Why did Li Shaohong fall in Dream of the Red Chamber?
Director Li Shaohong's new version of 'Dream of the Red Chamber' received a lot of criticism and criticism. The audience's dissatisfaction with this version was mainly focused on the director's understanding and presentation of 'Dream of the Red Chamber'. Some people thought that Li Shaohong's understanding of 'Dream of the Red Chamber' lacked depth and that she had only filmed it as a period drama or a palace drama, not showing the essence and spirituality of the original work. The creation of the characters and their styling were also criticized. For example, the actor Lin Daiyu did not match the image in the book, and Jia Baoyu's image did not have the spirituality in the original work. In addition, some of the audience members were dissatisfied with the director's attitude and felt that she lacked self-cultivation when responding to the fans 'doubts. Overall, the audience's criticism of Li Shaohong's version of 'Dream of the Red Chamber' was mainly focused on the director's understanding and presentation of the work.
Dream of the Red Chamber vs Li Shaohong
The "Dream of the Red Chamber" here might be referring to the original "Dream of the Red Chamber" and the television version of "Dream of the Red Chamber" directed by Li Shaohong. In terms of the plot, the original novel 'Dream of the Red Chamber' was a classic literary masterpiece. It had profound cultural implications, complicated relationships between characters, and the rise and fall of families. And Li Shaohong's version of the TV series 'Dream of the Red Chamber', which was filmed according to Gao E's continuation, was criticized by Redologists for violating the original author's creative wishes. In the performance of the actors, the original work portrayed the characters delicately through the text, while Li Shaohong's version of the actors 'performance was accused of being inappropriate, such as not paying attention to manners, from Daiyu drinking tea to the old woman asking for silver. Moreover, the change of actors was frequent and unreasonable. For example, Yao Di's role was changed many times, which affected the artistic completion of the work. From the production point of view, the original work constructed a grand and detailed world of 'Dream of the Red Chamber'. Li Shaohong's version of the lighting set was not accepted by the audience in the later stages. It was described as a haunted scene in the later stages of the plot. Although the etiquette of Qin Keqing's ritual was in place, and the investment in the set and props was large, these did not make up for the shortcomings in other aspects. In terms of audience acceptance, the original novel was recognized as the pinnacle of China classical novels. After Li Shaohong's version of 'Dream of the Red Chamber' started broadcasting, the negative reviews continued. The Douban rating was only 5.8, and the viewership ratings continued to decline. If the " Dream of the Red Chamber " here referred to the comparison between the 87 version of " Dream of the Red Chamber " and Li Shaohong's version, the 87 version was more deeply rooted in the characters. The actors seemed to be acting the characters themselves, while the actors in Li Shaohong's version were only imitating the 87 version. In terms of clothing, although the 87 version was a little worse in terms of graphics and makeup, the lighting set was acceptable, while the Li Shaohong version was lacking in this aspect. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Understanding Li Shaohong's Dream of the Red Chamber
Li Shaohong's edition of Dream of the Red Chamber had its unique background and characteristics. In terms of casting, Li Shaohong abandoned some of the results of the previous "Dream of the Red Chamber" talent show. She led her team to select people from many art schools and affiliated high schools, and even conducted intensive training. However, in this process, there were situations where investors interfered with the role arrangement. For example, Bai Bing played the adult Xue Baochai, which was influenced by investors. From the perspective of character modeling, there were differences from the audience's understanding of the original work, such as the phenomenon of "Chai thin and Dai fat", which deviated from the public's perception of Chai Dai's image based on the original work. From the perspective of understanding the original work, Li Shaohong said that when she was young, she regarded 'Dream of the Red Chamber' as an anti-feudal reading material. When remaking it, she hoped that the actors would be familiar with the text, which might have affected her interpretation and presentation of the work. However, the show was criticized by the audience, partly because the character's hairstyle was considered ugly and not in line with the public's aesthetic. In general, to understand Li Shaohong's version of 'Dream of the Red Chamber', one needed to consider the casting process behind the creation, the differences in the creation of the original characters, and the director's unique understanding of the original work. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Li Shaohong's Version of Dream of the Red Chamber
