Why was Shuo Yue Quan Zhuan banned during the Qianlong period?
Shuo Yue Quan Zhuan was a Ming Dynasty novel that told the story of Yue Fei, a famous general of the Song Dynasty, and his descendants. During the Qianlong period, the book was banned because it described some of the social reality content that was considered "obscene","cruel" and "heresy". Emperor Qianlong believed that the content of this book did not conform to the Confucian moral norms and would have a negative impact on society. In addition, the war scenes and characters described in Shuo Yue Quan Zhuan did not meet the expectations of the rulers at that time, so they were banned from circulation. However, some of the content of the book was later compiled into a complete biography that has been passed down to this day.
What was the main content of Shuo Yue Quan Zhuan?
Shuo Yue Quan Zhuan was a long novel written by the Ming Dynasty novelist Shi Naian, which told the story of Yue Fei and his descendants. The story was mainly about Yue Fei leading the army to fight bravely in the war against the Jin soldiers. In the end, he successfully defended against the attack of the Jin soldiers and defeated the Jin soldiers so that the Song Dynasty could be preserved. The novel also described the darkness and corruption of the Song Dynasty officialdom, as well as the touching story of Yue Fei and his descendants. This novel was widely praised as a classic of Chinese martial arts novels.
The main characters and plots of Shuo Yue Quan Zhuan
Shuo Yue Quan Zhuan was a martial arts novel written by the Ming Dynasty novelist Shi Naian. It mainly described the story of Yue Fei leading the Yue family army and the Jin army in the Central Plains at the end of the Southern Song Dynasty. The following are the main characters and plots of Shuo Yue Quan Zhuan: Yue Fei: The leader of the Yue Family Army was a loyal and brave general who had led the Yue Family Army to defeat the Jin Army many times. 2. Golden Wu: The commander of the Jin army was a cruel and cunning invader who had commanded the Jin army to invade China many times. 3. Zhang Sanfeng: A mysterious Taoist priest who once became sworn brothers with Yue Fei and others and later became a spy for the Jin army. 4 Niu Gao: Yue Fei's deputy is a brave and good fighter who has defeated the Jin army many times with Yue Fei. 5 Zhang Xian: Yue Fei's general is a loyal and reliable general who once resisted the invasion of the Jin army with Yue Fei. 6 Huo Qubing: The famous general of the Han Dynasty defeated the Jin army many times under the leadership of Yue Fei. 7 Zhou Dong: Yue Fei's brain had provided him with many valuable suggestions. 8 Wu Gou: A young scholar who once worked for Yue Fei and later became a spy for the Jin army. These characters and plots were deeply depicted in the novel, presenting the readers with a picture of the society at the end of the Southern Song Dynasty.
The most classic sentence in the content of "Shuo Yue Quan Zhuan"
Shuo Yue Quan Zhuan was a long novel written by Cao Xueqin, a novelist of the Ming Dynasty. It mainly told the story of Yue Fei, a famous general of the Northern Song Dynasty, and his son Yue Yun during the war against the Jin Dynasty during the Southern Song Dynasty. There are many classic sentences in this novel, and one of the most famous ones is: " Qin Qiong said that he was not guilty of war, but when he saw that the Song army had not even sent a single soldier, his heart became timid." This sentence came from Qin Qiong's self-evaluation in the novel, expressing his attitude and mentality during the war. This sentence emphasized the need to have a brave and fearless spirit on the battlefield, not to be afraid of the enemy's attack, but also to show the spirit of a hero who was not afraid of the enemy. This sentence became one of the classic descriptions of war in the novel.
Compared to the Three Kingdoms, what was the difference between Water Margins and Shuo Yue Quan Zhuan?
Shuo Yue Quan Zhuan and Shui Hu Zhuan were both classic works of Chinese novels, but they had different historical and cultural backgrounds, so there were some differences. " The Three Kingdoms " was a novel set in the Three Kingdoms period. It described the wars and political struggles between Wei, Shu, and Wu. The story of the Three Kingdoms occupied an important position in the history of Chinese literature and was one of the peaks of Chinese classical novels. The characters in the Three Kingdoms are vivid, the plot is complicated, and the language is vivid. It is a classic work in ancient Chinese novels. " Water Margins " was a novel set against the background of Song Jiang's uprising at the end of the Song Dynasty. It depicted a group of righteous people rebelling against the ruling class. In Water Margins, the characters were full and the plot was full of ups and downs, which expressed the strong desire of the Chinese people to resist oppression and strive for liberation, as well as the heroic spirit of righteousness. Water Margins is a classic of ancient Chinese novels, which has a profound influence on Chinese literature and ideology. Therefore, from the perspective of literary achievements,"Three Kingdoms" and "Water Margins" each had their own unique charm and value, and it was difficult to directly compare the advantages and disadvantages. However, in terms of historical background and cultural background,"Three Kingdoms" and "Water Margins" had different historical and cultural backgrounds, which also led to their differences in some aspects.
