Lu Xun's homecoming mode referred to his return to his hometown, Shaoxing, Zhejiang Province, in his later years, to reflect and summarize society and life through writing and speeches. During his return, Lu Xun not only paid attention to the local social situation, but also deeply understood the history and culture of his family and hometown. He used his own words to record the local customs, historical events, and cultural customs. At the same time, he also reflected on and summarized his own thoughts and feelings. Lu Xun's homecoming pattern reflected his deep affection for his hometown and his reverence for traditional culture. At the same time, it also showed his deep thinking and insight into life and society. Through the homecoming mode, Lu Xun combined his thoughts and emotions with the social reality, providing precious thoughts and cultural resources for future generations.
Lu Xun's novels had the following characteristics: ** 1. Conciseness ** 1. ** Information efficiently presented ** - Inheriting the tradition of China literature, it presented rich information from multiple angles and levels in a limited space to express deep emotions and profound thoughts. The amount of words in his novel was basically inverse to the information presented. Although he did not complete a full-length novel in his life, the information contained in more than 30 short and medium-length novels could be regarded as the condensation of a full-length masterpiece. 2. ** Carefully designed in many aspects ** - It was carefully arranged in terms of content trimming, text cutting, narrative angle selection, structure installation, etc. For example, the first person narrative perspective was used to consciously "simplify" the reaction of the bystanders to the actions of the parties involved. For example,"Blessing" became the story of a bitter woman that "I" knew, and "Kong Yiji" recorded the experience of a down-and-out scholar in the eyes of the hotel staff. 3. ** The succinctness of the narrative words ** - Through the polishing of words, he pursued the greatest expression of the text. For example, in Kong Yiji, Kong Yiji "discharged nine coins of big money" and "found four coins of big money", in Medicine, Zhonghua Laoshuan "pressed" to put money into the pocket, and Uncle Kang "pinched" after "grabbing the foreign money". ** 2. Coldness ** 1. ** Temperance of emotional expression ** - Cold and stern referred to the high degree of restraint in emotional expression when narrating. The conciseness was based on the amount of words, while the coldness was based on the depth of emotional input. The deeper the novelist's emotions were, the more he could restrain the emotional bias or overflow in his narration, inheriting and carrying forward the tradition of China literature. 2. ** Where there's 'heartless', there's' affection'** - There were passages and sentences in the work that seemed to be heartless but were actually sentimental. For example, in Blessing,"I" asked the part-time worker Xianglin Sao how she died, and the part-time worker replied,"How did she die?" Didn't you die of poverty?" The rhetorical question contained the anger and helplessness of a part-time worker. The reader could feel the "sentiment" from this "ruthlessness". ** 3. Calm ** 1. ** Hidden ability to convey opinions ** - It reflected the novelist's hidden ability to convey ideas in the narrative process. ** IV. Mixed use of narrators and diverse narrative structures ** 1. ** Mixed use of narrators ** - Lu Xun believed that the mixing of narrators was a special skill in narrative works, which did not hinder the authenticity of the novel. From the perspective of narrative posture and narrative language, the third-person narrative novels in Scream and Hesitation can be roughly divided into two types: "panoramic" and "scene". 2. ** Scene Style-Dramatic Narration ** - The narrators were hidden behind the scenes and did not express their subjective attitude or value judgment. The consciousness of the text is presented in a short time by the scene, plot, character's actions and dialogue. The style and means have a strong external performance, the psychological actions of the characters are obvious, the dialogue of the works contains rich subtext, and the expressions and actions are related to the psychological actions of the characters. Such as "Medicine,""Ever-Bright Lamp,""Public Show" and other novels. This type of tragic novel hid the tragic heroes in traditional tragedies behind the scenes or placed them in a secondary position, but actually dominated the words and deeds of the characters in the front stage. It adopted the narrative posture of narrator = character ("simultaneous" observation), which could form a "three-dimensional observation" effect. It centered on social groups. For example, although Xia Yu's death was not directly described, it was described many times through the eyes and language of different characters. 3. **"panoramic" style-"psychoanalysis" novel ** - Usually, the two systems were mixed together, and the unnamed symbols were used in turn. The narrators not only describe and analyze the characters externally, but also infiltrate the characters 'inner parts, so that the consciousness and subconscious activities of the characters are directly presented to the readers. The focus is on the psychology of the characters, such as novels such as The Happy Family and White Light. 