A Shaoxing opera film referred to a film based on Shaoxing opera. There were some classic works in Shaoxing opera movies. Among them, Empress of Chinese was the only Yue opera film supported by the Zhejiang Culture and Art Development Fund. It received a public screening license number in November 2023. The movie told the story of Emperor Wen of the Han Dynasty, who named Dou Ji as the empress and found his long-lost brother Dou Guangping. In addition,'Dream of the Red Chamber' was a Yue opera stage art film. It was released in 1962 and told the story of Lin Daiyu and Jia Baoyu being separated. Also," Liang Shanbo and Zhu Yingtai " was a Yue opera film based on a traditional Chinese story. It was released in 1954 and told the story of Zhu Yingtai's love for Liang Shanbo. Other than that, there were also some other Shaoxing opera films, such as Chasing the Moon. Generally speaking, a Shaoxing opera film was a work that displayed the artistic charm and influence of Shaoxing opera through the form of a movie.
The lifespan of the ten sisters of Shaoxing opera was different. Among them, Xiao Dangui had the shortest lifespan. She committed suicide in 1947 at the age of 27. The one with the longest lifespan was Xin Fengxia. She died in 1998 at the age of 72. The lifespan of the other ten sisters of Yue opera was as follows: Fu Quanxiang died at 92 years old, Yuan Xuefen died at 89 years old, Fan Ruijuan died at 91 years old, Wu Xiaolou died at 80 years old, Yin Guifang died at 79 years old, and Xu Yulan died at 88 years old. Meng Liying was still alive and her lifespan was unknown. In general, the life expectancy of the Ten Sisters of Shaoxing opera was relatively long.
The stage of the 1987 Dream of the Red Chamber is an art form of modern Chinese drama and one of the four major Chinese operas. It originated from Shaoxing City, Zhejiang Province, and used Dream of the Red Chamber as the background to tell the love story of Jia Baoyu, Lin Daiyu and others. In 1987, Yue opera was reformed and developed on the basis of Dream of the Red Chamber. The stage art, music, performance and other aspects were all innovative and improved, making the play more mature and diverse. In that year, the Yue opera 'Dream of the Red Chamber' was a huge success and became a classic in the history of Chinese drama. The main features of this stage performance were the deep plot, sincere emotions, exquisite performance, and exquisite stage design and music coordination. The performance style was known for its exquisiteness, euphemism, and elegance, especially in the performance of Yuan Xuefen, who played Lin Daiyu. The stage of "Dream of the Red Chamber" in 1987 was one of the important masterpieces of modern Chinese drama. It had a profound impact on the development of Chinese movies and dramas, and also provided valuable experience and reference for the world's drama art.
He Saifei was an actress and Yue opera artist from mainland China. She was born in Daishan County, Zhoushan City, Zhejiang Province. In 1982, she was admitted to Zhejiang Daishan Yue opera troupe and later transferred to Zhejiang Little Baihua Yue opera troupe. He Saifei began to receive attention because of his role in the Yue opera movie, Five Women's Birthday. Her outstanding performance in the movie Chasing the Moon won her the Best Actress Award at the 36th Golden Rooster Awards. He Saifei's achievements in the film and television industry were dazzling. He had won various awards such as the Hundred Flowers Award for Mass Film and the Flying Sky Award for Chinese TV Series. Her background in Yue opera gave her and her character an antique charm. He Saifei was a well-loved actor in Yue opera. Her acting skills and image left a deep impression on the audience.
The actors who played Jia Baoyu in the Yue opera "Dream of the Red Chamber" were Yin Guifang, who was the first to play "Jia Baoyu" in the Yue opera world and had acted in the Yue opera "Dream of the Red Chamber" four times. Xu Yulan, who successfully created the character of "Jia Baoyu" on stage in 1957. Jin Meifang, who played "Jia Baoyu" in "Dream of the Red Chamber" in 1962. Qian Huili, who joined the Red Chamber Troupe of Shanghai Yue Theater in 1988 and starred in many different versions of "Dream of the Red Chamber" on stage. Zheng Guofeng. Zhang Xiaojun, who played Jia Baoyu in 1999 in Dream of the Red Chamber, Yang Tingna, who became the A-role actor who played Jia Baoyu in 2000, Wang Wanna, Yu Guo, Xu Li, etc. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Chen Pingping was already 84 years old this year.
