Yan Zhenqing's works include "Praise of Dongfang Shuo's Portrait,""Sacrifice to Nephew Manuscript,""Pagoda Stele,""Yan Qinli Stele,""Self-written Record,""Magu Immortal Altar Record,""Battle for Seat Manuscript,""Guo Xuji Epitaph," etc.
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Yan Zhenqing's calligraphy works had the following characteristics: First, it was magnificent. His works gave people a solemn and vigorous feeling. Through the strong and powerful strokes, vigorous layout and rich ink color, it created a strong visual impact. The second was the beautiful and elegant shape. Yan Zhenqing paid attention to the smoothness and beauty of the shape. He was good at using the basic strokes to skillfully combine them together to form a harmonious and varied form, making his works appear elegant and elegant. The third was the vigorous and powerful style of the strokes. Every stroke of Yan Zhenqing's calligraphy was full of strength and perfect. His works also had outstanding emotions and spirituality. The thoughts in his writing were natural and strange, expounding a lot of life insights, and the realm of his thoughts was grand and open. In general, Yan Zhenqing's works displayed unique artistic features in terms of momentum, beauty of shape, and strokes.
Yan Zhenqing's works had the following characteristics: magnificent and magnificent, diverse in style, upright in style, innovative in strokes, firm in writing, vigorous in writing, natural in style, clean and charming in stippling, dripping with vitality, old and bold.
Yan Zhenqing had many representative works, some of which were more famous, including "Sacrifice to Nephew Manuscript","Pagoda Stele","Persuade to Learn","Yan Qinli Stele","Yan Family Temple Stele" and so on. These works displayed Yan Zhenqing's unique calligraphy style, which was dignified, vigorous, and heavy. Later generations praised him as the founder of the Yan Style. The Manuscript of Sacrifice to Nephew was a funeral oration written by Yan Zhenqing in memory of his nephew Yan Zhitui. It was praised as the second running script in the world. The Pagoda Stele was Yan Zhenqing's early masterpiece, showing his calligraphy attainments and artistic talent. 'Persuade to Learn' was a seven-character ancient poem written by Yan Zhenqing, and it was also one of his representative works. Yan Qinli Stele was a Shinto Stele that Yan Zhenqing wrote for his great-grandfather Yan Qinli. It was one of his representative works in his later years. These works not only had high artistic value, but also demonstrated Yan Zhenqing's talent and love for calligraphy.
Yan Zhenqing's representative works include "Sacrificial Nephew Manuscript,""Pagoda Stele,""Persuade to Study Poetry,""Yan Qinli Stele,""Begging for Imperial Letter to Set Free Pond Stele Table,""Xianyu's Record of Leaving the Dui,""Guo Family Temple Stele,""Self-written Letter to Tell the Body,""Scrambling for a Seat,""Magu Immortal Altar Record," and so on.
Yan Zhenqing's works were distinguished by their dignified appearance, square style, vigorous strokes, and magnificent momentum.
Yan Zhenqing's main works include "Sacrificial Nephew Manuscript,""Pagoda Stele,""Praise of Dongfang Shuo's Portrait,""Yan Qinli Stele,""Magu Immortal Altar Record,""Scramble for Seat Manuscript,""General Pei Post,""Self-written Letter to Body,""Liu Zhong Envoy Post,""Huzhou Post," etc.
Yan Zhenqing's calligraphy was distinguished by its awe-inspiring, vigorous, and heroic style. His regular script was called Yan Style, which had a square and dense structure. It was light in horizontal strokes and heavy in vertical strokes. His strokes were vigorous and upright. Yan Zhenqing's calligraphy works were full of power and vitality. The strokes and lines were carefully arranged and sketched, giving people a majestic feeling. His calligraphy style was unique, with a backbone and a strong beauty. Yan Zhenqing's representative works included "Sacrificial Nephew Manuscript","Yan Family Temple Stele","Duobao Pagoda Stele" and so on. Among them,"Sacrificial Nephew Manuscript" was known as "the second cursive script in the world", showing the extraordinary style of Yan Zhenqing's cursive calligraphy. 'Yan Family Temple Stele' was one of his representative works in regular script. It was dignified and magnificent. The Pagoda Stele was Yan Zhenqing's early masterpiece. The regular script was square and the strokes were smooth. Yan Zhenqing's calligraphy works had become an important chapter in the history of Chinese calligraphy with its unique style and strokes.
Among Yan Zhenqing's calligraphy works, some were very famous and highly respected, including Yan Qinli Stele. This was the Divine Stele that Yan Zhenqing had written for his great-grandfather, Yan Qinli. It recorded the Yan Clan's lineage and Yan Qinli's life story. Yan Qinli Stele showed the mature style of Yan Zhenqing's regular script. His writing style was vigorous, dignified and elegant, and the font structure was rigorous yet flexible. Yan Zhenqing was good at using techniques such as lifting, pressing, and stopping to make the strokes and lines show rich changes, both powerful and rhythmic. This stele also demonstrated Yan Zhenqing's superb ability to form words. He handled the interweaving and evading between strokes, making every word present a harmonious beauty. The entire work was unified without losing its changes, full of vivid charm. Yan Qinli Stele had the characteristics of dignified and open-minded, relaxed and cheerful, the combination of movement and stillness, the combination of cleverness and awkwardness, and grace and generosity. The brush is horizontal, thin and vertical, thick and thick, hiding the head and protecting the tail, using both square and round, vigorous and powerful. The vertical painting takes the momentum of "facing each other". The vertical painting is thick and the goose tail is forked. The hook is like a bird's beak. The momentum between the dots is coherent. This stele emphasized laws and regulations, and it had the aura of the Great Tang. Yan Qinli Stele was one of Yan Zhenqing's representative works of regular script in his later years and was considered a treasure of his calligraphy art.
Yan Zhenqing's calligraphy work,'Persuade Learning,' was a seven-character ancient poem. Through the description of the learning environment, this poem expressed the meaning that one should study hard when they were young, and study late when they were old. The poem exhorted teenagers to cherish their youth, study hard, and make a difference. Otherwise, it would be too late to regret when they reached old age. This poem was written by Yan Zhenqing to encourage future generations, showing his emphasis on learning and his attitude of cherishing time. Yan Zhenqing was a famous official and calligrapher of the Tang Dynasty. His calligraphy works were known as one of the "Four Masters of Regular Script".