There was no clear answer to the whereabouts of the Black and White Ghosts. Some people believed that they might be hiding in Rao Jiang, a mysterious place, to observe the situation and achieve their goals. In addition, there were also opinions that the Black and White Ghosts might have left the plot of " Bad Men " because the production team wanted to explore new characters and story lines, or because their story had already ended. "In short, based on the information provided, we can't be sure where the Black and White Ghosts went.
The Black and White Impermanences went to Rao Jiang in the end. In the plot of the fourth season of Painting of the Bad People of Jianghu, the Black and White Ghosts disappeared for a period of time, and the audience speculated about their whereabouts. According to an article in the search results, the Black and White Ghosts were probably hiding in Rao Jiang, waiting for the opportunity to reap the benefits. Rao Border was a dangerous place, but to the Black and White Ghosts, the more dangerous the place was, the safer it was. They might choose to wait patiently. No matter which side won, it would be a good time for them to find an opportunity. Thus, the Black and White Ghosts went to Rao Jiang.
The Black and White Ghosts did not appear in the fourth season of 'Bad Men,' nor did they appear in the trailer for the fifth season. Although there was no specific time when the Black and White Ghosts went offline, it could be inferred that he went offline in the fourth or fifth season. Therefore, according to the information provided, it was impossible to determine the exact time when the Black and White Ghosts went offline.
The Black and White Impermanences were a pair of gods in the Han folk culture, and they were also the most famous ghost officers. Their origins could be traced back to Chinese myths and legends. According to the legends, Black Impermanence and White Impermanence were sworn brothers. When they were in the world of the living, their names were Fan Wujiu and Xie Bi 'an. Because they had done good deeds when they were alive, they were put in an important position by the King of Hell and became messengers of death, responsible for capturing lawless ghosts. Their image was very famous in Chinese mythology and folk culture. They were depicted as reapers dressed in black and white clothes and holding shackles. Their duty was to capture ghosts and assist in rewarding good and punishing evil. They were important generals in the Underworld. Therefore, the origins of the Black and White Ghosts could be said to originate from Chinese myths and folklore.
The Black and White Impermanences were distributed in many places in the Onmyoji game, including the Boss in Chapter 16, the Three Pure Princess in Chapter 24, the fourth floor of the Soul Control Dungeon, the sixth floor of the Riverside Nurseries, the seventh floor of the Demon Sword Secret Manual, the sixth floor of the Umbrella Sword Protection, the ninth floor of the Green Lamp Hundred Monogatari, the first floor of the Summer Wind Poetry, the ninth floor of the Rain Maiden's Waiting, the sixth floor of the Storm Summit, and the ninth and tenth floors of the Blood Moon. Among them, players were recommended to farm at the Storm Summit or the Blood Moon. There were two White Impermanences in these places, so the efficiency would be higher.
The Black and White Ghosts not only appeared at night, but also during the day. Although it was generally believed that the Black Impermanence was active at night and the White Impermanence was active during the day, in fact, they were not afraid of the sun. Their mission was to capture people at fixed locations, not patrol, so there was no difference between day and night. Therefore, the Black and White Ghosts would also go out during the day.
The Black and White Impermanence were from Min County, Fujian Province.
The Black and White Ghosts were Chinese characters.
Black and White Impermanence was from Fuzhou, Fujian.
Black and White Impermanence was from Min County, Fujian Province (now Changle, Fuzhou).
The Black and White Impermanence first appeared in the ancient Chinese demon novel Four Travels, written by Wu Chengen of the Ming Dynasty. In the novel, the Black and White Impermanences were the two impermanences of the Ghost Realm, responsible for the task of capturing and releasing souls. Their image and role in Buddhism had no clear source. In traditional Chinese culture and folklore, the Black and White Impermanences were two extremely famous mysterious characters in the netherworld. Their figures often appeared in classical literature works, such as Journey to the West. Their image and duties varied in different cultures, but they were generally similar. Black Impermanence usually had a dark complexion, holding a chain in his hand, and sometimes wearing a black robe. White Impermanence, on the other hand, was pale and short, holding a bamboo board in his hand. The two of them would usually appear together, and their appearance usually foreshadowed death or the impermanence of fate.