My family has a porcelain doll pillow from a folk kiln at the end of Song Dynasty and the beginning of Yuan Dynasty. How much is it worth?
At the end of the Song Dynasty and the beginning of the Yuan Dynasty, the porcelain doll pillow was one of the ancient Chinese ceramic crafts with high artistic value and historical value. According to the current market situation, the price of porcelain doll pillows in the late Song and early Yuan Dynasties would vary according to different factors such as age, origin, shape, craftsmanship, and so on. Generally speaking, the price of porcelain doll pillows from folk kilns at the end of the Song Dynasty and the beginning of the Yuan Dynasty was relatively high because they were usually considered an important part of Chinese traditional culture and had high collection value and decorative value. In addition, at the end of the Song Dynasty and the beginning of the Yuan Dynasty, porcelain doll pillows were also treasures that some collectors dreamed of because they were relatively rare and difficult to obtain. Therefore, the price of the porcelain doll pillow in the folk kiln of the late Song and early Yuan Dynasties depended on many factors. If you want to sell or buy it, you should first understand the market situation and consult the opinions of professionals.
The characteristics of Xianghu kiln white porcelain in Song Dynasty
The characteristics of Xianghu kiln white porcelain in the Song Dynasty were as follows: the fetus bone was delicate and white, and the glaze was relatively uniform. Some of the white porcelains had a uniform and clean glaze color. In the late Northern Song Dynasty, they absorbed the northern re-firing process and produced "Mangkou" ware. The products of Xianghu kiln were mainly made of bluish white porcelain. The bluish white porcelain was white and delicate, thin and firm. The glaze color was between green and white. The green was white, and the white was green. The glaze was clear like lake water and lustrous like jade. It was also called "Shadow Green". The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
The characteristics of the folk kiln porcelain in the Yuan and Ming Dynasties
Yuan and Ming kiln porcelain had the following characteristics: - ** Yuan Dynasty folk kiln porcelain **: - ** Pattern **: The most important feature is that the pattern is dense and complicated, with many layers. The mouth of large objects such as bottles and jars is often painted with a curled-up grass pattern, and the neck is painted with a banana leaf pattern. The theme of the middle is often painted with drama characters influenced by Yuan Qu. For example, the characters in stories such as "Xiao He Chases Han Xin under the Moon" are also painted with dragon patterns and flower patterns. The theme of the decorative patterns will be painted with sea patterns or entangled flowers, and the lower abdomen is usually painted with lotus petals. - ** Model **: It obviously has the unique style of the grassland people. It has newly created many types of artifacts unique to the Mongolian people. When creating many new varieties, it inherited and developed the Jun kiln and Longquan kiln of the Song Dynasty. The shape of the artifacts is round and strong, and it also absorbs the characteristics of the Han culture. - ** Sand bottom **: Stars or large flint red spots can be seen at the exposed area. These flint red spots began to appear in the Yuan Dynasty and disappeared completely after the Ming Dynasty and the Qing Dynasty Qianlong. - Glazed surface: mostly bluish-white, the color is elegant, soft and pleasing to the eye. - ** Ming Dynasty folk kiln porcelain (Hongwu period as an example)**: - ** Embryo quality **: The phenomenon of raw burning is common. The early porcelain bones are loose, showing light gray, gray, light yellow, rice red, and light ochre. The soil is not clean, and there are many impurities, pores, and granules after burning. - ** Pattern **: Most of the early patterns were concise and skillful, bold and vivid. - ** Sand bottom **: Star dots or large flint red spots can be seen at the exposed tire. This feature has been inherited from the Yuan Dynasty. - Glazed surface: Most of them are bluish-white, elegant, soft and pleasing to the eye. The dragon patterns painted are not as fierce as those of the Yuan Dynasty. Most of them are five-clawed dragons. The leaves of the broken branches or entangled lotus leaves painted in the Yuan Dynasty are larger. By the Hongwu period, they were obviously reduced. The nail-like protrusion in the center of the porcelain foot is inherited from the Yuan Dynasty. - ** Painting subject matter and technique **: The peak of painting subject matter and technique appeared in the middle of the Ming Dynasty. While waiting for the TV series, he could also read the exciting content related to this site!