Little Sister Lin, Little Sister Lin, now she was called for thousands of times, and it was hard to find her. It's a pity that I can't say a few parting words when I'm alive, and I can't help a seven-foot coffin when I die. Sister Lin, back then, you came to my house alone, only to think that you were a lonely swallow that could perch in a warm nest. Baoyu was truly sincere. Sister, you have always been in my heart. Sister, you are deeply in love with me and add to my illness. I often miss you in my sleep and dreams. It was not easy to look forward to the wedding night, always thinking that a perfect marriage was held by a thread. I didn't expect Sister Lin to become Sister Bao. It turns out that you were forced to death and I was deceived! I really hope that my white hair can be accompanied by kindness and love. Who knew that today you would sleep alone in the yellow soil! Sister Lin, ever since you moved into Grand View Garden, you've been troubled for years. Falling flowers all over the ground hurt the old spring, cold rain knocking on the window can not sleep! You are afraid of the wind blade and frost sword in the world. Now, it really forced you to die! Zijuan: I only heard her crying for Baoyu before she died. I will remember this bitter thing! Baoyu asked Zijuan, where is my sister's manuscript? The purple cuckoo melted like a butterfly in fire. Baoyu asked Zijuan,"Where is my sister's zither?" Zijuan: The strings are broken, don't mention it. Baoyu asked Zijuan,"Where is my sister's hoe?" Purple cuckoo: although the hoe is in who to bury the flowers? Baoyu asked Zijuan, where is my sister's parrot now? Zijuan: That parrot, calling out to you, imitating your words when you were alive. Baoyu: The parrot also knows the truth. [Zi Juan: No one in the world can compare to it!] Baoyu: (Bai) Sister Lin, I didn't lie to you! Nine Regions pig iron casting big mistake, a red rope to make lifelong mistake. A corner of the sky is missing a female snail, and a piece of the heart is missing is difficult to fill. You are already as pure as ice and snow, leaving the turbid world. How can I be a clear stream and follow the secular waves? <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The Yue opera "Maple Leaves Like Flowers" was both thoughtful, artistic, and ornamental. There were many artistic features: - ** Character Creation **: Through the "brightest coordinates" of the "hero" nation, the character creation and thought expression were completed with "Bloody Romance","Battle of Fate" and "Image of the Soul". In terms of shaping the female lead, the actress broke through the gentle and beautiful form of the female lead of Yue opera and created the image of the "Red Female Agent" who was "loving, affectionate, and righteous", which was both beautiful and magnificent. The actor's performance complemented the heroine's. - ** In terms of structure and theme **: In terms of theme, the heroic deeds on the hidden front line were used as the original theme of the play, which was relatively new in the creation of Yue opera. For example, the opening was set to be "The Execution Ground of Racecabank Town," and the "introduction" or "finale" of ordinary plays was changed into a majestic prelude scene similar to that of epic operas. The dance and music design of scenes such as "The Seashore Hunt" were borrowed from musical-based plays. - ** Singing design **: Starting from the role, the singing was designed according to the drama situation and the angle of character creation. It broke the rigid and barrier of the singing genre of Yue opera. The actors were not bound by the genre they were good at. They sang the charm of Yue opera and at the same time, it was fresh and emotional. - In terms of theme and value, it actively explored the source of power for national progress and national rejuvenation, interpreted the internal logic contained in China's historical changes, and realized the harmony and unity of spiritual height, cultural content, and artistic value. It played a positive role in portraying the times, writing biographies for heroes, and enlightening the people. It was a new attempt of "Bacon Casting Soul" and "Keeping Righteousness and Creation" in the work of literature and opera. The novel "Acanthus Flower Blossoms" is equally wonderful. Everyone is welcome to click and read it!
The Yue opera, Long Song of Fuchun, had its premiere at the Jinsha Lake Grand Theater in Hangzhou on the evening of October 24th. It would participate in the 23rd China Shanghai International Art Festival at the Wanping Theater in Shanghai on October 30th. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
Yue opera true and false Fu Ma Dan role belongs to Shaoxing City, Zhejiang Province Yue opera school performance troupe. The school's unique performance style was exquisite, gentle, and tactful. It was good at performing traditional opera plays, especially Beijing opera and Kunqu opera.
Chasing the Fish was a 1959 Shaoxing opera film, with Xu Yulan and Wang Wenjuan as the main actors. The story told that the scholar Zhang Zhen and the daughter of the Prime Minister Jin Chong, Peony, were engaged, but Zhang Zhen's family was in decline and was expelled from the Prime Minister's residence as a thief. Later, he met a carp spirit who had transformed into a golden peony. The two fell in love and experienced a series of misunderstandings and tests. Chasing the Fish was one of Xu Yulan and Wang Wenjuan's masterpieces. The recording of the entire film and the full subtitles version were also in the collection.