Appreciation of Calligraphy Works at the Yan Style National Exhibition
The calligraphy works of the Yan Style National Exhibition had a rich variety of styles and techniques of expression. In the National Exhibition, Yan Style Regular Script works often stood out with their unique innovation and personality. These works not only retained the basic characteristics of the Yan style, but also underwent some transformations and innovative processing, so that they could not only show the style of the Yan style, but also show the author's own personality. Yan Style Regular Script works were also very good at handling the rules. Through the size of the font, the thickness of the lines, the ink color, and other changes, they constructed a natural and smooth structure. In addition, some interesting elements were often added to the works to make them more lively and interesting. In the National Exhibition, the style of Yan Style regular script works was diverse and varied. It also incorporated the pen meaning of "Roast Chicken Style", showing the author's talent and creativity. In general, the calligraphy works of the Yan Style National Exhibition had a rich form of expression and a unique personality, leaving a deep impression on people.
Appreciation of Yan Style Calligraphy
We are unable to provide pictures of Yan calligraphy works.
Calligraphy Works at the National Exhibition of Han Bamboo Slips
From the reference materials, some calligraphy works participated in the national exhibition in the style of Han bamboo slips. For example, in the 12th National Calligraphy and Seal Cutting Exhibition, there were works of Han Bamboo Slips. Some calligraphers took Han Bamboo Slips and other folk calligraphy as their target and participated in the National Calligraphy Exhibition and won awards. For example, Yu Jizhong's award-winning works in the first National Short Calligraphy Exhibition had obvious Han Bamboo Slips style. These calligraphy works of the National Exhibition of Han Bamboo Slips had a unique style and significance. From the perspective of style, Yu Jizhong's works were bold and vigorous. He pressed more than lifted. The strokes were thick and full, and there was a leap in the calmness. Although there were few changes in the tone and the strokes were easy to repeat, there was a heroic spirit. There was a lack of change in the tone of the ink, and the method was simple. The book was full and let it blur. The overall idea sometimes had a situation of stagnation. In terms of significance, the works in the style of Han Bamboo Slips reflected the creative concept of "diverse and inclusive" of the China Calligraphy Association, and had positive significance in promoting regional culture (Han Bamboo Slips were an important representative of Gansu regional culture) and avoiding collision with mainstream calligraphy. At the same time, the appearance of a large number of bamboo slips from the Qin and Han Dynasties also filled in the gaps in the history of calligraphy from the Qin Dynasty to the Eastern Han Dynasty, forming a bamboo slip calligraphy system that covered a variety of calligraphy, providing valuable information in many aspects for the study of history. The original novel of "The Shadow of Beacon Burning Plum Fragrance" was "The Hitman's Diary of the Pseudo Song Dynasty." The original plot was equally exciting. You can click on the link below to read the original novel.
Appreciation of Pavilion Style Calligraphy Works
The pavilion style calligraphy was a style of calligraphy from the Ming and Qing Dynasties. It was neat, smooth, and vigorous. Shen Du of the Ming Dynasty was one of the representatives of the pavilion style calligraphy. His work, Jing Zhai Zhen Ce, was considered to be the highest level of the pavilion style calligraphy. This work had a standard font, strong strokes, even knots, neat rows, rich appearance, elegant grace. In addition, the court examination paper of Zhao Bingzhong, the top scholar of the Ming Dynasty, was also one of the precious relics of Guange calligraphy. Guange calligraphy was widely used in court documents and imperial examinations during the Ming and Qing Dynasties. Its standardized font and easy-to-read characteristics made it an official calligraphy style. However, for the development of the art of calligraphy, Pavilion Style Calligraphy was sometimes considered an obstacle because it was too standardized and lacked personal style and innovation. In general, the works of calligraphy in the pavilion style were still worth appreciating and learning today because they showed the skills and talents of calligraphers in the Ming and Qing Dynasties.
