" The End of Song " was a popular historical novel, written by a weird cousin. It was published on Qidian Chinese website and was loved by the readers. The story told the story of the protagonist traveling to the Song Dynasty to complete the mission of ending the Song Dynasty. This book can be read or listened to on the Qidian Reading App. I recommend the audio book host, DiamondK. His narration rhythm is very good. Now, you can even get an experience member by going to Qidian to listen to books! You can read authentic books and listen to authentic audio on the Qidian Reading App. The male lead was Li Xia. He was naturally proud and taciturn. The female lead was Zhang Wenjing. She was good at catching adulterers. She was lively and active. She did not like to sit still and dared to express her love and hatred.
Ma Yuan (c. 1140 -c. 1225), also known as Yaofu, also known as Qinshan, alias Ma Yijiao, ancestral home in Hezhong (now Yongji, Shanxi), grew up in Lin 'an (now Hangzhou, Zhejiang), Southern Song Dynasty male painter. He was born into a family of painters. His great-grandfather, grandfather, father, uncle, brother, and son were all court painters with high achievements. Ma Yuan experienced the Southern Song Guangzong, Ningzong two dynasties, for the painting academy waiting for the imperial edict, very appreciated by the rulers. Ma Yuan was good at painting people, mountains, rivers, flowers, and birds. His artistic achievements were most prominent in landscape painting. His landscape painting was originally inherited from his family. Later, he learned Li Tang's painting and developed his own style. In terms of composition, he changed from the "panoramic style" since the Five Dynasties and the Northern Song Dynasty. He was good at using a partial view to see the whole, and often painted a corner of a mountain and a shore of water. The picture showed a large blank space to express the vast space, so it was called "Horse Corner". His landscape paintings were strong and broad, and his style was strong. He often used the method of pinching leaves to paint leaves, the tree trunk was painted heavily and horizontally, and the pavilion boundary painting was exquisite and good at using the technique of dyeing. His surviving works include "Singing Painting,""Water Painting,""Plum Stone Creek Duck Painting,""West Garden Elegant Collection Painting,""Cold River Fishing Painting,""Hua Deng Attendance Banquet Painting,""Song Ma Yuan Toasted a Cup to Play with the Moon,""Dongting Lake Wind Fine" and so on. Ma Yuan, Li Tang, Liu Songnian, and Xia Gui were known as the Four Artists of the Southern Song Dynasty in the history of painting. He and Xia Gui were collectively known as Ma Xia. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
The mainstream literature of the Tang Dynasty was poetry, the mainstream literature of the Song Dynasty was Ci, and the mainstream literature of the Yuan Dynasty was novels.
This novel was "The End of the Song Dynasty in the Box." It was a historical/Song, Yuan, and Ming novel, and it had elements of the Song Dynasty. You can read this novel on Qidian Chinese Network. The End of the Song Dynasty in the Box. The introduction of "The End of the Song Dynasty in the Box": Li Mujuan couldn't move anymore and decided to return to his hometown to live a salted fish life. In his parents 'bridal chamber, he found a strange red-painted wooden box. The room that had not been lived in for more than ten years was covered in thick dust, but it was spotless. Li Mu didn't panic. He took two pills to calm himself down. When he opened the box, there was a miniature mountain village inside. There were actually little people moving around. With a wave of his hand, he could create a hurricane and flip the little person over. A breath could blow the little person to another mountain. A piece of compressed biscuit could feed a small person for decades. What, the world of the little people was the end of the Northern Song Dynasty? I want all those loyal officials and good generals in history! Not only did he want to make up for his regrets, but he also wanted to give the mini version of Song Jin a little shock. Hurry up and read!
Song Ci and Yuan Qu both originated from the Song Dynasty in China's feudal society, but there was no direct inheritance between them. The Song Dynasty was a period of prosperity for the creation of Ci songs in China. There were many famous Ci writers and songwriters such as Su Shi, Xin Qiji, Li Qingzhao, Lu You, etc. The works of these poets were known as Song Ci, which had a profound cultural background and unique artistic style. Yuan Qu originated from the opera culture promoted by the Mongol rulers in the Yuan Dynasty. There were many forms of Yuan Qü, including Sanqu, Xiaoling, divertimento, etc. The most famous one was the Yuan Qü,"Lifetime Mistake", which was described in "Dream of the Red Chamber". Therefore, there was no direct inheritance between Song Ci and Yuan Qu, but they were both important branches of Chinese Ci song culture, which had a profound impact on later literature and art.
