The so-called "two generations" and "three fronts" in military literature after the 1980s referred to the works of batches of people who grew up in different historical periods, reflecting the changes and growth of military life. " Two generations " referred to the army that grew up in different historical periods after the 1980s. These works also had non-military backgrounds. Their works covered different levels and different fields of military life from the grassroots to the top of the military. Some of them were like Wang Meng, Tie Ning, Jia Pingao, and others. Others were like Mo Yan, Yu Hua, Chen Zhongshi, and others. " Three battlefronts " referred to the three common topics and directions in military literature. The three topics were the life of a soldier, military politics, and military strategy. The soldier's life line referred to the daily life, growth, and battle of the soldiers; the military's political line referred to the political struggles within the army, discipline construction, and military reform; and the military's strategic line referred to the decision-making and execution of the army in the war, as well as the relationship between the army and external forces. These three topics were related to each other and formed the overall style of military literature. Concepts such as " two generations " and " three battlefronts " were common descriptions in military literature, reflecting not only the creative characteristics and styles of different periods but also the literary styles of different periods.
The two generations were active in two different literary schools at the same time. Their works had different styles and topics. The three fronts referred to the main direction and theme of Chinese contemporary literature after the 1980s. These three fronts were military, social, and historical. These topics covered the various challenges and difficulties faced by the Chinese army in times of war and peace, reflecting all aspects of Chinese society and people's lives.
In the 1990s, the performance of the three generations of Chinese literature was that a large number of prose works emerged during this period, covering different literary schools and styles, including realism, realism, symbolism, post-realism, etc. The theme and style of these prose works were also very diverse. There were essays that described real life and essays that expressed thoughts and discussions about history, culture, society, and so on. At the same time, the prose works of this period also showed a strong literary and artistic focus on expressing thoughts and feelings, shaping the image of the characters, showing the narrative style and the use of rhetoric and stylistic characteristics. The prose also formed a distinct literary difference between each other. Generally speaking, the prose craze in the 1990s was a literary phenomenon created by the thinking and discussion of a generation, history, culture, society, and other aspects, as well as the exploration and breakthrough of their own literary style.
The so-called outline in writing a novel usually referred to a detailed plan that included the plot, character setting, setting, plot turning points, and so on. The outline was used to help the author clearly plan the plot of the novel to ensure that the story could be coherent, reasonable, and interesting. The techniques of making an outline mainly included the following aspects: 1. Decide on the theme and values of the novel. Before making an outline, the author needs to determine the theme and values of the novel. This helps to ensure that the content of the outline is consistent with the theme and can convey the thoughts and emotions that the author wants to express. 2. Set the basic plot of the novel. When making an outline, the author first had to list out the basic plot of the novel, including the beginning, middle, and end of the plot, as well as the main events and turning points in each chapter. 3. Set the main characters. When creating the outline, the author needed to set the main characters of the novel, including their personalities, backgrounds, goals, motives, and so on. The author also needed to set a basic plot for each character to help them better integrate into the story. 4. Confirm the plot turning point. When creating the outline, the author needed to determine the turning points of the story. These turning points were usually the key nodes in the development of the story. He needed to set a corresponding turning point for each character. 5. Writing an outline. When making the outline, the author needed to combine the above contents to write a detailed outline. The outline should be as detailed as possible to ensure that the reader can clearly understand the plot and characters of the novel. Creating a novel outline required the author to have a certain degree of imagination and logical thinking ability. It needed to be constantly revised and perfected to ensure that the content of the outline was consistent with the plot and character settings.
The outline of a novel referred to the basic framework of a novel and the idea of the plot. It usually included the main characters, the plot, the plot development, the ending, and other elements. The outline was the first step in the creation of a novel. It could help the author better plan the plot, determine the main points and details of the story, and conceive the ending and emotional conflicts. The outline of a novel was usually made by the author or editor and adjusted and modified as needed. A good outline could make the novel more compact, logical, and coherent, improving the reader's reading experience. Having a clear outline before writing a novel can help you better grasp the plot and the relationships between the characters, making the work more complete and attractive.
The outline of a novel usually included the main plot, the relationship between the characters, the background introduction, the main conflicts, and the ending. The content outline could help the author or screenwriter sort out their thoughts and determine the basic framework of the story so that they could better create a novel or script.
The outline of a novel was a basic framework that the author had developed before the creation of the novel to summarize the main plot and the development of the story. The outline usually includes the background, goals, conflicts, and solutions of the main characters, as well as the main plot lines of the novel, including the beginning, middle, and end. The outline of a novel was one of the most important preparations for the creation of a novel. It could help the author better organize the plot and grasp the direction of the story's development, so as to avoid wasting time and energy on irrelevant plots. By making a novel outline, the author can better understand the reading habits and needs of the readers so that he can better meet the expectations of the readers in the process of writing. A good outline of a novel can not only improve the efficiency of the creation of the novel, but also provide important guidance for the creation of the novel to help the author create a wonderful novel.
The " pit " in novels usually referred to the flaws or shortcomings of a plot or setting that had not been fully explored or explained. This flaw or deficiency may be gradually filled up or resolved in the subsequent plot or story, or it may always be a big hole in the story that makes the reader feel confused or dissatisfied. In the writing of novels, a trap was usually a suspense or a difficult problem deliberately set by the author to attract the interest and attention of the readers. At the same time, it also helped to build the depth and complexity of the story. Some excellent novelists would gradually reveal the truth of the " pit " through ingenious plot arrangements and constant foreshadowing, so that the readers would have a deeper understanding and thinking.
A hundred generations of youth was a poem that described longevity, beauty, and eternity. It came from the Tang Dynasty poet Du Fu's "Presented to Wei's Eight Chushi." It meant that even with the passage of time, her beauty was still eternal. This sentence was often used to describe a person's beauty and lifespan, expressing their cherish and yearning for beautiful things.
The so-called three carriages of online literature referred to: 1 Qidian Online Literature (Representative works: Douluo Continent, Heaven Covering, Divine Throne) 2 (Representative works: "The Decay of Heaven","Dragon Race","Nine Provinces Ethereal Record") 3 (Masterpieces: "Stellar Transformations","Battle Through the Heavens","The Peak of Martial Refinement") The three of them led the trend of online literature in this period with their works and became the representatives of the online literature world. Their writing styles and types of works were very different, but they all achieved great success, which had an important impact on the development of online literature.
The outline of a web novel referred to the general structure and storyline outline that the author followed when creating a web literary work. It usually included the basic information of the work, the main characters, the storyline, the theme, and emotional clues. It was an important reference and planning for the author before creation. The outline of a web novel would usually be formulated before the creation and would gradually be perfected as the work was created. A good web novel outline could help the author better organize the story, grasp the core theme and emotional clues of the work, and improve the legibility and appeal of the work. The specific content and format of a web novel's outline might vary depending on the type of work, the author's style, and the stage of creation. However, generally speaking, a good web novel outline should have a clear storyline, the setting and relationship of the main characters, conflicts, and climaxes. At the same time, it also needed to take into account the background, setting, worldview, and other factors of the work.