What is the poem in Ni Zan's autumn pavilion and beautiful trees
The poem in Ni Zan's painting of autumn pavilions and beautiful trees is that the autumn wind suddenly rises and the autumn pavilions and beautiful trees shine on the hearts of the people. The fallen leaves are flying, the butterflies are dancing, the empty mountains are silent, the birds are singing..
Ni Zan's Calligraphy
Ni Zan's "Jing Ji Xuan Poetry" is his authentic calligraphy in small regular script, which is now stored in the Palace Museum. This was Ni Zan's self-written work. The content of the book was in three parts, including "Praise to the Little Statue of the Bosheng Family","Four Rhymes of Ancient Seal Poetry", and "Seven Quatrains". This work was made by Ni Zan when he was 71 years old, two years before his death. The strokes were exquisite and there was no sluggishness. The knots were slightly flat, tight inside and relaxed outside. When the brush was put away, the brush was steady and the gnomon was prominent. It had a very strong official script style in the simplicity and strength. This scroll was vertically mounted, which meant that it was written in a vertical vertical style. However, it was mounted in the shape of a hand-rolled banner, retaining the characteristics of the Xuanhe style of the Song Dynasty. There were many seals on the works, such as "Cloud Gate Mountain House" and "Tuxing Father", which were also recorded in Wang Shiyuan's "Luyun Tower Painting and Calligraphy Record". The seal characters "Jing Ji Xuan" and "Jing Ji Xuan Poetry" were written by Zhang Shen. The Legend of Lin Yi is equally exciting, and everyone is welcome to read it!
Ni Zan Garden
Ni Zan's deeds related to gardens were mainly reflected in Lion Forest. Lion Grove was founded in 1342 and was originally a temple garden. In 1373, when Ni Zan passed through Suzhou, he was invited by the host of Lion Forest, Ruhai, to participate in its construction and write poems and paintings, creating the Lion Forest Painting. This painting was of great significance to Lion Grove. It made Lion Grove famous and attracted many scholars to come and write poems and paint to promote it. The painting contained a variety of landscape elements, such as six short pine trees on both sides of the road, two cypress trees, old plum trees, neatly arranged houses, a bamboo forest behind them, and a complex rockery in the center (this was the characteristic of Lion Forest that Ni Zan wanted to highlight. The stone mountains surrounded each other to form a circle of stone mountains, with a Zen nest in the middle). From this painting, one could see the basic shape and layout of the stacked stones when the lion forest was first built. Ni Zan was best at landscape paintings and rarely depicted real gardens. People rarely appeared in landscape paintings, but there were rare figures in Lion Forest Painting. Some people judged that the figure in the painting was most likely painted by Zhao Yuan (formerly known as Zhao Shanchang), who had collaborated with Ni Zan to create this painting. This was because from the postscript,"I discussed with Zhao Shanchang," it could be seen that this was created after the two of them discussed it, combining their pen, ink, and interest. The Legend of Lin Yi is equally exciting, and everyone is welcome to read it!
Ni Zan's Painting and Calligraphy
Ni Zan (1301 - 1374), originally named Ni Ting, also known as Taiyu, also known as Yuanzhen, also known as Yunlinzi, Jingmanmin, Huanxiazi, etc., was born in Wuxi, Jiangsu Province. He was a painter and poet at the end of the Yuan Dynasty and the beginning of the Ming Dynasty. He was one of the "Four Great Artists of the Yuan Dynasty" and was listed as one of the "Top Ten Ancient China Artists". The British Encyclopedia Britannica listed him as a world cultural celebrity. He was good at painting mountains, rivers, and black bamboos. He had studied under Dong Yuan and was influenced by Zhao Mengfu. In his early years, his painting style was clean and smooth, and in his later years, he was reformed and plain and innocent. His landscape paintings mostly presented sparse forests and slopes, quiet and elegant, with simple strokes and far-reaching meanings. He cherished ink like gold. He used the side edge of the brush to make a crack, named "Broken Belt Cracking". The ink bamboo was tilted and graceful, and with a few strokes, it was full of ease. Ni Zan was also good at calligraphy and regular script. He wrote in a unique style of simplicity and desolation with a note of ice and snow. His calligraphy came from official script and had the demeanor of Jin people. He was also good at poetry. Xu Wei commented on his calligraphy,"Zan's calligraphy came from Li and was