In ancient Chinese,"load" usually meant "carry" or "load" to indicate the space or resources occupied by an object during transportation, carrying, or processing. For example," vehicle weight "," load capacity ", and so on. In addition,"Zai" could also mean "experience" and "endure", such as "the hardships of the journey make one tired","experience setbacks make one stronger", etc.
The ancient Chinese translation of the phrase "poles apart" meant that one's actions and intentions were exactly the opposite. It means that action and purpose are exactly the opposite of each other or action and purpose are completely inconsistent.
In ancient texts, the word "road" had multiple meanings. 1. Road: It refers to the direction and path that humans travel in geography. [2. Path: A path or path to a destination.] Route: refers to the source or path of a thing or action. 4. Route: The direction and route of travel in geography or politics. Road sign: A sign on a road or map that points to a certain location. 6. Road: It refers to the direction and path that humans travel in geography. 7. Road Administration: refers to the management and maintenance of road traffic facilities and traffic environment. 8 Passers-by: refers to people walking on the road. " Road " had a very rich meaning in ancient prose. It could refer to many different things and concepts.
The following are some recommendations for ancient novels, in which the male protagonist is an ancient character: " I'm Pregnant with the Prince Regent's Baby ": The male lead is the Prince Regent, and there are many scenes in the novel. The interaction between him and the female lead is also very interesting. 2. "Jin Cheng Yu Xiu": The male lead is the king of Qi, and there are many sweet and doting plots between him and the female lead. These novels all have plots where the male protagonist is an ancient character. I hope you will like one of them.
In ancient texts, white usually referred to white hair, skin, or eyes. In literature, white was often used to describe a person's purity, nobility, freshness, and so on. For example, Lin Daiyu in Dream of the Red Chamber was called "White Begonia" because of her fair skin and elegant appearance, which was regarded as a symbol of purity. In addition, white was also commonly used in poetry. For example, in Wang Zhihuan's " Climbing the Stork Tower " of the Tang Dynasty, there was a line that said," The sun is leaning against the mountains, the Yellow River flows into the sea." The " white " here referred to the color of the sun, symbolizing light and power.
Ancient Chinese metaphysics and feng shui were an ancient belief and cultural tradition that mainly involved the environmental planning and design of human living and workplace, emphasizing the improvement of human life by adjusting the natural environment and spatial layout. Fengshui is a traditional Chinese culture. The basic principle is that the earth is a living being, and the places where humans live and work are also a part of this living being. Therefore, through scientific and reasonable planning and design of human living and workplace environment, human life and health can be optimized while protecting the earth's natural resources and ecological balance. The core concept of Feng Shui included the layout of the environment, topography, wind direction, water flow, the location and shape of the building, and so on. By studying the environment and elements, a Feng Shui master could predict and judge the good or bad luck of a place and provide planning and suggestions for living and working according to these judgments. In Chinese history, Feng Shui and metaphysics were widely used in architecture, urban planning, military strategy and other fields, which had a profound impact on people's lives and society. Although modern science has questioned and explored some theories of Feng Shui and metaphysics, this traditional culture and spirit have been deeply integrated into the daily life of the Chinese people and become an important part of the Chinese people's pursuit of happiness and a better life.
In ancient Chinese mythology, numbers often had special meanings and symbolic meanings. 12: In Journey to the West, Sun Wukong's Somersault Cloud could flip to the sky, and there were often 12 flowers on the cloud. This was thought to be the incarnation of Sun Wukong, representing his power and charm. In Water Margins, Lin Chong was known as "Leopard Head" and his weapon, the Xiliu Spear, had 36 steel hooks on its body. This number, which was considered to be the "Thirty-six Heavenly Stars", represented Chong Lin's martial arts prowess. 372: In 'Dream of the Red Chamber', Jia Baoyu's ID was' 72'. This was considered his birthday and also represented his wisdom and talent. 49981: In Journey to the West, the four masters of the Tang Monk went through 9981 difficulties to obtain the true scriptures. It was thought that the numbers in the "nine-by-nine multiplication table" represented difficulties and challenges. These numbers were widely used in ancient Chinese mythology to represent different strengths, talents, and wisdom, becoming a cultural symbol.
Comparisons and contrast were two of the most commonly used writing techniques in ancient Chinese literature. Bixing refers to the use of comparison, metaphor, symbolism and other techniques to make readers resonate and resonate with emotions. Bixing is often used in poetry, Fu, prose and other literary works to enhance the artistic appeal and expressiveness of the works. Setting off referred to creating a specific atmosphere through the environment, atmosphere, details, and other descriptions to let the readers better feel the emotions and theme in the work. It was often used in novels, operas, and other literary works to create a strong emotional atmosphere and portray characters. In ancient Chinese literature, comparison and contrast were important creative techniques that could help enhance the artistic appeal and expressiveness of the works.
In ancient literature, a jade pendant usually referred to an ornament made of jade that could be worn on the wrist, neck, or other body parts. The shapes and sizes of the jade pendants vary. Some may be round or oval, some may be of other shapes, but all of them are carefully designed to show a sense of beauty and elegance. In ancient times, jade pendants were regarded as high-end ornaments, usually related to status, wealth, and honor. They were often given to important people as gifts to express respect and friendship. In some literary works, jade pendants were also used to symbolize concepts such as purity, nobility, and virtue. Therefore, in ancient literature, jade pendants were usually regarded as a kind of decoration with profound meaning, representing rich cultural and historical significance.
There are many poems and essays about autumn in ancient Chinese literature, many of which express the unique feelings and significance of autumn. Autumn was the most distinct season among the four seasons, and it was also one of the most beautiful seasons in nature. The beautiful and colorful autumn scenery, the changing colors of the leaves, the ripening of the fruits, the sunny weather, the cool breeze, and so on, all became the material of the ancient poets 'creation. In ancient Chinese literature, autumn was often endowed with many symbolic meanings. For example, autumn was regarded as the harvest season, the result of farmers 'hard work, and the season for people to reap fruits and realize their self-worth. Autumn is also regarded as the season of parting because the leaves turn yellow and the birds fly away, and people have to face the pain of parting. In addition, autumn was also regarded as a lonely season because the weather turned cold and people easily felt lonely and lonely. The significance of the poems and essays in ancient Chinese literature reflected people's understanding of the unique emotions and symbolic meaning of autumn. These works not only enriched the content of Chinese literature, but also provided enlightenment for people to better understand nature and life.
The meaning of Chinese years referred to youth, especially the good times and youth in one's life. In ancient literature, the golden age was often used to describe the golden age, the good times, or the prime of youth. For example, Li Shangyin's " Jin Se " had " a dazzling and a pillar reminiscent of my youth ", which meant that every string and pillar reminded me of my youth.