A novel set in Journey to the West
Journey to the West was a large-scale fantasy novel based on the Chinese mythology, Journey to the West, which was written with elements of folklore, Taoism, and Buddhism. It told the story of Sun Wukong, Zhu Bajie, Monk Sand, and Tang Sanzang (also known as the "Journey to the West"), who went to the Western Heaven to obtain Buddhist scriptures after 81 difficulties. On the way, they met all kinds of monsters and demons, and also got to know many heroes, such as the disciple of Tang Sanzang, Sun Wukong, the master of Zhu Bajie, the master of Tang Sanzang, the master of Monk Sand, Sun Wukong, the monster Baijing, the Flaming Mountain, the Water Curtain Cave, and so on. In the end, the four of them successfully retrieved the sutra and returned to China to promote Buddhism and morality. There were many rich meanings and philosophical thoughts in this story, such as "cultivation","human nature","justice" and so on.
Journey to the West film set
The 86 edition of Journey to the West was set in more than half of China, and there were many filming locations. In the first episode," The Monkey King's Birth," the scene of Sun Wukong's birth was filmed in Beidai River. The part where he traveled to the sea to learn his skills was also filmed at the seaside. The waterfall of the Water Curtain Cave was shot at Huangguoshu Waterfall, and the interior scene was taken from the Boyue Cave of Lengshui River in Hunan Province. In " The Official Seal of the Horse," most of the interior scene of the horse was shot at CCTV and the playground of Beijing Yuying College. The scene of the Tianhe Horse was shot in Inner Mongolia. The little white dragon was also bought in this episode, and the episode also involved this place. The interior scenes of Havoc in Heaven were set on CCTV in Lingxiao Hall and Doushuai Palace, while the two outdoor fighting scenes were taken from Beijing's Shidu and Qiwang Tomb respectively. The scene of " Demon Extinguishing Wuji Country " was shot in Daming Temple in Yangzhou; the scene of Sun Wukong being crushed by the Five Elements Mountain was shot in the Stone Forest of Yunnan; the White Tiger Ridge, the nest of the White Bone Demon, was taken from Zhangjiajie in Hunan Province; the mountain in Henan Province was the location where the master and disciple walked through the Tongtian Avenue; the Great Sage made a fuss in the Banjiao Cave in Guilin, Guangxi Province; the shooting location of the Women's Country was the Lion Forest in Suzhou; and the " Eight Hundred Miles Flaming Mountain " was the location of the Flaming Mountain in Turpan. The 18th episode, Sweeping the Tower and Distinguishing the Strange Injustice, was almost all shot in Shanxi, such as Datong Yungang Grottoes, Taiyuan Jinci Virgin Hall, Shanxi Hongdong County Guangsheng Temple Flying Rainbow Pagoda, etc. The 19th episode, Mistaken Little Leiyin Temple, was shot in Huacheng Temple on Jiuhua Mountain in Jiangxi Province, and the 28 constellations saved Wukong in Jiande Lingqi Cave in Zhejiang Province. The scene of the 20th episode," Sun Hou Qiao Practitioners ", where the king of the Saiguo held a banquet to entertain Tang Sanzang and his disciples, was shot in Wang Youjun Temple of Lanting in Shaoxing, Zhejiang Province. The garden of the king of Zhu Ziguo was shot in Hangzhou Botanic Garden and Lingyin Temple. The entire episode of " Four Saints Test Zen Heart " in the 8th episode," Three Difficulties on the Way to Kan ", was shot in Tianping Mountain. Watching Journey to the West: Sun Wukong Beats the White Bone Demon Three Times is not enough. Everyone is welcome to click to read the novel!
