Wanrong eating flowers represented her emotional hunger and inner sadness. In the movie The Last Emperor, Wanrong was an extremely lonely and depressed character. She expressed her desire for the identity of the empress and her longing for Pu Yi by eating flowers. This detail symbolized her inner emotional needs and the pain in her heart. This plot design gave the audience a deeper understanding of Wanrong's inner world and her predicament in the royal life.
It accurately represents the true story by depicting the brutality of the Japanese army during the Nanjing Massacre. The fear and desperation of the Chinese people are also well - shown. For instance, the scenes of the attacks on the city and the plight of the women.
There were different opinions on whether Wanrong had children. There was some information that Wanrong had given birth to a child, but the father was not Puyi but a guard. The baby was a girl, born between October 1934 and January 1935. However, there was no conclusive evidence for these claims in the history circle, and there was no detailed list of the specific names of the guards. In addition, there were also some claims that Wanrong's child was Pu Yi's, but was later burned by Pu Yi. Because the search results provided did not have a clear answer, there was no conclusive evidence on whether Wanrong had a child.
Wanrong's ending was very tragic. Wanrong died in 1946 in prison in Yanji, in the Jilin Province. After she was captured by the Red Army of the Soviet Union, she was completely abandoned by Pu Yi. She did not get a proper funeral or a cemetery of her own. There was no definite information about the whereabouts of her body. Therefore, Wanrong's specific ending was still an unsolved mystery.
A single flower represented beauty, faith, the expression of emotions, as well as a symbol of love, friendship, and joy. It represented personal happiness and could lead people into a beautiful world full of spring.
The sunset represented the end of the day and the beginning of a new chapter. It symbolized the passage of time and the cycle of life. The sunset could also bring hope and beauty, allowing people to experience the magnificent scenery of nature. It was a turning point, reminding people to let go of the burdens of the past and welcome new challenges and opportunities. The sunset could also symbolize death and the end, but it also represented the possibility of new life and rebirth. In short, the sunset had a rich symbolic meaning. It could be interpreted and felt in different ways by different people.
Jiang He was a metaphor for great power and lasting influence. To be more specific, Jiang He was a metaphor for the decline of talents, clans, and nations. This idiom was often used to describe a state where a certain power and influence gradually weakened and declined.
The Heavenly God represented the gods in Chinese mythology, including the God who ruled the universe, the God who was in charge of the sun, moon, stars, wind, rain, and life. In Taoism, the heavenly god was the god of heaven, the foundation and master of nature. The heavenly gods lived in the heavens and were born from the Dao Qi. They were divided into thirty-six heavens. The Heavenly God represented the will of heaven and the Heavenly Dao. It was the law of operation and the supreme law of all things in the world. In ancient Chinese philosophy and mythology, the concept of gods was deeply implanted in people's hearts. People had reverence and worship for gods.
The temple represented the imperial court, which was the place where ancient emperors held sacrifices and held meetings. The term " temple " originally referred to the Ming Hall of the Imperial Ancestral Temple. Because ancient emperors had to offer sacrifices to the ancestral temple and discuss matters in the Ming Hall on important matters, the term " temple " gradually became a name for the imperial court. The temple could also be used to refer to the central government headed by the monarch. Fan Zhongyan said in the Yueyang Tower: "When you are at the top of the temple, you will worry about your people", expressing the concern of the intellectual for the country and the people. The term 'temple' often appeared in ancient texts to describe the rule of emperors and the institutions of government.
The white chips represented the average cost. The white line represents the average cost of the chips, which represents the average cost of all traders until a certain day. The position of this white line on the chip chart could help investors understand the cost distribution of the stock.
Sangzi represented his hometown or fellow villagers. In ancient times, people often planted mulberry trees and catkins beside their houses, so they called their hometown "mulberry". This word was often used in ancient poetry to express nostalgia and deep love for their hometown.