The Four Lacquer Screens was a medium-length novel in the Tang Dynasty Digong Case series. The author was the Dutch sinologist, Gulik. This novel narrated the legendary life of Teng Kan, the county magistrate of Muping County, and the happy love story between him and his wife. The Four Painted Screens was a profound prop in the novel, symbolizing the breakup of the love story. The book was first published in 1938, and was followed by a series of 15 medium-length novels and 8 short novels, which were called The Case of Di Gong of Tang Dynasty. This series of novels left an important mark in the history of cultural exchanges between China and the world.
The Four Lacquer Screen Case was a story in " The Case of Duke Di of Tang ", which involved a perfect crime. County Magistrate Teng asked Di Renjie to investigate the case, but in fact, he was the real murderer himself. He used psychological suggestion to make others commit crimes to achieve his goal and challenged Di Renjie. This case also involved the strange changes in the pattern of the four paint screens, as well as the inexplicable suicide of a bank manager. However, the specific truth of the case was not mentioned in the search results provided.
The Four Lacquer Screen Case was a story in the " The Case of Duke Di of the Great Tang ". The original book mentioned that there were two murderers in the Four Lacquer Screen Case, one was Teng Kan, and the other was Li Han. Teng Kan killed Yin Lian and Li Han killed Xu Kai. This case involved a strange change in the Four Lacquer Screens pattern of the Four Lacquer Screens County Magistrate's house, as well as the suicide of a bank manager. In the story, Di Gong and Qiao Tai mingled with the thieves, and finally uncovered the truth of the case. This story was thrilling and the answer was compelling. It was part of the "Great Tang Di Gong Case."
The story of the four screens was about the four screens that Teng Kan bought home. The plot of the fourth screen changed. The wine glass raised by the scholar turned into a short sword and stabbed at the madam. This story triggered a series of events and investigations. The specific details and development of the story, as well as the connection with other cases, were not provided in the current search results. There was no information about Cao An in the search results.
The truth of the Four Lacquer Screens Case was Teng Kan's deception to cover up his crimes. Teng Kan used special paint to modify the pattern on the screen, then poured hot soup on the screen to create the illusion of killing his wife. Although it was impossible to prove the fact that Teng Kan had killed someone, Di Renjie pointed out that Teng Kan had used Silver Lotus's poem to win the first place in the capital, which was the crime of deceiving the emperor and ultimately could not escape death. Teng Kan wanted to kill Yin Lian, but he needed Yin Lian to stabilize his position in the poetry world. He whipped himself with the horsewhip every day in order to subdue his inner demons. In the end, he conspired with Yin Lian's sister, Lai Second Lady, to kill Yin Lian and her adulterer, Xu Kai. Teng Kan's crimes were finally exposed, and he received the punishment he deserved for deceiving the emperor.
The truth of the Four Lacquer Screens Case was Teng Kan's deception to cover up his crimes. Teng Kan used special paint to modify the pattern on the screen, then poured hot soup on the screen to create the illusion of killing his wife. Although it was impossible to prove the fact that Teng Kan had killed someone, Di Renjie pointed out that Teng Kan had used the poem of Silver Lotus to win the first place in the capital. It was a crime of deceiving the emperor, and Teng Kan could not escape death. Therefore, the truth of the Four Lacquer Screens Case was Teng Kan's deception to cover up his crimes.
The story of Di Renjie's four screens was about the four screens that Teng Kan bought home. The plot of the fourth screen changed. The wine glass raised by the scholar turned into a short sword and stabbed at his wife. This story triggered a series of events and investigations. The specific details and development of the story, as well as the connection with other cases, needed to be read further.
Sun Chengzheng acted in the TV series " The Legend of Di Renjie's Case ". This case was one of the more famous ones in the series and was considered the most reasonable version of all the adaptation. Sun Chengzheng's performance in the play was very good. He interpreted the role of Di Renjie very well. He had a good grasp of emotions and captured the details of daily life very well. The drama had been filmed for nearly a year and had five stories, including " Jade Pearl String,"" The Golden Case,"" Lotus Pond,"" The Broken Finger," and " Four Lacquer Screens."
The Four Lacquer Screens was an independent story in The Great Tang Di Gong's Case. It was a prop with a profound meaning in the novel, representing the breaking of a perfect love story. In this story, a series of events happened on the four painted screens. It seemed unrelated, but through Di Renjie's investigation and reasoning, the internal connection and truth were revealed. The murderer in the story was a scheming and sloppy thief, Kunshan. He had developed a vengeful mentality towards all women. In addition, the four paint screens also implied the principle of how people do things. Di Renjie's human touch, Magistrate Teng's utilitarian-minded, and Shi Chang's brotherhood left a deep impression on people. In general," Four Lacquer Screens " was a thrilling story in " The Case of Di Renjie of the Tang Dynasty." It revealed Di Renjie's wisdom and justice by revealing the truth and moral lessons.
The story of Di Renjie breaking the four screens was about the four screens that Teng Kan bought home. The plot of the fourth screen changed. The wine glass raised by the scholar turned into a short sword and stabbed at his wife. This story triggered a series of events and investigations. The search results did not provide clear information about the details and development of the story, as well as the connection with other cases.
The four-colored screen in the 86 edition of The Legend of Di Renjie's Case was a storyline of the play. This storyline was uploaded by Yano in episodes 13 and 14. However, the search results did not provide any specific content about the story of the four screens. Therefore, according to the information provided, it was impossible to know the specific plot of the fourth screen in the 86 edition of the Legend of Di Renjie's Case.