The Story of Guan Hanqing's Single Blade Club
The Single-Blade Club was a play by Guan Hanqing, a dramatist of the Yuan Dynasty. It told the story of Guan Yu, who went to a banquet set up by Lu Su with his wisdom and bravery, and finally returned safely. In the story, in order to reclaim Jingzhou, Lu Su invited Guan Yu to a banquet and secretly set up an ambush. He also invited Guan Yu's old friend Sima Hui to accompany him to the banquet and persuade him to drink. Sima Hui refused and warned Lu Su not to act rashly. After Guan Yu received the letter of invitation, he knew that it was a trick, but he still brought Zhou Cang to the meeting alone. Guan Ping and Guan Xing led the army to meet him by the river. During the banquet, the two of them exchanged words, but Lu Su could not win. Guan Yu was both brave and intelligent, and he managed to intimidate Lu Su so that he didn't dare to use the soldiers in ambush. In the end, he returned safely. This story was not only a battle of life and death, but also a celebration of wisdom, courage, and persistence.
The Story of the Single Blade Club
The Single-Blade Meeting was a famous drama of the Three Kingdoms in the Yuan Dynasty. Its full name was King Guan's Solitary Attendance at the Single-Blade Meeting. The story happened after the Battle of Red Cliff. Lu Su wanted to reclaim Jing State, so he invited Guan Yu to a banquet. After Guan Yu received the invitation, he knew that it was a scam, but he still decided to go to the meeting alone. At the banquet, Lu Su proposed to return Jing Zhou to him, but Guan Yu firmly refused. In the end, Guan Yu had both wisdom and courage, successfully intimidating Lu Su and returning safely.
The Story of the Single Blade Club
The storyline of the Single Blade Club was that Guan Yu relied on his wisdom and bravery to go to the banquet set by Lu Su and finally returned safely. In the story, in order to reclaim Jingzhou, Lu Su invited Guan Yu to a banquet and secretly set up an ambush. After Guan Yu received the letter of invitation, he knew that it was a trick, but he still brought Zhou Cang to the meeting alone. At the banquet, Guan Yu and Lu Su had a verbal confrontation, which eventually shocked Lu Su so much that he did not dare to use the soldiers in ambush. Guan Yu finally returned safely. This story praised Guan Yu's brave spirit and extraordinary wisdom.
The Story of the Single Blade Club
The story of the Single Sword Club was that Guan Yu went to the banquet set up by Lu Su with his wisdom and bravery, and finally returned safely. In the story, in order to reclaim Jingzhou, Lu Su invited Guan Yu to a banquet and secretly set up an ambush. After Guan Yu received the letter of invitation, he knew that it was a trick, but he still brought Zhou Cang to the meeting alone. At the banquet, Guan Yu and Lu Su had a verbal confrontation, which eventually shocked Lu Su, making him not dare to use the soldiers in ambush. Guan Yu finally returned safely. This story praised Guan Yu's brave spirit and extraordinary wisdom.
The Story of the Single Blade Club
The storyline of the Single Blade Club was that Guan Yu relied on his wisdom and bravery to go to the banquet set by Lu Su and finally returned safely. In the story, in order to reclaim Jingzhou, Lu Su invited Guan Yu to a banquet and secretly set up an ambush. After Guan Yu received the letter of invitation, he knew that it was a trick, but he still brought Zhou Cang to the meeting alone. At the banquet, Guan Yu and Lu Su had a verbal confrontation, which eventually shocked Lu Su so much that he did not dare to use the soldiers in ambush. Guan Yu finally returned safely. This story praised Guan Yu's brave spirit and extraordinary wisdom.
Dramas of Guan Hanqing
Guan Hanqing's Drama Collection was the complete collection of Guan Hanqing's existing Zaju and Sanqu works. The drama series was edited by Wu Xiaoling, Shan Yaohai, Li Guoyan, and Liu Jian, and was published by the China Drama Press in 1958. The book included 18 kinds of opera works by Guan Hanqing, including "Touching Heaven and Earth Dou E's Injustice","Zhao Pan 'er's Wind and Moon Rescue the Wind and Dust","Bao Daizhi's Wisdom Beheads Lu Zhailang" and so on. The order of these works was determined according to the era of the story. Guan Hanqing was an opera writer of the Yuan Dynasty. His works were famous for their profound theme, rigorous structure, lively and vivid images, and simple language. His works exposed the darkness and ugliness of the Yuan Dynasty, attacked the feudal ethics, and praised heroes and noble sentiments. Guan Hanqing's collection of plays had an important influence on the history of Chinese drama and was widely studied and appreciated.
