Shen Jianqiang's wife, He Ye's purple sand introduction
He Ye was a purple clay teapot artist. He was born in Yixing, Jiangsu Province in October 1975. She had a strong interest in the art of purple clay pots since she was young. After graduating from junior high school, she began to learn how to make purple clay products. Starting from purple clay flower pots, she gradually improved her production skills and learned how to make purple clay pots. In 1997, He Ye became a disciple of Shen Jianqiang, a master of ceramic art in Jiangsu Province, and the production technology of purple clay pots developed by leaps and bounds. She also received the title of National Senior Industrial Artist and won awards in many competitions. He Ye's works were famous for their poetic and artistic sense and exquisite workmanship, forming his own unique artistic style. There was no relevant information about the personal life and background of Shen Jianqiang's wife, He Ye.
Fan Jianqiang's Purple Sand Teapot
Fan Jianqiang was an excellent artist of purple clay pots and porcelain. His works were highly appreciated and loved in the world of purple clay teapots. Fan Jianqiang's works included the series of " Aofan Kettle,"" Heaven and Earth Fangyuan,"" Gentleman Huaide Kettle," and " Dafu." These works had been selected for the Olympic Sailing Competition, the National Gift Purple Sand, and were permanently collected by the Guangxi Museum. They were awarded the Outstanding Award of the Chinese Arts and Crafts "Hundred Flowers Award" for outstanding works, and were permanently collected by the Republic of Korea's ceramic culture museum. Fan Jianqiang's works had a clear design concept, and the production was constantly improving. His original inlaid series was deeply loved by purple sand lovers at home and abroad. His works had a leading position in the history of the development of purple sand.
Fan Jianqiang's Purple Sand Pot Collection
Fan Jianqiang's works of purple clay teapots included "Confucian Style,""Lingyun Xiuzhu,""Li Fang,""Zhiyuan Shoufang," etc. His works were featured by simple simplicity, and small and exquisite appearance. The movement between the pot body and the spout, the handle, and the handle were in harmony, showing artistic tension and spirit. Fan Jianqiang's works were refined and meaningful, full of vitality and vitality, full of the Zen of melting tea. He liked to incorporate bamboo elements into his works to create unique purple clay teapots. Although there was no mention of a specific collection of purple clay pots, Fan Jianqiang's works were loved by purple clay lovers for their unique style and exquisite craftsmanship.
Fan Jianqiang, Master of the Purple Sand Pot
Fan Jianqiang was a national craftsman and an outstanding young ceramist. He was born into the Fan family of ceramists and began to work on purple sand crafts in the 1990s. He had received the guidance and teachings of many masters such as Fan Weiqun, the third generation descendant of Dasheng, and Yin Xiaorong, the national master of arts and crafts. He had a deep understanding and understanding of the production and creation of purple sand. Fan Jianqiang was firmly on the path of inheriting and developing the art of purple sand. His works had a clear design concept, and the production was constantly improving. He mainly used the large inlaid series to form his own unique style. His works were in a leading position in the history of purple sand development and were deeply loved by purple sand lovers at home and abroad.
Fan Jianqiang, Master of the Purple Sand Pot
Fan Jianqiang was a national craftsman and an outstanding young ceramist. He was born in the Fan family of ceramists. He began to work on purple clay crafts in the 1990s and was carefully taught by Fan Weiqun, a senior craftsman who was the third generation descendant of Dasheng. Later, he also received guidance from the national master of arts and crafts, Mr. Yin Xiaorong, and other masters. He had a new understanding and understanding of the production process and creation. Fan Jianqiang firmly followed the path of inheritance and development of art, constantly creating new products and striving for exquisite craftsmanship. His works had a clear design concept, and his production was constantly improving. He mainly focused on the large-scale inlaid series, gradually forming his own unique style. Fan Jianqiang's purple clay teapot works were highly praised and loved, including the "Aofan teapot","Heaven and Earth Fangyuan" series,"Gentleman Huaide teapot" and "Dafu". His works had a leading position in the field of purple clay pots and were deeply loved by purple clay lovers at home and abroad. However, there was no clear information about the specific price of Fan Jianqiang's purple clay teapot.