reincarnated in Zhong Yao's" Ji Zhi Biao."It was ancient and charming, dense and sparse." Wen Zhengming commented that "Mr. Ni's character was high, and his calligraphy was full of the atmosphere of Jin and Song Dynasties." Dong Qichang commented that "Mr. Ni was ancient and naive, and Mi Chi (namely Mi Fu) was the only one behind him." However, there were also people like Xiang Mu who accused him of writing bitterly and shabbily. Even in the years of Lao Peng, there was no good situation in the end."Li Ruiqing, a modern calligrapher, believed that" Ni Yuan's book is cold and desolate, without losing the rules of Jin people. There is a forest wind, just like Tao Yuanming in the poem, but it is not understood by meat-eaters." Ni Zan had many works in the world. His paintings included the Painting of Autumn in the Fishery Village, the Painting of Six Gentlemen, the Painting of Ronggenzhai, the Collection of Qingyi Pavilion, the Painting of Water and Bamboo Residence, the Painting of Cold Pine in the Serene Stream, the Painting of Blossoms and Withered Trees, the Small Statue of Yang Zhuxi, the Painting of Empty Forest after Rain, the Painting of Qishu Autumn Wind, the Painting of Bamboo Branches, the Painting of River Bank Looking at Mountains, the Painting of Bamboo Trees and Wild Stones, the Painting of Creek Mountains, the Painting of Pine Forest Pavilion, and the Painting of Lion Forest."West Forest Zen Room Painting,""Autumn Forest Painting,""Spring Rain New Bamboo Painting,""Small Mountain Bamboo Tree Painting,""Bamboo Painting,""Purple Zhishan House Painting,""Wu Bamboo Beautiful Stone Painting,""Yu Mountain Forest Valley Painting,""Autumn Pavilion Beautiful Tree Painting,""Frost Forest Torrential Stone Painting,""Maple Falling Wu River Painting,""River Pavilion Mountain Color Painting,""Bamboo Stone Painting," and so on. Among them, the Painting of Ronggenzhai is now hidden in the Palace Museum in Taibei, the Painting of Autumn Ji in the Fishing Village is hidden in the Shanghai Museum, the Painting of Ancient Trees and Bamboos is hidden in the Palace Museum in Beijing, and the Painting of Looking at Mountains on the River Bank, the Painting of River Pavilion and Mountain View, the Painting of Distant Forest and Xiuxiu, the Painting of Zizhi Mountain Houses, the Painting of Clear Guqin in Tonglu, and the Painting of Pine Forest Pavilion are also hidden in the Palace Museum in Taibei. There is also the "Yuan Ni Zan Painting Manual", which is now in the National Palace Museum. The Legend of Lin Yi is equally exciting, and everyone is welcome to read it!
The beautiful poem of autumn water
The following are some beautiful poems about Autumn Water: - Wang Wei's "Cold Mountains Turn Verdant, Autumn Waters Glisten in the Sun." Leaning on his staff outside the wooden door, he listened to the cicadas in the wind. The sun sets over the ferry, and the lonely smoke rises in the market. I met Jie Yu drunk again, singing wildly in front of the five willows." In this poem, the autumn water, the cold mountain, the setting sun, and the lonely smoke formed a harmonious and quiet landscape painting. - Du Fu's "A cool breeze rises at the end of the sky, what is the gentleman's intention?" When will the wild geese arrive? The autumn waters of the Jianghu are abundant." The autumn water in the poem became a thing to cherish, conveying the longing and concern for his friends. - Wang Changling's " Drinking horses crossing the autumn waters, the cold wind is like a knife." He wrote about the bone-chilling feeling of autumn water and the hardships of military life. - Li Bai's " South Lake Autumn Water Night Smokeless, Able to Take the Stream to Heaven." I'll buy wine by the moonlight on Dongting Lake and buy a boat by the white clouds." It depicted the clear and smokeless scene of South Lake, full of romance. - Yu Xuanji's "Green color connecting the barren shore, smoke posture into the distant building." Shadows spread on the autumn water's surface, and flowers fall to fish for heads." By describing the shadow of the willow tree above the autumn water, it added a sense of quiet beauty. - Song Qi's " Autumn waters are naturally green, autumn flowers are red." He wrote the beautiful state of the autumn water, which was naturally clear and green. - The west wind blows the waves of Dongting Lake, and Xiangjun's hair turns white overnight. When drunk, I don't know that the sky is in the water, and my boat is full of dreams." The autumn water in the poem reflected the stars and the moon, as beautiful as the scenery in the sky. - Ouyang Xiu's "Yue Girl Picks Lotus by Autumn Water". Her sleeves are narrow and her golden bracelets are hidden." It depicted the beautiful posture of the lotus picking girl by the autumn water. - Liu Changqing's " The autumn river is misty and the water is empty. The lonely boat of the Yue guest wants to sing." It showed the vastness of the autumn water and the melancholy of the farewell. "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