Appreciation of Calligraphy Works
All the famous calligraphers of the past had created calligraphy works with the word "Fu". These works displayed the word "Fu" in different calligraphy styles for people to appreciate. Among them, there were five types of calligraphy: seal script, official script, regular script, running script, and cursive script. These works displayed the talent and artistic style of the calligraphers. For example, the character "Fu" written by Emperor Kangxi was considered to be a symbol of infinite mystery and infinite blessings. In addition, Wang Xizhi, Zhiyong, Ouyang Xun, Chu Suiliang, Yan Zhenqing and other ancient calligraphers also created exquisite works of the word "Fu". These works not only had artistic value, but also symbolized good fortune and good luck.
Exhibition of photography, calligraphy and painting works
The following are some of the photography and calligraphy works in the exhibition: - The 28th National Photographic Art Exhibition was held in Taizhou City, Zhejiang Province (Linhai) in November 2021. It was organized by the China Federation of Literature and Art Circles and the China Photographers Association. - "Haihe Love·Enze Grassland_Auspicious Gan Nan Painting and Calligraphy Exhibition" opened in Dongli District Art Museum on November 12. 200 works including calligraphy, art, photography and other contents will be exhibited. It will end on November 17. It will show the achievements of Tianjin City in helping Gan Nan in the form of art, and comprehensively display the natural scenery, folk customs and development changes of Gan Nan. - The National Geography Classic Image Exhibition would be held in 2023. Two tickets were 99 yuan, and student tickets were 39 yuan. More than 100 master-class photography works could be seen. - Shanghai City Caoyang Polytechnical School launched a photography, calligraphy and painting exhibition with the theme of "The Spring of the New Era". More than 200 students 'photography, calligraphy and painting works and more than 40 creative works were exhibited. - To celebrate the 75th anniversary of the founding of the People's Republic of China, on the afternoon of September 30th, the Damei Painting and Calligraphy Exhibition and the Great Changes Photographic Exhibition were held in the gallery. Among them, the Damei Painting and Calligraphy Exhibition exhibited 92 works, and the Great Changes Photographic Exhibition exhibited 75 groups of photographic works, focusing on the historical changes that had taken place in many aspects in the past 75 years. - Xinxiang City Overseas Chinese Merchants Painting and Calligraphy Institute had relevant exhibition. The leaders of Henan Province People's Congress Painting and Calligraphy Research Institute went to Xinxiang City Overseas Chinese Merchants Painting and Calligraphy Institute to conduct research and guidance and visit the exhibition. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Appreciation of Lanting Calligraphy Works
Lanting's calligraphy works were worth appreciating. Take Wang Xizhi's Preface to Lanting Collection as an example. It was a preface written by Wang Xizhi, Xie An, Sun Zhuo, and other forty-one people during a gathering at Lanting on Kuaiji Mountain on March 3, in the ninth year of Yonghe of the Eastern Jin Dynasty (353). From a literary point of view, this article started from the customs of the Eastern Jin Dynasty. It drew out the feelings of life and death from the way people lived in the world, pointed out that the feelings of ancient and modern times were the same, and stimulated people to think about the deep common feelings of birth, aging, illness, and death in the dialogue between ancient and modern times. Its writing was natural and natural, and its diction was like flowing water. It was an excellent prose work. From the perspective of calligraphy, the Preface to Lanting Collection was known as the world's first semi-cursive script. It was a model for calligraphy lovers to learn, whether it was brush calligraphy or hard pen calligraphy. The beauty of his calligraphy lies in his nimble and charming strokes. In terms of modern Lanting calligraphy works, some of the winning works of the Lanting Award also had their own characteristics. Some works won with spirit, seemingly scattered but not scattered. Although the writing seemed messy, it had a unique "scattered" charm. This style was unique in the contemporary trend of calligraphy creation that pursued a sense of form and integrity. Some wrote the literary spirit. In the process of cursive writing, the strokes, font shapes, and the arrangement of chapters were carefully handled with the attitude of a scholar, exuding literary spirit in the overall realm. There were also works that displayed their skills in the brush and ink. For example, the center of the brush was mainly used to avoid dullness. The ink color was mainly thick ink, and the rising ink, light ink, and dry brush were used to add vitality. The