There were many unique scenes in Li Shaohong's version of Dream of the Red Chamber: - ** The arrangement of seating arrangement **: In the seating arrangement of the first meal in the Jia Mansion, Daiyu used a large voice-over to explain the seating arrangement. She did not use the audio and visual language to convey the information well. - ** Character Styling **: - Grandmother Jia's style failed. She should have been plump and decent, with a kind face and a kind face, but the play was as thin as firewood and had the air of a village woman. - Most of the female characters were in the shape of " copper coins." The higher the status, the more copper coins they had, and the more exquisite they were. This kind of style that originated from the opera patch seemed strange in the play, which did not match the image of a noble lady. - ** Music Style **: The music is strange, like the low voice of a female ghost, making the atmosphere of the whole drama gloomy. It is like the wedding scene of Baoyu and Baochai, which is the illusion of a netherworld marriage. - ** Character Selection and Interpretation **: - The adult Jia Baoyu lacked the aura and unrestrained temperament. When the young Jia Baoyu first appeared, his performance was very vulgar. - When Lin Daiyu appeared, her image was not good. She had a big white flower on her head, a swollen face, and thick eye bags. She was far from the image of Sister Lin's sick and delicate face. The scene of Daiyu burying flowers was also not beautiful. - The scene of Shi Xiangyun lying drunk in the peony pot did not have the posture of a rich young lady, but the sleeping posture of a rough and silly woman. - Xue Baochai didn't show the temperament of a tactful and decent person, appearing petty. - ** Plot Shooting **: - In some plots, such as "Qin Keqing visits Wang Xifeng in a dream", although the scene is faithful to the original text description, Qin Keqing walked in from the door and asked Feng sister face to face, but the overall scene is gloomy and terrifying, the light is dim, the curtain is fluttering, and the characters are expressionless. - Before the filming began, the cast changed frequently. For example, Yao Di was originally the champion of Baochai Group and was arranged to play Daiyu. After the makeup was fixed, Jiang Mengjie played Daiyu, and Yao Di changed to play Wang Xifeng; the original actor Xu Jingyao of Wang Xifeng was changed eight days before the filming began and had no role; Zhang Meng's Xiangling was changed to Song Yi after filming a lot of scenes. - ** Overall Style **: Director Li Shaohong interpreted 'Dream of the Red Chamber' as 'a bunch of nonsense.' There was a deviation in the style positioning, making the entire play look like a horror movie. Although it enriched some details in the original work and improved the plot, it did not grasp the essence. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Li Shaohong made 'Dream of the Red Chamber' into a powerful film
It could be seen that Director Li Shaohong's 2010 version of 'Dream of the Red Chamber' had received controversy and criticism. Some people thought that she had turned 'Dream of the Red Chamber' into a horror film, using shocking looks and strange soundtracks. It was called 'Dream of the Red Thunder' and 'Dream of the Red Chamber Horror Film'. The audience generally complained about the inappropriate casting and the exaggeration of the Tao. However, there were also people who felt that Director Li Shaohong had shown a different dark perspective from the previous versions, which had enriched the understanding of 'Dream of the Red Chamber'. In general, there was a lot of controversy regarding Director Li Shaohong's evaluation of 'Dream of the Red Chamber' as a great film. There was no clear conclusion.
Li Shaohong's version of Dream of the Red Chamber and the original work
In terms of content, Li Shaohong's version of 'Dream of the Red Chamber' was relatively loyal to the original. For example, the dialogue of the original work was directly moved to the screen, and the popular version published by People's Literature was used as a blueprint. In terms of the scenes, such as the visit of Consort Yuan and Qin Keqing's funeral, they were all shot with great momentum and beauty. Qin Keqing had invited the Taoist masters of the White Cloud Temple for the ritual. The funeral etiquette was in place and the grand scene was done well. In terms of length, the length of 50 episodes corresponded to the original volume. However, Li Shaohong's version of 'Dream of the Red Chamber' also had some problems. For example, the frequent changes in actors affected the artistic perfection, and there were constant negative comments after the broadcast. There were also problems such as ugly copper coins, strange music, inappropriate actors, and lack of attention to manners. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The Rise and Fall of Dream of the Red Chamber