Firewood kiln porcelain
Firewood kiln porcelain was a famous traditional China porcelain. It was made in the imperial kiln of Chai Rong, the emperor of the Five Dynasties and Ten Kingdoms. It was founded in the first year of Xiande of the Zhou Dynasty (954) after the Five Dynasties. The kiln site may be in Zhengzhou or Kaifeng, Henan Province, but no real objects and kiln sites have been found so far. According to records, Emperor Shizong of the Zhou Dynasty once ordered the imperial kiln porcelain to be "after the rain, the sky is blue and the clouds are broken. This color is for the future." From this, it was inferred that the wood kiln porcelain should be azure glazed porcelain, but in fact, wood kiln also had other colors besides azure. Firewood kiln porcelain had the following characteristics: 1. ** Scarcity **: High firing cost, low yield, and few modern wood kilns. First, the government banned the burning of firewood in the kiln, resulting in insufficient supply of pine firewood. Without special funds and specific purposes, few people would easily use the match kiln. Second, a kiln would burn nearly 2000 catties of pine firewood, which was costly. Third, the kiln required experienced teamwork. The fire and temperature of the kiln were all controlled manually. The pile-handling master needed decades of experience. A slight negligence could cause the kiln to collapse, causing hundreds of thousands of yuan of economic losses. Fourth, the temperature in the kiln was uneven. The front end was high, the back end was low, and the middle was moderate. The quality of the same furnace of porcelain varied greatly, and the rate of finished products was low. 2. ** Moistening degree **: The wood kiln uses pine wood fuel, which is rich in pine resin. The pine resin that is volatile during the burning process has a nourishing effect on the porcelain. The principle of firing was to slowly increase the temperature by constantly adding firewood, so that the utensils in the kiln could be slowly heated. In addition, the water vapor in the furnace and the porcelain glaze could be combined to produce a porcelain body with a unique style of white jade, which made the porcelain glaze subtle and moist. The firing process of the firewood kiln included many processes such as arranging the kiln, filling the pond with the blank, and hanging the kiln. In history, wood-kiln porcelain was very legendary. It had a very high status among China porcelain, and was even considered to be higher than the five famous kilns, Ru, Guan, Jun, Ding, and Ge. Among the six kinds of porcelain recorded in the Xuande Ding Yi Manual found in the Ming Dynasty's palace when sorting out antiques, the firewood kiln was ranked before the five famous kilns of the Song Dynasty and was the more expensive porcelain. However, although there were records of palace collections in history, there were no real objects of wood-kiln porcelain that had been handed down. At present, there was a Northern Song Dynasty Ruyao flower pot in the National Palace Museum in Taiwan that was thought to be a wooden kiln porcelain. The basis was that the inscription "made in the first year of Xiande of the Great Zhou Dynasty" was found under the glaze on the inner and outer walls of the flower pot. The same text could be read with the help of electron microscope instruments, but this conclusion was controversial. In modern times, wood-fired porcelain also referred to porcelain that was fired in a kiln that used pine wood as fuel. In terms of the firing effect, the porcelain fired in the wood kiln was no different from the porcelain fired in other kilns. The novel "Shou Zang" is equally exciting. Everyone is welcome to click and read it!
Xianghu Kiln in Song Dynasty
The Xianghu kiln of the Song Dynasty was located in Jingdezhen, Jiangxi Province. The kiln site was on the outskirts of Jingdezhen today. It generally belonged to the ancient Jingdezhen kiln. In the Song Dynasty, Xianghu kiln produced white porcelain products, but mainly bluish-white porcelain. Its products were fine and white, and the glaze was even. In the late Northern Song Dynasty, the northern re-firing technology was absorbed, and the "Mangkou" ware appeared. Two kiln sites were found in Xianghu Kiln. One was in front of the kiln, located in Xianghu Street Village, Xianghu Township, 15 kilometers east of Jingdezhen City. It was close to Nanhe River in the south and connected to Jingwu Road in the north. It was surrounded by mountains and was a small plain between mountains. The other was in Lanyao Mountain, turning south and west of the village. The remaining area was about 400 square meters. There were a large number of kiln furniture and porcelain pieces scattered around the village, which showed that the kiln industry was prosperous at that time. Some of the porcelain pieces unearthed were evenly glazed and clean, and the fetus bone was delicate and white. They were called "powder setting" ware. Others were mostly gray-white and water-green thick porcelain pieces, and there were also a small number of celadon porcelain pieces with lotus and peony patterns. They were all relics of the Song Dynasty. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Porcelains of Shiwan Kiln in Song Dynasty