4. ** Special genre novels ** - The True Story of Ah Q and Tomorrow, for example, were of the "panoramic" style, which was similar to the "psychoanalytical" style of narration. Some of the descriptions were similar to the "scene" style, but they were different from the first two types because of the direct appearance of the first-person narrators (virtual narrators who were similar to Lu Xun's attitude and mental state). The first person was always an outsider narrator. The narrator's comments did not involve his own subjective spiritual history, but the narrative process penetrated the main spiritual content into the psychological process of the characters, making the objective narrative object contain double psychological content. In addition, Lu Xun often used the "homecoming" mode of narration. For example,"Blessing" described the main time of the novel from the perspective of the protagonist returning to Lu Town. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
"Hometown" adopted the most common "homecoming" mode in Lu Xun's novels. The characteristic of this plot structure was that the narrator was telling his own story while telling others 'stories, and the two formed a polytonation. The narrator "I" was often an intellectual who was far away from the social environment of his hometown and had basically gotten rid of the shackles of traditional social ethos and moral values. Through the life journey of "I" leaving my hometown and returning to my hometown and finally leaving, it shows the contradiction between "I" and the traditional society of my hometown, and reflects the isolation and desolation of the real hometown through the eyes of "I". <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Lu Xun's The True Story of Ah Q and A Madman's Diary were both representative works of the "see/be seen" model. In The True Story of Ah Q, Ah Q, as an exploited and oppressed bottom-level character, constantly dwarfed and depreciated himself, and finally led to a tragic end in self-mockery and self-destruction. In the Madman's Diary, the author used a crazy fantasy character to express his thoughts on human nature and his criticism of social reality, revealing the hypocrisy and decay of feudal morality and traditional culture. These two works deeply revealed the darkness of society and the distortion of human nature through the "see/be seen" model, which had a profound impact on Chinese literature and the world of thought.
Lu Xun was one of the important representatives of modern Chinese literature. His literary works and thoughts had a profound impact on the development of modern Chinese culture and history. Lu Xun's family background was one of the historical backgrounds of his growth, which had an important influence on his future changes and development. Lu Xun's father was Lu Xun's grandfather. He was a famous teacher and ideologist at the end of the Qing Dynasty. Lu Xun's grandfather devoted himself to promoting the development of education and culture in China. Lu Xun's grandfather had once founded a school to advocate a new culture and oppose feudal superstition and old traditions, making outstanding contributions to China's cultural and educational cause. Lu Xun's mother was Lu Xun's grandmother and was also a cultured person, which had an important influence on Lu Xun's literary creation. Lu Xun's grandmother was once a famous writer. Her literary works caused a sensation in society at that time and had an important impact on Lu Xun's growth. Lu Xun's family background provided him with important resources and support for his literary creation, but it also had a profound impact on his thoughts and outlook on life. Lu Xun was influenced by his father and mother when he was growing up. He was good at observing social reality, had a strong critical spirit and independent thinking ability, and formed a unique literary style and ideology.
Lu Xun (September 25, 1881-October 19, 1936), formerly known as Zhou Shuren, was an outstanding, ideologist and revolutionary in the history of modern Chinese literature. Lu Xun was born in a scholarly family in Shaoxing, Zhejiang Province. He was intelligent and received a good education since childhood. In 1902, he began to study in Beijing and later went to Japan to study literature, psychology and other knowledge. In Japan, he wrote many excellent novels and essays, revealing the dark side of Chinese society at that time and reflecting the pain and anger of the Chinese people. After returning to China, Lu Xun's works were widely welcomed and he became one of the founders of modern Chinese literature. His representative works included "Madman's Diary","The True Story of Ah Q","Medicine","Kong Yiji","Blessing" and so on. These works revealed the various ills of Chinese society at that time, deeply reflected the pain and anger of the Chinese people, and became one of the classics of modern Chinese literature. Lu Xun's achievements and influence lay not only in his literary works but also in his contributions to the development of Chinese culture and society. He initiated the New Culture Movement, promoted the development of modern Chinese literature, and laid the foundation for the modernisation of Chinese culture. At the same time, he was also a staunch revolutionary. He participated in many revolutionary activities and made important contributions to China's independence and prosperity. Lu Xun's collection of novels and essays, including A Madman's Diary, The True Story of Ah Q, Medicine, Kong Yiji, Blessing, etc., all deeply reflected the dark side of Chinese society and the pain of the people at that time. They had high literary value and depth of thought.
