A Comparisons of Mathematics and Chinese Literature is a cross-cultural study of mathematics and Chinese literature. The application of mathematics in Chinese literature Mathematics was widely used in Chinese literature, especially in ancient times. For example, in the Book of Changes, mathematics was used to predict the weather, war, and fate. In ancient China, mathematics was not only a discipline, but also a culture and art. Chinese Literature's Respect for Mathematics Unlike the West, Chinese literature did not have a basic subject like mathematics, but Chinese literature attached great importance to the inheritance and learning of knowledge. There are many stories and traditions about learning and education in Chinese literature, such as "Kong Rong gave up the pear" and "repeated orders". These stories and traditions show that Chinese literature believes that learning is an important virtue and places great importance on the education and growth of children. The cultural and historical influence of mathematics in Chinese literature Chinese literature was also influenced by the culture and history of mathematics. For example, in ancient China, mathematics was widely used in military, political, and cultural fields. In ancient China, mathematicians created many mathematical ideas and algorithms, such as "equations","algorithms", and "counting rods". These ideas and algorithms had a profound impact on Chinese culture. Comparing Mathematics and Chinese Literature Although mathematics and Chinese literature had different cultural and historical backgrounds, they also had many similarities. For example, they all attached great importance to the inheritance and learning of knowledge. They all believed that learning was an important virtue, and they all had research and exploration of mathematics and applications. Therefore, the comparison between mathematics and Chinese literature can provide us with a useful reference to understand the differences and similarities between different cultures. The book A Comparisons of Mathematics and Chinese Literature provides us with a cross-cultural comparison of mathematics and Chinese literature, allowing us to better understand the differences and similarities between different cultures.
The comparison of characters in ancient Chinese literature and western literature can be discussed from different angles. In the aspect of character creation, people in ancient Chinese literature usually have distinct personality characteristics. For example, philosophers such as Confucius and Socrates have profound thoughts and unique personalities, while the characters such as Jia Baoyu and Lin Daiyu in Dream of the Red Chamber have unique charms such as beauty, intelligence and sadness. The characters in Western literature were more three-dimensional and complex, such as Lin Chong in Water Margins and Liu Bei in Romance of the Three Kingdoms. Their personalities and behaviors were richer and more complicated. In terms of plot setting, the plots of ancient Chinese literary works were usually more grand, involving history, politics, philosophy and many other fields, while the plots of western literary works were more delicate and emotional, often focusing on personal life experiences and emotional stories. For example, the plot in Dream of the Red Chamber revolved around Jia Baoyu's life experience and depicted a series of events from his birth to his death. Romance of the Three Kingdoms, on the other hand, showed the loyalty, loyalty, and love of Liu Bei, Guan Yu, and Zhang Fei through historical events during the Three Kingdoms period. In terms of expression, the characters in ancient Chinese literature usually express their feelings and thoughts in simple and concise language, while the characters in western literature are more vivid and often use rich metaphor, symbolism and other rhetorical devices to express their feelings and thoughts. For example, in the play Hamlet, Hamlet expressed his complex emotions and mental state through monologue and actions. Ancient Chinese literature and Western literature have different characteristics and charms in terms of character creation, plot setting, and expression. These characteristics and charms also reflect the different understanding and pursuit of people's values such as life, love, and morality under different cultural backgrounds.
There are many stories of comparison. Here are a few examples: The magic of 1:1: In the novel "Battle Through the Heavens", the protagonist Xiao Yan met a mysterious mathematician during his training. The mathematician told him that as long as he could find the equilibrium point of the mathematical concept of "ratio", he could obtain a great improvement in his training. 2:0 Adventures: In the novel " The Master ", the protagonist Yu Wenzhou met a mysterious mathematician in a competition. The mathematician told him that as long as he could find the balance point of the " ratio ", he could win the competition. The art of comparison: In the novel "The Three-Body Problem", the author Liu Cixin once used the concept of comparison to describe the development of human civilization. He believed that ratio was a number with the meaning of balance and proportion. The development of human society was like a constantly moving ratio, which needed to maintain balance and proportion in order to continue to develop. The philosophy of four comparisons: In the novel Douluo Continent, the protagonist Tang San met a mysterious mathematician while cultivating. This mathematician told him that comparisons were not just a mathematical concept, but also a kind of philosophical thinking. It represented the contradiction and balance in human thinking. The concept of ratio in these stories represented a sense of balance and proportion, which could help people maintain their direction and motivation in life and cultivation.