Journey to the West Season 6, episode 60, the complete set is free to watch
Zuo Ye's novel website (website: <anno data-annotation-id ="333fd114 - 4fd2 - 4f12 - 4f12 - 8f1d8f111123"></anno></anno>
Journey to the West: An Interpretation of the Journey to the West
Journey to the West was a classic with rich content. There were many ways to interpret it. ** 1. The perspective of society and officialdom ** 1. ** Reflects the officialdom of the Ming Dynasty ** - The Heavenly Court was seen as a reflection of the officialdom of the Ming Dynasty. The Jade Emperor was similar to the Jiajing Emperor of the Ming Dynasty. He was superstitious about Taoism and devoted himself to cultivation, just like the Jiajing Emperor, who devoted himself to longevity and did not care about government affairs. - The Taoist ancestor, the Grand Supreme Elder, and the others were hinting at the civil officials of the imperial court. They had great power and appeared to be worried about the country and the people, but in reality, they harmed the public and benefited their own interests. The Jade Emperor could do nothing about it, so he used the Buddhist forces to contain it. - The Pagoda-Bearing Heavenly King and his faction were too close to Buddhism. Buddhism was humble in front of the Jade Emperor, but in fact, they secretly cultivated their power. On the surface, they obeyed, but on the inside, they opposed. On the way to the scriptures, the two factions sent people to do official business. They supported the project in name, but in reality, they competed for benefits. Along the way, there were two factions of demons and ghosts. They were transferred away after finishing their work, and the local tyrants without backgrounds were eliminated. - The book revealed the ugliness and internal struggles of the Heavenly Court, as well as Buddhism's apparent compliance with the Heavenly Court and its self-interest. It also hinted at the hardships on the way to the scriptures, reflecting the author Wu Chengen's dissatisfaction with the feudal system and his understanding of the darkness of society. ** 2. Symbol angle ** 1. ** From the perspective of traditional Chinese medicine and traditional Chinese culture ** - Sun Wukong represented the mind that grew with enlightenment. The "Crescent Moon and Three Stars Cave" that he was apprenticed to symbolized the place where the mind grew. The combination of the "Crescent Moon and Three Stars" was the word "heart". His master was Bodhi, and "Bodhi" had the meaning of enlightenment. He also symbolized a kind of teacher who transcended the limitations of religion. Sun Wukong's Dharma name, Wukong, corresponded to his mind, which represented the growth of enlightenment. - Zhu Bajie was in charge of the kidneys. Because the kidneys could not be "Wukong" like the heart, his Dharma name was "Wuneng". - Sha Wujing was related to the spleen. The heart was fire, and the kidney was water. Water and fire were transported and transformed by the spleen (earth). The heart, kidney, and spleen corresponded to Sun Wukong, Zhu Bajie, and Sha Wujing respectively, symbolizing the unity of the primordial spirit, essence, and vitality to form Sanzang. - From this point of view, Journey to the West could be understood as a person's mental journey of enlightenment."A trip is a thought." This thought was the distance from ignorance to enlightenment. The 81 difficulties were all mental demons. The Holy Mountain was in the heart. Everyone had a Holy Mountain Pagoda and had to cultivate their hearts under the Holy Mountain Pagoda. 2. ** From the perspective of a character prototype ** - Sun Wukong abhorred evil and dared to offend both the Heavenly Court and Buddhist forces. He had a stubborn temper and there were many possible explanations for his original form. ** 3. Perspective of literary creation ** 1. ** Relationship with other works ** - Among the Four Great Masterpieces, Journey to the West was the most adapted work. It originated from stories such as "The Great Tang Sanzang's Poetry on the Pilgrimage to the West","The Commentary on Journey to the West", and "The Zaju of Journey to the West". The first protagonist of the Journey to the West was changed from Tang Sanzang to Sun Wukong. - At the beginning, the author constructed a magnificent "Journey to the West Universe", setting the time of the universe (such as the number of heaven and earth, the division of one yuan into twelve meetings, etc.) and space (the structure of the four continents, the four seas, the underworld, the celestial heavens, etc.). 