Ode to Cold Kiln
Ode to Cold Kiln was a fable written by Lu Mengzheng. It used vivid metaphor and exaggerated language to describe the hardships of life and the uncertainty of fate. The article quoted the stories of Confucius, Tai Gong, Yan Yuan, Zhang Liang and other famous people, showing Lu Meng's philosophy and emotions. The theme of Han Yao Fu included poverty, wealth, fate, and happiness. It emphasized that life was uncontrollable and unchangeable, reminding people to be clear-headed, brave, and hardworking. They should go with the flow, not miss the past, and not look forward to the future.
Guarding the Cold Kiln for 18 years is
Wang Baochuan had been guarding the Cold Kiln for 18 years. Wang Baochuan was a fictional character in China opera and folktales. She was the third daughter of Prime Minister Wang Yun of the Tang Dynasty. She chose the beggar Xue Pinggui as her husband and did not hesitate to sever ties with her father. Later, Xue Pinggui went to Xiliang with the army. Wang Baochuan stayed in the cold kiln for 18 years and relied on digging wild vegetables to make a living. 18 years later, Xue Pinggui returned to China, and the two of them reunited. Wang Baochuan became the queen, but some versions said that she only became the queen for 18 days. The novel " Shou Zang " is equally exciting. Everyone is welcome to click and read it!
Bubbles in Firewood Kiln and Bubbles in Gas Kiln
There were many differences between the bubbles in the wood kiln and the air kiln. 1. ** Bubble Uniqueness **: - The bubbles in the kiln were uneven. Because firewood had to be added continuously during the firing process, the temperature was difficult to control accurately, so the bubbles varied in size and had a certain layering. - The air bubbles in the gas kiln were very uniform, and the temperature during firing could be well controlled. The size of the bubbles was uniform and dense. 2. ** Bubble density **: - The bubbles on the wooden ware were more sparse, with different sizes and depth, similar to the pearl particles scattered on the plate. - The air bubbles on the gas kiln were even denser, densely packed and stacked. This was because the temperature of the gas kiln rose quickly, and the gas activity in the glaze became more intense. 3. ** Color Effect **: - When firing in the firewood kiln, the ashes and flames produced by the burning of wood directly rushed into the kiln, causing the natural ash falling on the green body. After a long period of high temperature, it would fuse into a natural gray glaze, and the color would be gray. - The color of the gas kiln would be white and bright. 4. [Effect on Glazed Porcelain]: - The wood kiln used pine wood as fuel to fire. During the firing process, turpentine oil would be produced. The turpentine oil would be absorbed on the tire, making the glaze of the wood kiln fat and moist. The blue and white flowers fired in the wood kiln would fall into the tire, giving off a smudged feeling like an ink painting. - The blue-and-white flower statue of the gas kiln floated on the surface, and the patterns were clearer and more neat. In addition, it took more than 50 hours to fire in the wood kiln, while it took more than 20 hours to fire in the gas kiln. The texture of the wood kiln that was fired for a long time was more stable and warm than the gas kiln. The novel " Shou Zang " is equally exciting. Everyone is welcome to click and read it!
Which is healthier, the firewood kiln or the gas kiln?
The gas kiln was relatively healthier. Burning wood in the kiln required a large amount of wood, which would cause damage to forest resources and may produce more impurities during the burning process. The gas kiln used modern liquefied gas, which was relatively environmental friendly. The temperature was also easy to control and the cost was relatively low. The novel " Shou Zang " is equally exciting. Everyone is welcome to click and read it!
Is there a novel similar to Ode to the Cold Voice?
Character Introduction of Ode to the Cold Cicada
The characters included the female lead, Cold Cicada, the alcoholic girl who was eager to save her brother, and the beautiful woman who was full of charm. A cunning and resourceful princess, a kind lady with strong martial arts… Author of "Ode to the Cold Cicada": Enter 18 times. It's an ancient romance/classical fictional novel. It's finished and you can enjoy it without worry. User recommendation: "I heard that the Princess Consort was beaten to a pulp!" an old man said. "Wasn't he crippled a few days ago?" an auntie replied. "This time, it's the right leg that's crippled." A big sister interrupted. Cold Cicada Head was sweating profusely after eating a bowl of beef noodles. Should I have a funeral next time... I hope you will like this book.
Is there a novel similar to "Ode to Cold Cicada"?
My 1979 Farm Kiln
" My 1979 Small Farm Kiln " was an urban romance novel. It told the story of a small farm in a small mountain village far away from the hustle and bustle of the city. There were low-priced Maotai, Wuliang liquor, organic vegetables, fish, shrimp, and mutton. The protagonist was a middle-aged divorced failure, but later became a leisurely farm owner. The farm's reputation spread far and wide, and the protagonist lived a leisurely life. " Reborn in a Small Village in the Nineties " was equally exciting. Everyone was welcome to click and read it!
