Mao Dun's evaluation of The Legend of Hulan River was "a narrative poem, a colorful landscape painting, and a string of sad ballads." It can be understood from the following aspects: 1. Narrated poem: The Legend of Hulan River described the living customs and human history of the Hulan River basin in a vivid and interesting way. It was like a narrative poem that let the readers feel the local customs and historical culture. 2. Colorful landscape painting: The Legend of Hulan River not only depicted the natural scenery of the Hulan River basin, but also showed the customs, historical culture and characters of different regions by telling the lives and history of the local people. 3. Sad ballads: There are many ballads in the Legend of Hulan River that have been passed down to this day. These ballads reflect the lives and emotions of the local people. Like a string of sad ballads, it makes people feel the life and psychological state of the local people. Therefore, Mao Dun's evaluation of The Legend of Hulan River reflected its dual requirements for the form and content of the novel. A novel not only had to have a vivid narrative, but it also had to have deep emotions and thoughts in order for the reader to feel the meaning and value of the novel.
The well-known biography of the Hulan River was "a classic in the history of Chinese novels" and praised it as "a true literary work". The Legend of Hulan River was first published in modern China in 1939. The novel was set in Northeast China from the 1920s to the 1930s. It narrated the growth experience and marriage life of the protagonist Zhang Guoli, showing the social background and people's living conditions of that era. This novel became a classic of modern Chinese literature and an important work in the history of Chinese literature with its delicate emotional description, real characters and profound thoughts.
The Legend of Hulan River was Russian, not a novel. Chekhov's work was a masterpiece of realistic literature. It described the details of the folk life in the Hulan River area and reflected the dark side of society and the sufferings of the people at that time. In literature, it created a new era of "drama literature" in the history of Russian literature.
Mao Dun was a famous writer, theorist, social actician, and ideologist in the 20th century. He was known as the "Master of Modern Literature" and his works were known as "a banner of modern Chinese literature". Mao Dun created a large number of literary works in his life, including novels, essays, plays, literary theories, etc. He was hailed as "one of the founders of modern Chinese literature." Society had a very high opinion of Mao Dun. Mao Dun's works, with their profound social insight and critical nature, revealed the various contradictions and problems of Chinese society at that time, and were deeply loved and respected by readers. Mao Dun's theories and activities also made important contributions to modern Chinese literature and social progress. He had won many domestic and international literary awards, including the Nobel Prize in Literature and the Mao Dun Literature Prize. Mao Dun was regarded as one of the outstanding figures in the field of Chinese literature and culture in the 20th century. His works and ideas had a profound impact on modern Chinese literature and culture.
The Legend of Hulan River was a novel written by Ostrovsky of Russia, which was first published in 1932. The novel takes the 19th century Russian countryside as the background, and through describing the protagonist Kongcha and his family's life and experience in the Hulan River region, it reflects the characteristics of the society, culture, morality, and humanity of that era, depicting a magnificent picture of history, culture, and humanity. The novel took the life of Kong Cha's family as the main line, interweaving the history, culture, customs and characters of the Hulan River area. It showed the characteristics of the rural life, society, culture and humanity of that era, and also reflected the author's deep thinking and reflection on that era. The language of the novel was concise, vivid, poetic, and philosophical. It was hailed as a classic in the history of Russian literature.
The Legend of Hulan River was first published in modern China in 1939. The novel was set in Beijing from the 1920s to the 1930s. It told the story of Ma Sanli, a young girl from a wealthy family who grew up in an environment of family breakdown and social unrest. She experienced poverty, hardship, love, marriage, ups and downs in life and finally became an independent, strong and thoughtful female character. The novel takes Ma Sanli's life experience as the main line, and through her interactions with different characters, it shows the various faces of society, family, and human nature at that time. The novel's plot twists and turns and the distinct characters show Lao She's solid narrative ability and profound character portraying ability. At the same time, through Ma Sanli's life experience, the novel also discussed various problems in Chinese society at that time, such as family ethics, social class, human weakness, revolution and improvement, etc., which had high ideologies and cultural implications. The Legend of Hulan River was regarded as a classic in the history of modern Chinese novels, which had a profound influence on the development of modern Chinese literature. It was also one of Lao She's representative works and was hailed as the "milestone of modern Chinese novels".
The second chapter of Hulan River Biography described the folk activities of the small town of Hulan River, showing the local customs and living conditions of the people. In the Hulan River, jumping gods was a common activity. This was originally a witchcraft ritual of the Manchu Shamanism. One of them evolved into a form used by the people to cure diseases, eliminate disasters, and exorcise demons, but it was regarded as feudal superstition. People gathered to watch the dance, and after the ceremony, the gods would use the relevant items for daily life. The drums and songs when sending the gods back to the mountains were sad. Every July 15th, the Yue Laan Festival would light up the Hulan River with lanterns. People believed that the deceased could only be reincarnated by holding river lanterns, and there were many types of river lanterns. When the river lanterns were released, the crowd gathered and it was very lively. However, when the river lanterns flowed into the distance until they were extinguished, it seemed desolate and lonely. Moreover, children born on this day were considered unlucky, but the situation of children from rich families was different. In autumn, there was a big show in Hulan River. This was not only an entertainment event, but also an opportunity for married women to visit their parents. The process of watching the show also contained people's thoughts and concerns for their loved ones. At the same time, it also had many social functions such as seeing a wife, having an affair, falling in love, and so on. In addition, there was also the Niangniang Temple Fair. The clay rooster and roly-tumblers in the temple fair were very unique. Through her descriptions of these folk activities, Xiao Hong showed the spiritual world of the people in the small town of Hulan River. By comparing the excitement at the beginning of the activities with the desolation at the end, the readers could deeply feel the living conditions of the local people. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
It wasn't 'The Hulan River', it was written in 1928. The novel described the lives, thoughts, feelings, and cultural phenomena of the people in the Hulan River area from the 1920s to the early 1930s. It showed their hardships and tenacity in survival and struggle, as well as the complex relationships and conflicts in the historical and cultural background.
The Legend of Hulan River was published in 1986. The novel was set in China from the 1950s to the 1970s. Through the description of the protagonist Zhang Qing's life experience, it reflected the style of Chinese society and the psychological changes of the people at that time. It was famous for its unique narrative style and profound thoughts.
The Legend of Hulan River was not a prose but a novel. Prose is mainly focused on expressing thoughts and feelings and describing scenery, while Hulan River Biography is more through the experience of the characters and stories to show social life and cultural phenomena.