2. ** Literature Evaluation ** - Lu Xun believed that "Journey to the West" was a book written by a Confucian scholar, but it was actually a game, not a language. Therefore, the book only occasionally talked about the five elements of life and death, especially did not learn Buddhism. Therefore, there were absurd and nonsensical scriptures in the last chapter. It was because of the mixed teachings that it had been popular for a long time. Therefore, his works were also the same as Sakyamuni and Laojun. The true nature and the primordial spirit were mixed, so that the disciples of the three religions could be attached to it." - Hu Shi mentioned,"Therefore, although he narrates things that change suddenly, but also every word that is used to explain the situation, so that the gods and devils have human feelings, the essence of charm is also familiar with the world, and the meaning of cynicism is contained." The two masters both thought that Journey to the West had the characteristics of "game" and "cynicism." However, Journey to the West could also be said to be a profound book. It was not just a simple game. ** 4. Thematic perspective ** 1. ** Positive energy and harmony ** - Journey to the West could also be regarded as a masterpiece full of positive energy. It was a description of the image of China's "fighting gentleman", a secret manual to free himself from worries, and a classic work of harmony between Confucianism, Buddhism, and Taoism. 2. ** Dark side revealed ** - The world of Journey to the West was filled with dark phenomena. For example, demons ate people (General Yin, Techushi, etc.), people ate people (the monk king failed), and immortals ate people (Kui Wood Wolf). Buddhism was greedy for money and killed people (Guanyin Zen Monastery coveted the kasaya, and the Great Thunderclap Monastery demanded personnel), Daoism caused chaos in the country (Wuji Kingdom's national master murdered the king, and Bhikhu Kingdom's national master harmed the children), the underworld was bent on favoritism (Judge Cui privately changed the Life and Death Book), and the Heavenly Court was plunged into misery (Fengxian County had no rain for three years, and two people starved to death). <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Is Journey to the West a novel?
Journey to the West was a famous Chinese novel, also known as Journey to the West. It told the story of Sun Wukong, Zhu Bajie, and Monk Sand, who went to the Western Heaven to obtain the scriptures after going through 81 difficulties. This novel was widely read and adapted into a classic in the history of Chinese literature.
Was Journey to the West a novel?
Journey to the West is a classic Chinese novel that is regarded as the pinnacle of ancient Chinese novels. It told the story of Sun Wukong, Zhu Bajie, Monk Sand, and Tang Sanzang (also known as the "Journey to the West") who went to India to retrieve Buddhist scriptures. In this story, they experienced many adventures and challenges and defeated many monsters and demons. Journey to the West was not only well-known in China, but also had a high reputation and influence all over the world.
Journey to the West novel?
Journey to the West was a famous ancient Chinese novel written by Wu Chengen, a novelist of the Ming Dynasty. It told the story of Sun Wukong, Zhu Bajie, Monk Sand, and Tang Sanzang (also known as the "Journey to the West") who went to India to retrieve Buddhist scriptures. On their journey, they experienced many dangers and challenges and defeated many monsters and demons. This novel has a strong folk legend color, but also integrated with Taoism, Buddhism and other thoughts and cultural elements, it is a classic in the history of Chinese literature.
The novel Journey to the West
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Was Journey to the West a novel?
Journey to the West was a classic ancient Chinese novel, known as one of the Four Great Masterpieces. The story was about Sun Wukong, Zhu Bajie, Sha Wujing, and Tang Sanzang (also known as the "Journey to the West"), who went to India to retrieve Buddhist scriptures. This novel has profound philosophical significance and cultural implications, but it also portrays a rich historical background and characters.
Is Journey to the West a novel?
Journey to the West is a famous Chinese novel that is often considered one of the four masterpieces of ancient Chinese novels. It was created during the Ming Dynasty and tells the story of Sun Wukong, Zhu Bajie, Monk Sand, and Tang Sanzang (also known as the "Journey to the West") who went to India to retrieve Buddhist scriptures. The novel was rich in mythological and legendary colors, and it also incorporated some philosophical and moral concepts. It was considered a classic work of ancient Chinese novels.
Is Journey to the West a novel?
Journey to the West was a classic Chinese novel that told the story of Sun Wukong, Zhu Bajie, Monk Sand, and Tang Sanzang (otherwise known as the "Journey to the West") who went to India to retrieve Buddhist scriptures. This novel had a very high status in Chinese culture and was regarded as one of the pinnacle works of ancient Chinese novels. Therefore, from the definition of a novel, Journey to the West could be classified as a novel.