Classics and online literature were two different forms of literature with different backgrounds, reader groups, and literary values. Here are some comparisons between them: 1 Creation background: Classics are usually from ancient society. They are literary works created by authors based on historical events and biographies, such as Dream of the Red Chamber, Romance of the Three Kingdoms, etc. On the other hand, online literature originated from the modern Internet. It was a literary work created by authors on the Internet in the form of free creation, such as Battle Through the Heavens, Martial Arts, and so on. 2. The readers of the classics are mainly literati, scholars, and history lovers. They hope to understand history, culture, and society through reading the classics. The readers of online literature were more extensive, including young people, white-collar workers, and housewives. They hoped to read online literature for entertainment and relaxation. 3. Literature value: The literary value of a classic masterpiece is mainly reflected in its historical, cultural, and artistic value. For example, the delicate description of the characters in Dream of the Red Chamber and the arrangement of the plot, as well as the description of history, the creation of characters, and the expression of the theme in Romance of the Three Kingdoms. The literary value of online literature was mainly reflected in its entertainment and innovation. For example, the fantasy world, magic elements, and the growth of the protagonist in online literature were deeply loved by young people. 4. Form and style: The form and style of classical works are mostly classical literature forms such as poetry, prose, and novels, which pay attention to the use of language and rhetoric. Online literature, on the other hand, had a freer style, including novels, essays, poems, comics, and many other styles that emphasized innovation and imagination. Although classical works and online literature have different backgrounds and literary values, they also have many similarities, such as the deep exploration of human nature and the promotion of values such as freedom, equality and justice.
There are many similarities between Chinese and foreign literature, but there are also some differences. Let's compare and appreciate them. 1. Narrations There were many different ways of narration in Chinese and foreign literature. Chinese novels usually used the fate of the characters as the main line to convey the theme and emotions of the story by describing the experiences and feelings of the characters. Western novels, on the other hand, paid more attention to the twists and turns of the plot and often used a linear narrative method to show the character's character and fate through the development of the plot. 2 Ways of Expression1 There were also many differences in the ways of expression in Chinese and foreign literature. Chinese novels usually used subtle expressions to convey the meaning and emotions of the story through hints and metaphor. Western novels, on the other hand, paid more attention to direct expression and dialogue, often through dialogue between characters and inner monologue to show the character's personality and emotions. 3. Thesis and Meaning The theme and meaning of Chinese and foreign literature were also different. Chinese novels usually pay attention to social reality and life philosophy, and convey profound thoughts and values by describing the fate and feelings of the characters. Western novels, on the other hand, focused more on personal feelings and inner exploration. They told stories to show human nature and desires. Both Chinese and foreign literature have their own unique charm that is worthy of our appreciation and taste. We can view them from different perspectives to gain a more comprehensive and rich literary experience.
The answer to the question of comparing female images in Chinese and Western literature is as follows: The comparison of female images in Chinese and Western literature is a very complicated issue because each culture and society has different views and values towards women. However, we can discuss the characteristics of female images in Chinese and Western literature from different angles. In Chinese novels, women were often portrayed as weak, helpless, and dependent on men. They were often seen as men's vassals or portrayed as taking care of children, cooking, cleaning, and other household chores at home. In addition, some female characters were often portrayed as lacking confidence, timid, and easy to cry. In Chinese literature, the image of women was often closely related to family, marriage and childbirth. In contrast, the image of women in Western culture was more independent and confident. In ancient Greek mythology, female heroes like Athena and Venus were very confident, brave, and independent. During the Renaissance, female artists such as Da Vinci and Michelangelo also began to try to express their talents and personalities. In the 20th century, Atwood, Jane Austen, Maugham and other women created many works full of independent thoughts and personal charm. The image of women in Eastern culture was also different. In Chinese culture, women were often seen as a vulnerable group that needed to be protected. However, in modern society, many women have gained more rights and opportunities to become important roles in society. To sum up, the characteristics of female images in Chinese and Western literature are different. Every culture and society has different views and values towards women. But no matter what culture, women should be independent, confident, and independent.