Which characters in Shuo Yue Quan Zhuan were mythical? Who were these people before they reincarnated?
The Legend of Yue Zhong was an ancient Chinese martial arts novel in which many characters were mythical. Here are some of the mythical characters and their identities before reincarnation: 1 Yue Fei: Yue Fei is the protagonist of the Biography of Yue. He is a famous general who fought against the Jin Dynasty. It was said that he was Yue Fei, the general of the Shang Dynasty in his previous life. 2 Yue Yun: Yue Yun is Yue Fei's adopted son and also an outstanding general. It was said that in his previous life, Li Dan, the crown prince of the Tang King Li Xian, was reincarnated as Yue Yun. 3. Golden-winged Bird: The Golden-winged Bird was one of the evil forces in the Biography of Yue Shuo. It was reincarnated as Qin Qiong. Legend had it that in his previous life, a general of the Han Dynasty, the Golden-Winged Eagle, had been reincarnated as a Golden-Winged Bird. 4. Black Wind Monster: The Black Wind Monster is another evil force in the Legend of Yue. It reincarnates as Rakshasa. Legend had it that in his previous life, a fierce general of the Tang Dynasty, the Black Bear Spirit, had been reincarnated as a Black Wind Monster. 5 Zhang Sanfeng: Zhang Sanfeng was a legendary figure in the Biography of Yue. In his previous life, he was a martial artist of the Ming Dynasty, Zhang Sanfeng. After his death, he was reincarnated as Zhang Sanfeng. 6 Zhou Dong: Zhou Dong is Yue Fei's sworn brother and an outstanding general. It was said that in his previous life, he was the reincarnation of Zhou Dong, a general of the Song Dynasty. These people were all historical figures before they reincarnated. Some of them might have been mythical superheroes. In Shuo Yue Quan Zhuan, these characters all played important roles to show their courage and wisdom.
Ruyi Zhuan 1 Qianlong Fujin
In the Biography of Ruyi, there was Fucha Langhua in the Fujin of Qianlong. She was born in the Fucha family of Manchuria after the Yuan Dynasty of Qianlong. She was the prototype of the Fucha family of Emperor Qianlong's first wife, Empress Xiao Xianchun. Ruyi (Wulanala or Huifa Nala) was also a side Fujin of Qianlong. She could not become a direct Fujin because of her aunt. After Hongli ascended the throne, she could not become an empress. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Could Yue Quan Zhuan and Water Margins be considered as supernatural novels?
It was said that Yue Quan Zhuan and Water Margins were both classic Chinese martial arts novels that contained elements of gods and demons. Yue Quan Zhuan told the story of Yue Fei, which contained some elements of the gods and devils, such as the battle between the Yue family army and the demon beasts. The Water Margins was set in the context of the peasant uprising at the end of the Northern Song Dynasty. It also contained some elements of gods and demons, such as the struggle between heroes and demons in Liangshan Lake. Therefore, Yue Quan Zhuan and Water Margins could be classified as demon novels.
Through the Qianlong period
The following are some recommendations for good novels that travel back to the Qianlong era: " Wan Fu, the Empress of Qingchuan ": The story of the female protagonist who traveled to the Qing Dynasty and became Qianlong's concubine. Her life was full of excitement and drama. 2. The heroine possessed Qianlong's mother and eventually got together with her elder brother. 3. " Trendy Gege ": The heroine became the princess of the palace. She ran a bar, an amusement park, and fought. Her life was colorful. 4. [The Crown Prince Yonglian: Iron Teeth and Copper Teeth]: The heroine traveled back to the Qianlong period and became the late Crown Prince Aisin Gioro Yonglian. These novels covered the storyline of the female protagonist traveling back to the Qianlong era, and each book had a different development and plot.
Travelling to the Qianlong period
There were many choices for novels that traveled back in time to the Qianlong period. There were some recommended novels that he could consider. Among them," The Ninth Master of Pure Dress Spoils the Fujin " was an ancient romance novel. It told the story of a low-key daughter of a wealthy family who traveled to the Yongzheng period and was given to the future Qianlong Lord. In addition," The Daily Rebellion of the Qianlong Dynasty " was a time-travel novel. The protagonist was reborn into a landlord class during the Qianlong period. He had a system that allowed him to store unlimited supplies and then support the rebel forces to overthrow the Qing Dynasty. In addition," Back to the Qing Dynasty as a Salt Merchant " was a time-travel novel. The protagonist traveled to the Qing Dynasty and became a salt merchant. He worked hard to make money and develop technology to change this era. These novels could provide a virtual experience of traveling back to the Qianlong period.