Ni Zan is called Yunlin
Ni Zan, also known as Yunlin, was a painter and poet of the Yuan Dynasty. He was also known as Huan Xiazi, Scholar Ru Huan, Scholar Jing Ming, Nunnery Master Wu Zhu, Surging Waves Man Shi, Jing Man Min, Qu Quan Sou, Immortal Xiao Xian, etc. Ni Zan was born in Meidituo Village, Wuxi, Changzhou, Jiangnan Province (now Meili Town, Wuxi City, Jiangsu Province). His birth date was either 1301 or 1306. Dong Yuan, his master of landscape painting, used Jing Hao's and Guan Tong's brush techniques to create "broken belt and chapped" to paint mountains and stones. His style had a great influence on the ink landscape paintings of literati in Ming and Qing Dynasties. His calligraphy started from ancient official script and took the two kings as the master. Together with Huang Gongwang, Wu Zhen and Wang Meng, he was called the "Four Schools of Yuan Dynasty". His existing works included "Qingyi Pavilion Collection","Ni Zan Bamboo Branch Painting Scroll","Ni Zan Lin Ting Yuan Xiu Painting Scroll","Ni Zan Ancient Wood Bamboo Painting Scroll" and so on. The Legend of Lin Yi is equally exciting, and everyone is welcome to read it!
Ni Zan's Yi Qi said
Ni Zan's "Yi Qi" spirit was mainly reflected in the "Yi Ge" of his painting level and the height of his spiritual realm. Yi Bi was a method to express Yi Qi. It used the path of " writing spirit with form " to reach formlessness from form. The spiritual realm of his "Yi Qi" surpassed the conventional, did not pursue the shape, and escaped the conventional painting theory and social cultural order. It had the characteristics of being noble and unconventional, and escaped from the low and vulgar with elegant sentiment, noble character and inaction. For Ni Zan, the painting purpose of "Yi Bi Cao Cao" was the spiritual pursuit of "Yi", and "Cao Cao" was the external form of "Yi Bi". The two complemented each other and formed a unique artistic realm. Moreover, Ni Zan's "Yi Qi" and Qian Xuan's "Morale" were permeated with the personality thoughts formed by the China feudal intelligentsia for a long time. They were the universal aesthetic atmosphere and aesthetic taste of the Yuan Dynasty. The Legend of Lin Yi is equally exciting, and everyone is welcome to read it!
Ni Zan's Painting of Distant Hills
Ni Zan was a painter and poet at the end of the Yuan Dynasty and the beginning of the Ming Dynasty. Together with Huang Gongwang, Wang Meng and Wu Zhen, they were known as the Four Schools of the Yuan Dynasty. He had a painting called " The Painting of Distant Woods ". From the overall perspective of his painting style, his paintings often presented a sense of seclusion and refinement. His strokes were simple and elegant, and the layers were rich. His unique composition and blank space had an important significance in the history of painting and had a great influence on the painting world of the Ming and Qing Dynasties. His simple and light landscape painting style was pursued by the masters of the Ming and Qing Dynasties. Masters such as Dong Qichang and Shi Tao cited him as the founder. However, there was no more information about the Painting of Swoosh Woods and Distant Peaks to show its uniqueness. It could only be inferred from Ni Zan's overall painting style and influence that this work might also have the common characteristics of his painting style. The Legend of Lin Yi is equally exciting, and everyone is welcome to read it!
Yuan Ni Zan's cursive poems
Yuan Ni Zan's semi-cursive poems had a total of eight pages, of which the second, third, sixth and seventh pages were authentic. The second letter was written by Ni Zan to the painter Chen Zhi, expressing that although he was poor, he still adhered to his heart and virtue. The third letter was written in 1372, and the content was to greet his friends and ask for a gift. The sixth letter was a poem. Although there was no date, it was speculated that Ni Zan might have written it in 1366 when he met his friends from Lize to the west of Songjiang in order to avoid the war, or when he was displaced in his later years. The seventh letter was a letter from Ni Zan to Zhou Di. In the letter, he presented poems to Zhou Di and talked about calligraphy. It was probably written between 1359 and 1360. These poems were helpful in studying Ni Zan's calligraphy style, his life circumstances, and the social situation at that time. " Yun Anlu's Body Sacrifice " is equally exciting. Everyone is welcome to read it!