Qiao Yuan was an entrepreneur and currently served as the legal representative and senior executive of many companies such as Shanghai Songqiao Industrial Co., Ltd. The search results did not mention anything about the relationship between the Tang and Song Qiaoyuan, so it was impossible to answer this question.
The Tang, Song, Yuan, Ming and Qing Dynasties were the important periods of novel creation and also the important stages of the development of notebook novels. During this period, the notebook novel gradually became a major form of literature, which had a profound impact on the creation of later novels. The famous novels in the Tang Dynasty included Strange Tales from a Chinese Studio, Notes from Yuewei Cottage, and Three Words. These works mainly told stories of ghosts, monsters, immortals, etc. The plot was complicated and beautiful, which had an important impact on the creation of later novels. During the Song Dynasty, the development of notebook novels entered a new stage, which was represented by works such as Water Margins and Dream of the Red Chamber. These works not only had profound thoughts, but also described the rich social life and became the classics of Chinese literature. During the Yuan Dynasty, the development of notebook novels reached a peak, which was represented by works such as "The Scholars" and "Water Margins". These works described social reality as the theme, the plot twists and turns, and the vivid writing style became an important part of Chinese literature. During the Ming and Qing Dynasties, the development of the notebook novels entered an end, which was represented by works such as "Dream of the Red Chamber" and "Journey to the West". These works not only had profound thoughts, but also described rich characters and became the classics of Chinese literature. In addition, the subject matter of the notebook novel was more extensive. In addition to telling the story, it also involved a large number of historical, philosophical, political and other fields, becoming an important part of Chinese culture.
Ma Yuan (1140 - 1225), also known as Yaofu, also known as Qinshan, was born in Hezhong (now Yongji, Shanxi) and grew up in Lin 'an (now Hangzhou, Zhejiang). He was a master painter of the Southern Song Dynasty. He was born into a painting family, and he was in the Southern Song Dynasty, Song Guangzong and Song Ningzong. He is good at painting mountains and rivers, figures, flowers and birds. The landscape painting was taken from Li Tang. His brush strength was sharp and broad, and the texture was tough. The leaves were often sandwiched between leaves, the trunk was thick, and most of them were horizontal and inclined. The boundary painting of the pavilion was exquisite and dyed. It liked to make small scenes at the corners, known as "Horse Corner" in the world. Its composition method broke the traditional panoramic layout and only selected a corner of the landscape to paint, leaving a wide imagination for the viewer. For example, the steep peak directly went up without seeing the top, the cliff directly went down without seeing the feet, the nearby mountain was towering and the distant mountain was low, or only a fishing boat was painted. The picture had a strong sense of space. It highlighted the artistic effect of close-up shots and symbolized the characteristics of the Southern Song Dynasty landscape painting. The characters were drawn from a wide range of materials, including Buddhism, nobles, literati, fishermen, farmers, etc. The characters painted were elegant and imposing. Flowers and birds often take mountains and rivers as the scenery, love intersection, life is full of interest. His surviving works include "Singing Painting,""Water Painting,""Plum Stone Creek Duck Painting,""West Garden Elegant Collection Painting,""Autumn River Fishing Painting,""Cold River Fishing Painting,""Mountain Path Spring Travel,""Snow Beach Double Egrets Painting,""Pine Pavilion Watching Tide Painting," etc. Together with Li Tang, Liu Songnian, and Xia Gui, he was known as the "Four Schools of the Southern Song Dynasty". He had a great influence at that time and was known as the only painting academy. His style and skills had a far-reaching impact on later generations, especially in the Japanese painting world. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