Guan Hanqing's Four Masterpieces
Guan Hanqing was a famous opera of the Yuan Dynasty. His four masterpieces included The Legend of the White Snake, The Peony Pavilion, The Romance of the Western Chamber and Dou E's Injustice. These four works were all classic works in the history of Chinese literature. They were widely read and adapted, and had a profound impact on the development of later dramas, novels, television dramas and other literary works. Among them, Legend of the White Snake was hailed as a classic in the history of Chinese opera and one of the treasures of Chinese culture.
Guan Hanqing's main works
Guan Hanqing's main works were Dou E's Injustice, Saving the Wind and Dust, Wangjiang Pavilion, Lu Zhailang, and the Single Knife Club.
The background of the Single Blade Club
The background of the Single Blade Club took place during the Three Kingdoms period. The specific time was after the Battle of Red Cliff, which was the 13th year of Jian 'an in the Eastern Han Dynasty. At that time, Liu Bei and Sun Quan's alliance defeated Cao Cao's army at Red Cliff. Liu Bei seized the opportunity to occupy Nanjun, Jingzhou, and Xiangyang, which had originally belonged to Liu Biao, and sent Guan Yu to guard Jingzhou. Liu Bei then marched into Sichuan and occupied Hanzhong, posing a new military threat to Sun Quan. Sun Quan believed that the three prefectures of Jingzhou should have belonged to Dongwu, so he asked Liu Bei for Jingzhou. In order to solve this problem, Lu Su planned to invite Guan Yu to a banquet across the river and secretly set up an ambush to capture Guan Yu. This was the background of the story of the Single Blade Club.
The story of the single-blade club is probably the plot
The story of the Single Blade Club was that Guan Yu went to the banquet set up by Lu Su with his wisdom and bravery, and finally returned safely. In the story, in order to reclaim Jingzhou, Lu Su invited Guan Yu to a banquet and secretly set up an ambush. After Guan Yu received the letter of invitation, he knew that it was a trick, but he still brought Zhou Cang to the meeting alone. At the banquet, Guan Yu and Lu Su had a verbal confrontation, which eventually shocked Lu Su, making him not dare to use the soldiers in ambush. Guan Yu successfully escaped and returned safely. This story sang the praises of Guan Yu's brave spirit and extraordinary wisdom.
1. What are Guan Hanqing's artistic achievements in Yuan Qu creation? 2. Among Guan Hanqing's Yuan songs, which one best reflects Guan Hanqing's character?
Guan Hanqing was a Yuan Qü. His artistic achievements were rich and colorful. Guan Hanqing had a large number of Yuan Qu works, among which the representative works were "Bao Gong Chu Jiang Ru Xiang","San Yan" and "Si Yan". These works expressed historical events and characters in the form of comedy. The language was humorous, the structure was rigorous and ingenious, and it had extremely high artistic value. Guan Hanqing's Yuan Qu works had strong local characteristics. He created many characters from different regions, such as Zhang Sheng in Xie Yaohuan and Bai Suzhen in the Legend of the White Snake. These works expressed the characteristics of the local culture in Yuan Qü and contributed to the development of Yuan Qü art. Guan Hanqing's Yuan Qu works created many distinct characters. Among them, Chen She in Chen She Ju Yi and Dou Tianzhang in Dou E Yuan Qu became deeply rooted in the hearts of the people and became literary classics of later generations. As for which Yuan Qu could best reflect Guan Hanqing's character, it needed to be analyzed in detail. Because Guan Hanqing had a large number of works, everyone might have different understandings and views on Guan Hanqing's character. However, characters such as Jia Baoyu from 'Dream of the Red Chamber' and Lin Chong from 'Water Margins' were deeply reflected in Guan Hanqing's Yuan Qu works.