Firewood kiln porcelain
Firewood kiln porcelain was a famous traditional China porcelain. It was made in the imperial kiln of Chai Rong, the emperor of the Five Dynasties and Ten Kingdoms. It was founded in the first year of Xiande of the Zhou Dynasty (954) after the Five Dynasties. The kiln site may be in Zhengzhou or Kaifeng, Henan Province, but no real objects and kiln sites have been found so far. According to records, Emperor Shizong of the Zhou Dynasty once ordered the imperial kiln porcelain to be "after the rain, the sky is blue and the clouds are broken. This color is for the future." From this, it was inferred that the wood kiln porcelain should be azure glazed porcelain, but in fact, wood kiln also had other colors besides azure. Firewood kiln porcelain had the following characteristics: 1. ** Scarcity **: High firing cost, low yield, and few modern wood kilns. First, the government banned the burning of firewood in the kiln, resulting in insufficient supply of pine firewood. Without special funds and specific purposes, few people would easily use the match kiln. Second, a kiln would burn nearly 2000 catties of pine firewood, which was costly. Third, the kiln required experienced teamwork. The fire and temperature of the kiln were all controlled manually. The pile-handling master needed decades of experience. A slight negligence could cause the kiln to collapse, causing hundreds of thousands of yuan of economic losses. Fourth, the temperature in the kiln was uneven. The front end was high, the back end was low, and the middle was moderate. The quality of the same furnace of porcelain varied greatly, and the rate of finished products was low. 2. ** Moistening degree **: The wood kiln uses pine wood fuel, which is rich in pine resin. The pine resin that is volatile during the burning process has a nourishing effect on the porcelain. The principle of firing was to slowly increase the temperature by constantly adding firewood, so that the utensils in the kiln could be slowly heated. In addition, the water vapor in the furnace and the porcelain glaze could be combined to produce a porcelain body with a unique style of white jade, which made the porcelain glaze subtle and moist. The firing process of the firewood kiln included many processes such as arranging the kiln, filling the pond with the blank, and hanging the kiln. In history, wood-kiln porcelain was very legendary. It had a very high status among China porcelain, and was even considered to be higher than the five famous kilns, Ru, Guan, Jun, Ding, and Ge. Among the six kinds of porcelain recorded in the Xuande Ding Yi Manual found in the Ming Dynasty's palace when sorting out antiques, the firewood kiln was ranked before the five famous kilns of the Song Dynasty and was the more expensive porcelain. However, although there were records of palace collections in history, there were no real objects of wood-kiln porcelain that had been handed down. At present, there was a Northern Song Dynasty Ruyao flower pot in the National Palace Museum in Taiwan that was thought to be a wooden kiln porcelain. The basis was that the inscription "made in the first year of Xiande of the Great Zhou Dynasty" was found under the glaze on the inner and outer walls of the flower pot. The same text could be read with the help of electron microscope instruments, but this conclusion was controversial. In modern times, wood-fired porcelain also referred to porcelain that was fired in a kiln that used pine wood as fuel. In terms of the firing effect, the porcelain fired in the wood kiln was no different from the porcelain fired in other kilns. The novel "Shou Zang" is equally exciting. Everyone is welcome to click and read it!
Yongchuan Banshan Kiln
Banshan Kiln was located in Hujia 'ao, Pumpkin Mountain, Yongchuan. There was a family of five generations who made pottery, inheriting the most traditional pottery skills. The process of making pottery required more than ten long steps, such as kneading the mud, drawing the blank, repairing the blank, glaze, blowing the glaze, firing, taking it out of the kiln, cooling the blank, and finishing the product. The ancient method of pottery emphasized the coordination of hands, eyes, feet, and heart. For example, in the mud kneading process, the mud had to be tightly pressed. If the mud was too dry, it would easily break, and if it was too wet, it would not be easy to form. The wet and dry kneading was all done by the hands. At the beginning of 2017, at the former site of the Liaojia Kiln Pot Factory in Hujia 'ao, Pumpkin Mountain, Zhou Jun (Liao Jun), led by Liao Wancai, re-established the earthenware design and production factory with the help of new environmental protection technology. Zhou Jun (Liao Jun), as the fifth generation of the Liao family's earthenware production skills, officially inherited the earthenware skills and spread the earthenware culture among the new generation of young people. In addition, Banshan Kiln was also used as a base for labor education practice activities. For example, on November 2,2021, the young reporters of Shennu Lake Primary School carried out labor education practice activities with the theme of "labor enjoys life, practice boosts growth". Students learned pottery knowledge and experienced pottery blank making here. The novel "Dream Chaser's Half Dream Residence" is equally exciting. Everyone is welcome to click and read it!
The real Ru kiln
The real Ru kiln had the following characteristics: the Northern Song Dynasty Ru kiln mostly used the method of full glaze wrapping feet and nail burning. The nail marks were as small as sesame seeds. The real nail marks were small and slightly flat. One end had a sharp point, similar to the shape of sesame seeds. The number was usually three to five, rarely six. The real Ru kiln represented the artistic effect of the color change of the porcelain as a whole due to changes in the environment and light. For experts who often played with Ru kiln, they could tell if it was a real one from three meters away. The genuine Ru kiln was gray in nature, with a little light blue in the gray tire. The color would change between dark gray, azure, sky blue, moon white, retro green, emerald green, and sapphire blue according to the environmental light and weather, and the glaze was like congealed fat. The novel " Shou Zang " is equally exciting. Everyone is welcome to click and read it!