Fan Jianjun's Introduction to Purple Sand
Fan Jianjun, also known as Yiming, was a master of ceramic art and arts and crafts in Jiangsu Province. He had rich experience and attainments in the field of purple sand art. Fan Jianjun had learned purple clay carving skills from Bao Zhiqiang, a master of Chinese arts and crafts. He also learned teapot making skills and purple clay pottery design under the guidance of his mother, Cao Wanfen. His works were a combination of poetry, calligraphy, painting, literature, seal carving, stone carving, and other decorative arts. They were integrated with the teapot shape, emitting a simple, straightforward, and quaint atmosphere. They subtly expressed the interest of modern people in retro and traditional. Fan Jianjun's work was skillful with the knife, and the lines were smooth, forming a unique style of purple sand "micro-carving" decoration. His purple clay teapot works were very popular, and pictures of his works could be found on related websites.
Introduction to Wang Fengying's Purple Sand
Wang Fengying was a purple clay carving artist from the Republic of China to the early years of Liberation. Her works were simple but full of craftsmanship. They had a strong charm of Chinese calligraphy and painting, and did not lose their artistic level. Her stage name was the stone carved purple clay teapot.
Introduction to Wu Liujun's Purple Sand
Wu Liujun was an outstanding young ceramist. He was born in Yixing, Jiangsu Province, and was a member of the Zisha Arts and Crafts Association. He received professional studies and advanced studies at the Nanjing Institute of Art and the Central Academy of Arts and Crafts. Wu Liujun's works were featured by smooth lines and deep foundation. They had both traditional performance and personality. His purple clay teapot works were loved by collectors and art lovers because of their exquisite craftsmanship and unique design. Wu Liujun's works had been invited to be exhibited many times and won awards. Some of his works were even permanently collected by the museum. He was a highly acclaimed master of the purple clay teapot.
Fan Jianhua's Introduction to Purple Sand
Fan Jianhua was a master of ceramic art in Jiangsu Province. He was also a senior craftsman and a famous master of Yixing Purple Sand Teapot. She was born in 1964. In 1982, she entered Yixing Purple Sand Craft Factory to study under the famous master of arts and crafts, Lv Yaochen. Fan Jianhua was good at making all kinds of purple clay ware, especially flower ware and vein ware. Her works were simple and elegant, with smooth lines and exquisite and beautiful features. Fan Jianhua's works had won many awards, such as the second prize of China Yixing International Porcelain Exhibition and the 7th National Excellence Award for Porcelain Evaluation. She had been pursuing the art of purple sand for 35 years. She integrated her personal thoughts on the basis of tradition and created works with her own style.
Introduction to Chu Liqiang's Purple Sand
Chu Liqiang was born in Yixing, Jiangsu Province in 1966. He was a master of purple clay teapot. He had been interested in purple clay pots since he was a child and learned how to make purple clay pots from Wu Yufang in 1990. He also received guidance from Wang Yinxian, Xu Hantang, and other masters, which allowed him to make rapid progress in his craftsmanship. Chu Liqiang's works were novel, simple, and elegant. The style was elegant, solemn, and full. It was connected smoothly and the transition was comfortable. It had reached a very high level of skill. He pursued perfection in his workmanship. He hand-made square and round objects in a unique style. His works have been awarded many times in domestic and foreign exhibition evaluations, and have been collected by many cultural relics units such as the Wuxi Museum. They are deeply loved by scholars at home and abroad. He won the gold medal in the 1999 China National Arts and Crafts Master Exhibition.
Fan Xuejun's Purple Sand Teapot Introduction
Fan Xuejun was a state-level assistant craftsman. He was born in 1965 and was a pottery artist in Yixing, the hometown of purple sand art. He had been influenced by the art and culture of purple sand since he was young, and he had a special liking for purple sand techniques. In 1983, he was admitted to the Second Purple Sand Craft Factory to study the art of purple sand, and was personally guided by Yang Qinfang, a senior craft artist from Jiangsu Province. Fan Xuejun had made great progress in his production skills. He combined his own creative designs, constantly studied the sand art styles of various eras, and integrated modern theoretical knowledge to constantly enrich himself. His works were filled with emotion, inspired with new ideas, and inherited and carried forward tradition. Fan Xuejun's purple clay teapot works had won many awards and were favored and praised by collectors and industry insiders at home and abroad.