Porcelains of the Qianlong Period
Qianlong period (1736 - 1795) porcelain has the following characteristics: 1. * * Styling ** - The overall shape was neat and the proportions were appropriate. In the early stage, the shape of the ware was similar to that of the Yongzheng period, but it was more exquisite, especially for small pieces. In the later stage, it was slightly dull. There were many types of porcelain used in the palace, some of which sacrificed practicality for novelty, but the utensils were extremely neat and fine regardless of size. The curve is not as beautiful as Yongzheng period, but compared with Jiazhou, Daozhou period Jun Xiu. - The feet are wider and wider than the previous dynasty, and the ridge of the feet is round. Some are coated with yellow or black protective glaze. 2. * * In terms of the carcass ** - The fetus soil was carefully refined, and the fetus bone structure was compact, dense, heavy, and malleable. This provided the conditions for the variety of porcelain. In the early stage, the carcass was fine and moist, but in the later stage, it gradually became rough. The overall porcelain was fine, and its regularity and thickness were closely related to the high purity of the soil. In the early stage, it could maintain the fine and moist characteristics of Yongzheng period. Although it was slightly worse in the later stage, it was still better than the late Qing Dynasty. 3. * * The color of the blue and white flowers ** - There were many kinds of expressions, but most of them were stable and pure green hair color. In the early stages, there were black, brown, gray, light blue and other colors, with calm tones and clear patterns. 4. * * Various Glaze Colors ** - The Lujun glaze was different from the Yongzheng period in Qianlong, composed of turquoise green and deep blue. - Enamel color developed to its heyday, with more colors than in the Yongzheng period. The theme selection was more abundant, and more western characters were painted. In the late Qianlong period, in order to make the porcelain more elegant and luxurious, the mouth and bottom of the porcelain would be gilded with gold, regardless of the cost and no longer inscribed poems. - The bronze color was painted on porcelain with powder colors and gold colors, imitating the rust spots of ancient bronze ware. It was an invention of porcelain color during the Qianlong period. - There were also porcelain paintings that were painted with famille rose, as well as colored ground rolling (using tools to draw out the lines that looked like they were rolled out), light painting (drawing a round frame on the colored ground for painting), and other techniques. - Some porcelains were painted on red, yellow, blue, green and other colors, which were called multicolored or pastel. - In the late Qianlong period, the glaze color of the pastel porcelain became more and more rich, and three new techniques appeared, namely,"rolling road","Wanhua brocade" and "green pastel". - The blue and white porcelain was neat, and the shape and drawing technique were perfect. He made this relatively simple porcelain with a royal style. 5. * * Glaze ** - The glaze of blue and white porcelain was bluish-white in color, and so was that of civilian kilns. The degree of bluish-white varied, and the glaze was plump, firm, smooth, and clean. Occasionally, there was a slightly wavy glaze, and there was also a glazed color that was pinkish white (more common in civilian kilns). - The glaze of the exquisite porcelain ware was firm and smooth like jade, smooth and flawless. Generally, the glaze of the porcelain ware was different. It was exquisite in the early stage and gradually rough in the later stage. 6. * * Craftsmanship ** - The craftsmanship was extremely high, exquisite, beautiful, and full of wonders. 7. * * Patterns and decorations ** - The patterns and decorations had distinct characteristics of the era. The painting was meticulous, the layers were clear, and the style was rigorous and delicate. The patterns of imperial porcelain tended to be standardized, and the strokes were meticulous, but the composition was rigid and elaborate. The beautiful women in ancient costumes had high buns, and the soft flower paintings used boneless painting. The figures in the later decorative patterns had no spirit and a large nose. The dragon pattern had a variety of forms. It had a square head and a large head. It was solemn and vigorous, but there were also delicate and slender ones. Most of them had a lion head, more dragon hair, and dragon feet that were obviously prominent and had a strong three-dimensional feeling. The dragon body was thick and clumsy, usually with four or five claws. The folk kiln porcelain was freehand and realistic, and the pen was bold and unconstrained. Influenced by western painting art, there were patterns of western figures, buildings, boats, and dogs on the porcelain. 8. * * In terms of style ** - The official kiln porcelains were "Qianlong Year System","Qing Dynasty Qianlong Year System" and so on. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!