control of the brush was strong. There were no dead or dull strokes in the strokes. Every stroke was full of vitality. Moreover, it integrated a variety of classic inscriptions styles, showing the author's ability to integrate classic works. Yi Bingshou's official script,'Lan Ting Pan Gu Five Character Couplet,' was also very appreciative. The first couplet of this work,"A Chant and a Chant," comes from "Preface to the Orchid Pavilion," and the second couplet,"Drinking and Eating," comes from Han Yu's "Preface to the Valley." Yi Bingshou was good at official script. His writing style was rigorous. The center stroke was straight and thick, and the swallowtail was vague. The structure was rich and broad. The font was square, fat and thin, or the combination of virtual and real. It was subject to the overall artistic effect. The ink color was soft and black like paint. It had the effect of rising ink and the contrast of dry brush. It showed a unique artistic style as a whole. His works were regarded as an important model for learning and inheritance. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Appreciation of Youth Calligraphy Works
The following are some of the appreciation of the young people's calligraphy works: - Cai Nina's official script work,"Presented to Luqiu Chushi," from Class 21 of Year Two of Maling Middle School, was selected for the first Youth Calligraphy and Seal Cutting Exhibition in Jiangsu Province, which showed the achievements of teenagers in official script calligraphy creation. - The 12-year-old Li Ming had an original calligraphy work with positive energy,"All Rivers Run Into the Sea," which showed the potential of young calligraphy. - There were many excellent works in the 4th Yangtze River Delta Youth Elegance Exhibition Collection Activity, such as Xu Ziqian (Qingpu District Middle School)'s Ancient Poetry. Although the poet felt lonely when he bid farewell to his friends, he used the Ice Heart Jade Urn as a metaphor. By writing this poem, he could encourage himself to face setbacks. Ge Qianrui (Xu Jiaoyuan Affiliated High School) wrote Seven Laws·Long March, which was a revolutionary epic about the Red Army's Long March, reflecting the fearless spirit and revolutionary optimism of the Red Army soldiers. Zhang Jianxin (Shanghai Middle School) wrote Youth Journey, which conveyed the idea that a strong youth would make the country strong. Xu Zichao (Jiangyin City Secondary Professional School Xu Xiake Campus)'s "Running Script Ode to Twenty Great Poem", the use of allusions in the poem is accurate, the words are elegant; Zhang Ruoyu (Shanghai City Xuhui District Education College Affiliated Experimental Middle School)'s "Teacher Shuo", attacked the bad habits of being ashamed of being a teacher at that time, hoping to advocate the atmosphere of persisting in learning from teachers. "Her Shenzhen-Writing the Future" is equally exciting. Everyone is welcome to click and read it!
Appreciation of the latest calligraphy works
The following is some information about calligraphy works that can be appreciated: There is Wang Wei's "Lovesickness" of the Tang Dynasty. I hope you can pick more, this is the most lovesick) calligraphy creation, as well as semi-cursive calligraphy "Caigen Tan"(I) and other works for appreciation.
Appreciation of Liu Style Calligraphy
Liu Style Calligraphy was the general term for the calligraphy works of Liu Gongquan, the great calligrapher of the Tang Dynasty. Liu Gongquan was one of the four masters of regular script. His calligraphy was known for its strength and strength. He was known as the " Yan Jin Liu Gu ". The characteristics of Liu style calligraphy were clear and vigorous, vigorous posture, meticulous handwriting, and exquisite strokes. Liu Gongquan's regular script combined the characteristics of Yan Zhenqing and Ouyang Xun, forming his own unique style. Liu style calligraphy occupied an important position in the history of calligraphy and was appreciated and studied by many calligraphy lovers.
Appreciation of Heavenly Blessing Calligraphy Works
Heavenly Blessing Calligraphy was a form of art with an excellent meaning. It conveyed the pursuit of good fortune and beautiful things through the expression of calligraphy. These works usually used four words, such as " Heavenly Blessing ", where " Heaven " referred to heaven," Ci " referred to rewards and giving," Hong " referred to great things, and " Fu " referred to good fortune and beautiful things. These works were based on calligraphy and were complemented with flowers, bamboo, stone, and other elements to make the works richer and more complete. The Tianci Hongfu calligraphy works could be used to decorate the living room, bedroom, and other spaces. It could also be used as a wedding gift for friends. These works were full of ink, and the strokes were swift and unrestrained, giving people a pleasant visual enjoyment. In general, the calligraphy works of Tianci Hongfu were a meaningful and artistic form.