The porcelain of the Shiwan kiln in the Song Dynasty had the following characteristics: 1. ** Kiln site development **: Damaogang Kiln, Xiaowanglougang Kiln and Qishi Kiln became the three pillars of Shiwan Kiln. 2. ** In terms of ware types, the Northern Song Dynasty had more varieties of ceramic products than the Tang Dynasty. There were daily-use porcelain, funeral porcelain, and religious sacrificial porcelain. The shape was regular, the surface was smooth, and the bottom was stable. The ware types included long-necked bottles, bowls, high-foot cups, amphoras, three-legged stoves, cups, lamps, etc. 3. ** Firing method **: Long-shaped slope dragon kiln is widely used to fire porcelain. Generally, two methods of direct firing and stacking firing are used. The product qualification rate and quality are greatly improved compared to the Tang Dynasty. 4. ** Glaze color **: The color of the glaze is more than that of the previous generation. The majority of the glazes are green-yellow glaze and yellow sauce glaze, followed by green glaze, black glaze and sauce glaze, and white glaze is the least. The method and process of applying glaze are more advanced than before. Not only is it applied to the surface of the ware, but it is also applied to the inner wall of the porcelain by the swing glaze method. 5. ** Ornamental Craftsmanship **: The decorative craftsmanship of the watch is very rich, including carving, drawing, stamping, sticking, painting, etc. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Xianghu Kiln in Southern Song Dynasty
Xianghu kiln of the Southern Song Dynasty was located in Jingdezhen, Jiangxi Province. The kiln site was on the outskirts of Jingdezhen today. It was a famous porcelain kiln in the Song Dynasty. Its porcelain was fired in the Song Dynasty and generally belonged to the ancient Jingdezhen kiln. Most of the fetal bones were white and slightly loose. The glaze color was mainly bluish white porcelain. The bluish white porcelain body was white and delicate, thin and firm. The glaze color was between green and white. The green was shining white, and the white was green. The glaze was clear like lake water and lustrous like jade. It was also called "Shadow Green". There were various types of products produced by Xianghu kiln in the Southern Song Dynasty, such as blue-white glazed flower mouth bottle, 11.5 cm high, 5.5 cm caliber, 5.5 cm bottom diameter, water chestnut mouth, olive-shaped belly, circle foot outside; There was also a shadow-green glazed rope-patterned powder box, 5.5 cm high, 6.9 cm caliber, 3.8 cm bottom diameter, simple shape, moist glaze water, white flashing green, simple and unique decorative patterns, fine white and dense fetal bone, and the craftsmanship of the foot showed the characteristics of the times. In the late Northern Song Dynasty, the kiln absorbed the northern re-firing technology and produced "Mangkou" ware. There were a large number of kiln furniture and porcelain pieces scattered around the kiln site, which showed that the kiln industry was prosperous at that time. The remains of the kiln site were concentrated in the inner dock, the mountain in front of the kiln, the bridge head, the Lanyao Mountain, the Niulan Mountain and so on. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Is the bottom of the porcelain leaf an official kiln?
The leaf at the bottom of the porcelain belonged to the flower pledge. The flower pledge began in the Tianqi period of the Ming Dynasty. The porcelain produced in the middle and late Qing Dynasty also had this mark, so the leaf at the bottom of the porcelain was not the official kiln. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
What is the good grade of the kiln porcelain?
There were many kinds of high-grade porcelain in the Shouzang kiln. The blue-and-white exquisite literati landscape series was relatively well-known. The kiln owner's love for literati landscape and the master painter's many years of painting skills and unique style made this series of porcelain quite unique. The price of this series of porcelain paintings or screens was relatively high. The size were easily tens of thousands or hundreds of thousands, while the size were relatively cheaper. In addition, the ancient color series of the Shouzang kiln was also very famous. The main writers were the provincial arts and crafts master and the national first-class technician. These two series were the two main high-end series of the Shouzang kiln. At the same time, the antique ware of the Shouzang Kiln was also of good quality. The novel " Shou Zang " is equally exciting. Everyone is welcome to click and read it!
Porcelain Pattern of Song Dynasty
Ming Dynasty folk kiln blue and white bowl authentic price
The price of the blue and white bowls in the Ming Dynasty kiln varied greatly due to many factors. If it was a damaged blue-and-white bowl from the late Ming Dynasty, experts estimated it to be 800 - 1000 yuan; a complete blue-and-white bowl from the Ming Dynasty could be priced at 500 yuan; a fine work from the Ming Dynasty Jiajing period, due to its high quality and the official burning of the Jiajing period, the quality of the fine kiln was not inferior to the official kiln ware, so it had a certain collection value. Its price was not explicitly mentioned, but it should be higher than the ordinary blue-and-white bowl from the ordinary kiln according to the market situation; there was also a blue-and-white bowl from the Ming Dynasty that was priced at 6800 yuan. However, the price would also be affected by the size of the bowl, the degree of exquisiteness of the decorative patterns, the kiln mouth, and other factors. The novel, Drunken Golden Cup, is equally exciting. Everyone is welcome to click and read it!