zhao Mengfu, a calligrapher of the Song Dynasty. It is a precious legacy in the history of Chinese calligraphy. These regular script copybooks were good choices for learning calligraphy. They could help the learner better grasp the strokes, structure, style, and other aspects of regular script.
What is a comic script and how is it different from a regular script?
A comic script is basically a blueprint for a comic. It lays out everything from the sequence of events to the expressions on characters' faces. Unlike a regular script for plays or films, it has to account for the unique way comics convey information through images and text. For example, it might specify how many panels are on a page and what's shown in each one.
Chu Suiliang's Best Regular Script Calligraphy
Chu Suiliang's best regular script was the Preface to the Holy Church of the Wild Goose Pagoda.