This novel was called "Stealing the Dragon Robe and Being Caught by Zhu Yuanzhang". It was a historical/Song, Yuan, and Ming novel. It had elements of transmigration, relaxation, opening style, Ming Dynasty, strong country, and prince. You can read this novel on Qidian Chinese Network. "Stealing a Dragon Robe and Being Caught by Zhu Yuanzhang on the Spot" Author: Mu Zi, White Hair. The introduction of "Stealing the Dragon Robe and Being Caught by Zhu Yuanzhang on the Spot" read: Traversing the Ming Dynasty and Becoming Prince Zhu Biao. Zhu Biao also knew that he had overworked himself in history, so he only wanted to train his body, cultivate his character, and enjoy the dross from the feudal society. However, because he accidentally put on the dragon robe, he was caught by Zhu Yuanzhang on the spot... "Biao Er, you look so good in the dragon robe!" "Straighten your back and don't look so cowardly!" "Don't say it, it's quite good-looking. I'll wear it for them to see tomorrow and make Father proud." "Biao 'er, you should ascend to the throne earlier. Your mother and I will pack up and go back to our hometown in Fengyang. We can happily be the Retired Emperor and Empress Dowager. We can also help you take care of your children. Wouldn't that be great?" "Protector beast? Pass down the order, all those who come to protect the emperor will be executed!" "Where is the list of people who rebelled with you? Let father see…why didn't these officials help the Crown Prince to rebel! Pull them all out and kill them!" Hence, Zhu Biao was labeled as the disgrace of transmigrators and began his corrupt career as the Crown Prince. This book is also known as My Father, I'm Afraid His Brain Is Not Normal, and Why Did the Crown Prince Rebel? "Follow such a crown prince, why worry about not being famous for eternity" and so on. Hurry up and read!
This novel was called "Daming: Me! Old Zhu Family's Auspicious Beast Qilin. This was a historical/Song, Yuan, and Ming-style novel. It had elements of transmigration, fast pace, big imagination, fictional history, Ming Dynasty, and exotic beasts. You can read this novel on Qidian Chinese Network. Big Ming: Me! Old Zhu's Auspicious Beast, Kylin. Author: Mengmeng's Little Newbie. Finished, you can read without worry. Big Ming: Me! The introduction of Old Zhu's Auspicious Beast, Qilin: Traversing the Ming Dynasty and becoming the Auspicious Beast of the Old Zhu Family, Qilin Xia! At this time, it was the first year of Hongwu, Zhu Yuanzhang had just ascended the throne and was ready to expel the Yuan bandits! "The country's fate is to provide auspicious beasts! Bless me for a thousand years!" “.........” Pursue the traces of the auspicious beast and find the Qilin secret treasure left behind from back then! Zhu Yuanzhang continued to obtain precious treasures, high-yield food, Qilin prophecy, advanced technology, world structure, strange beasts, empire buildings, and even Longevity Extending Pills! The fate of the Ming Empire continued to grow stronger and stronger, and the ambition to conquer the world was also growing day by day! Until one day- Qilin Xia, who was in deep sleep, woke up once again. Looking at the Empire of the Sun Never Sets that was bustling with people and the majestic national fate that was on his body, he immediately fell into a state of confusion. Qilin Xia: "I only took a nap. How did Zhu Zhongba, who used to herd cows, become the emperor of the Sun Never Sets Empire?!" Hurry up and read!
This novel was called " The First Talented Scholar of the Ming Dynasty." It was a historical novel that was categorized into the two dynasties. It had elements of time travel, fast pace, fictional history, the Ming Dynasty, and the imperial court. You can read this novel on Qidian Chinese Network. The author of "The First Scholar of Ming Dynasty": Be merciful. The introduction of the " Great Ming's First Talented Scholar " was the fifth year of Xuande in the Great Ming Dynasty. The world had reached the rule of Xuande. It had been five years since Zhu Zhanji quelled the rebellion and proclaimed himself emperor. At this time, Zhu Qizhen was only two years old. Yu Qian was the governor of Henan, and Zheng He was on his seventh voyage to the West. …… …… However, this year was also an eventful year. All over the country, there were hungry people everywhere, the granaries were empty, and refugees were everywhere... A soul that belonged to the future brought along advanced knowledge and culture to this world. He wanted to be a different Su Pingqian! Hurry up and read!