'On the Prosperity and Decline in' Dream of the Red Chamber'.' " Dream of the Red Chamber " was the pinnacle of China classical novels. It was based on the rise and fall of the four families of Jia, Shi, Wang and Xue, and profoundly revealed the inevitable law of the decline of feudal society. As the head of the four great families, the Jia family had once flourished. In its heyday, the Jia family enjoyed wealth and honor. They ate delicacies from all over the world, wore silk and satin, and lived in the Grand View Garden with carved beams and painted buildings. Judging from the social status of the family, the Jia family had hereditary titles. Yuan Chun entering the palace as a concubine made the Jia family extremely glorious. The members of the family were officials in the court and had close relationships with the dignitaries of all walks of life. It could be said that they had monstrous power. However, the fate of prosperity inevitably fell on the Jia family. There were many reasons for this. First of all, the decay within the clan was the root of its decline. Most of the descendants of the Jia family were greedy for pleasure and did not think of making progress. For example, Jia She was lustful, Jia Zhen was only interested in pleasure, and although Jia Zheng looked serious, he lacked the practical ability to manage a family. He chatted with the guests all day long. There was a gap in the clan's talents. Jia Zhu, who had once had hopes of revitalizing the clan, had died early. Jia Jing had sought the Dao, causing no one to be able to truly shoulder the burden of the clan. Secondly, he could not make ends meet financially. Although the Jia family had a large business, their extravagant lifestyle had long caused the family's finances to be in deficit. However, they still carried out large-scale construction and built the Grand View Garden. They still spent extravagantly on their daily activities and did not have any sense of crisis. Moreover, the misdeeds of the family members became the direct fuse of the decline. Jia She, Jia Zhen, and the rest of the people were unscrupulous people who committed all kinds of crimes. This also led to the Jia Residence being raided. From the decline of the Jia family, it could be seen that it was an irreversible trend. When the family was flourishing, the members of the family were blinded by wealth and honor, losing the most basic sense of respect and shame. They did not prepare for danger in times of peace, nor did they prepare for a rainy day. Instead, they wantonly squandered the family's wealth and resources. When the crisis truly came, it was like a building was about to collapse, without any strength to resist. The phenomenon of prosperity and decline in 'Dream of the Red Chamber' was not only a portrait of the Jia family, but also a microcosm of the entire aristocratic class in feudal society. Under the feudal system, nobles lived extravagant lives with hereditary power and wealth, but they lacked effective management and self-restraint mechanisms. Once there was a problem within the family or the external political environment changed, the entire family would quickly decline. This also served as a warning to us that whether it was our family or society, we must keep a clear head during the prosperous period, pay attention to the cultivation of talents, uphold good moral character and code of conduct, and at the same time, have a sense of crisis and know how to increase income and reduce expenditure. Only then can we avoid the fate of decline. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Dream of Li Wan in the Red Chamber
Li Wan was one of the characters in the classic Chinese novel, Dream of the Red Chamber. She was one of the Twelve Beauties of Jinling and the wife of Jia Zhu, the eldest grandson of the Rong Mansion. After Jia Zhu's death, she had wholeheartedly nurtured Jia Zhu's posthumous son, Jia Lan. Li Wan was a feudal lady. Her mood was like " dead wood and dead ashes ". She had always been a widow. However, when she entered the Grand View Garden, she regained her youthful vigor. Not only did she lead the poetry club to prosper, but she also managed the Grand View Garden to become a pure land and paradise for her youthful daughters. Li Wan's image displayed the characteristics of a feudal lady. She was a standard chaste woman, the embodiment of a woman's virtue and skills. She did not care about the family affairs and only focused on serving her relatives and raising her children. Li Wan's life was filled with loneliness and tragedy. Although her later years were somewhat late, she could no longer resist the impermanence of fate. In general, Li Wan was a widow. Her life reflected the sacrifice of feudal ethics and the image of a traditional noble widow.
Dream of the Red Chamber Li Qin
Li Qin played the role of Xue Baochai in the 2010 TV series Dream of the Red Chamber. Although some viewers thought that her appearance did not match Xue Baochai's image, her acting skills were still recognized and she won the Newcomer Award. Li Qin showed a cold and elegant temperament in the play, leaving a deep impression on people. In addition to Dream of the Red Chamber, Li Qin also acted in other famous works, such as Joy of Life and Captain of China.
Dream of the Red Chamber, Dream of the Red Chamber
The main content of Spring in the Red Chamber was the story of Jia Baoyu, Lin Daiyu, and others flying kites in the Grand View Garden. The story started when everyone picked up a big butterfly kite that Miss Yanhong had flown in the Grand View Garden. It aroused everyone's interest, so everyone took out their kites and prepared to fly. Baoqin flew the big bat kite, Baochai flew the wild goose kite, but Baoyu couldn't fly the beauty kite, which annoyed him. When Daiyu flew the kite, everyone said that it could take away the root of her illness. In the end, everyone released their kites. Through describing the scene of flying a kite, this text showed the character and destiny of the characters. At the same time, it showed their leisure and happiness in life, bringing people a beautiful enjoyment.
Bringing the Dream of the Red Chamber to the Dream of the Red Chamber
The author who brought 'Dream of the Red Chamber' to 'Dream of the Red Chamber' was Pin Mei.