Lu Xun's pen name was Lu Xun because he used a character to replace his original name, Zhou Shu Ren, and added a pen name. His pen name "Lu Xun" came from the pen name "Lu Xun's novels" that he used in his novels. This was because he often used first-person narrations when writing, and his writing style also had some irony and criticism, so he was called "Lu Xun". His literary works had a profound impact on the development of modern Chinese literature and was hailed as one of the founders of modern Chinese literature.
Lu Xun (September 25, 1881-October 19, 1936), formerly known as Zhou Shuren, was an outstanding, ideologist and revolutionary in the history of modern Chinese literature. His works deeply reflected the dark side of Chinese society and the pain of the people. He was hailed as the founder of modern Chinese literature. Lu Xun's "Hometown" is a novel full of emotions and symbolism. It tells the story of a young man, Lu Xun, who grew up in a strange environment far away from his hometown. From Lu Xun's perspective, the novel profoundly reflected the various ills of Chinese society and the distortion of human nature through the description of his hometown. The full text of 'Hometown': hometown It has been a long time since I left my hometown. When I returned, I found that everything had become unfamiliar. The willow trees on both sides of the road had become old and the scribbles on the walls had disappeared. Everything had become neat and clean. I walked along a small path and was met with a faint sadness. I recalled the crowded train when I left my hometown, which made me feel an indescribable sense of loneliness and helplessness. I kept thinking about what my hometown was like when I left, whether it still had my familiar faces and those beautiful memories. Gradually, I began to see some changes. The houses in the village had become more luxurious. Some people had already moved to the city. Some people started to become more and more indifferent, no longer as warm and friendly as before. I began to understand that society is constantly changing and improving, but some people can't accept this change. They are still stuck in the past and unwilling to face the challenges of the future. When I reached the center of the village, I saw an old man. He was carrying an old bag and holding a book in his hand. He seemed to be reading and thinking. I walked to his side and he looked up at me before continuing to read. I silently walked over and left the village. When I left, I realized that I was no longer that child. I've grown a lot, but I still need to keep growing and improving to adapt to this changing world.
Lu Xun (September 25, 1881-October 19, 1936) was a famous modern Chinese ideologist, cultural critic, and revolutionary. His works were very rich, including novels, essays, poems, essays, translation, and many other fields. The following are some of Lu Xun's representative works and classic sayings: Fictional works: - A Madman's Diary - The True Story of Ah Q - Medicine - Kong Yiji - White Light - Hesitation - New Stories Classic quote: - "I have always been unafraid to speculate about the Chinese people with the worst malice, but I didn't expect and didn't believe that it would be like this!" - "If you don't explode in silence, you die in silence." - "The joys and sorrows of humans are not interlinked. I just think they are noisy." - "Actually, there are no roads on the ground, so there are more people walking on them."
Lu Xun was one of the important representatives of modern China literature. His works had a profound impact on the development of China literature and ideology. Lu Xun's works had a deep reflection on traditional culture and modern civilization with the theme of criticizing and exposing social reality. His masterpieces such as A Madman's Diary, The True Story of Ah Q and Medicine deeply reflected the darkness of society and the distortion of human nature by depicting the absurdity, pain and despair of the protagonists. At the same time, Lu Xun's literary works also had a high literary value and won widespread praise for his unique expression and language style. Lu Xun's works also had important significance. Through the characters and plots in the novel, he expressed his thoughts and discussions on China traditional culture and modern civilization. His works profoundly revealed the complexity and contradiction of human nature, advocated human dignity and freedom, and provided important intellectual support for the development of modern China ideology and culture. Lu Xun's works are of high value in literature and ideology, and their influence and significance are far-reaching.
Lu Xun's " Hometown " was a famous novel that narrated the author's experiences in his hometown and his thoughts on human nature and society. The protagonist of the novel was Lu Xun's cousin, Ah Q. He was a typical self-abased and greedy person. In the novel, Lu Xun revealed the dark reality of Chinese society at that time by describing Ah Q's poverty, cowardice and incompetence, expressing his sympathy and concern for the people at the bottom. At the same time, Lu Xun also discussed the nature of human nature and social morality through the description of Ah Q and put forward his own views. The plot of the novel was more complicated. It mainly talked about Lu Xun's experience in the city after leaving his hometown and his relationship with his cousin Ah Q. Through the plot of the novel, readers can feel Lu Xun's deep affection and longing for his hometown, and also understand his deep thoughts and reflections on the Chinese society at that time. "Hometown" is one of Lu Xun's representative works, known as the classic of modern Chinese literature, which has a profound impact on the development and progress of Chinese literature.