The reference books of Shandong University's Comparative Literature and World Literature are as follows: 1. A Course on the Principles of Comparatively Written Literature (2nd edition). Shen Rongjin et al., China Social Sciences Press, 2011. 2 Introduction to World Literature (Second edition), Wang Hongjian, Higher Education Press, 2014. 3 Appreciation of World Literature (Second edition), Zhu Qinghua, Higher Education Press, 2015. 4 "Western Literature Classics"(Second edition) Sun Xiangyang, Chen Feng, Higher Education Press, 2016. 5. A Course on Literature Theory (Second edition) by Wu Wenjun, Higher Education Press, 2017. The above books were all authoritative world literature and world literature reference books that could meet the needs of learning and research.
The biggest difference between film and television literature and novels was their presentation and narrative structure. Fictions were usually presented in the form of independent story units, and each story had its own narrative structure. On the other hand, film and television literature was usually presented in the form of a series of pictures and shots. Each picture and shot had its own narrative structure and temporal order. The narrative structure of film and television literature was usually linear, that is, the story was presented according to the time sequence or plot development. In contrast, the novel's narrative structure was more flexible. It could present the story in a jumping, branched, or comprehensive way. Film and television literature was also more intuitive and dynamic. It usually used a lot of camera language and visual effects to express emotions and atmosphere. Compared to this, novels usually paid more attention to the expression of words and the presentation of imagination. The audiences of films and novels were also different. A novel usually had readers as its main audience. The readers could understand the story and characters through reading the novel. On the other hand, film and television literature usually focused on the audience. The audience could experience the story and characters through watching the film.
The difference between modern Chinese literature and contemporary Chinese literature was usually in terms of time. Modern Chinese literature was established in the early 20th century, while contemporary literature began to develop after the 21st century. During this period, the difference between modern literature and contemporary literature gradually became blurred because contemporary literature also included many literary works before the 20th century. However, there was a more specific distinction between modern literature and contemporary literature, which was whether modern Chinese was the main language of creation. If that was the case, then modern Chinese literature was literary creation based on modern Chinese, while contemporary literature was literary creation based on modern Chinese, including many literary works created before modern literature.
Modern Chinese literature and contemporary Chinese literature are two different literary schools and historical periods. Modern Chinese literature was developed from 1919 to 1949. It mainly reflected the pain and challenges experienced by the Chinese people in the national crisis and class struggle since modern times, including literature, art, thought and so on. The main representatives of modern Chinese literature included Lu Xun, Lao She, Ba Jin, Mao Dun, Ye Shengtao, Zhu Ziqing, Zhang Ailing, Shen Congwen, etc. Chinese contemporary literature refers to the literature from 1949 to the present, which reflects the achievements and challenges of the Chinese people in the economic and social changes after the reform and opening up. The main representatives of contemporary Chinese literature included Mo Yan, Yu Hua, Jia Pingao, Liu Zhenyun, Zhou Guoping, Chen Zhongshi, Ernest Hemmingway, etc. In terms of style and subject matter, modern Chinese literature and contemporary Chinese literature also have different characteristics. Modern Chinese literature focuses on reflecting social reality and criticizing social systems, emphasizing individual and collective values, while contemporary Chinese literature pays more attention to expressing individual emotions and experiences, focusing on social change and human nature exploration. In addition, Chinese contemporary literature also showed the characteristics of variety and integration in the context of global and cultural multiculturalism.
Flaubert and Balzac were masters of French literature, each of whom had published many literary classics. Flaubert's works usually focused on the character and psychological description, while Balzac's works paid more attention to the description of social reality and history. Here are some comparisons between Flaubert and Balzac: 1. Literature style: Flaubert's works are usually full of realism and symbolism, while Balzac's works are more objective and realistic. Flaubert's works often showed a deep insight into human nature and the description of the inner world of the characters, while Balzac's works paid more attention to the description of social reality and historical background. 2. Range of subject matter: Flaubert's works mainly include novels, essays, and essays, covering history, society, characters, love, art, and many other aspects. Balzac's works were more extensive, including novels, plays, essays, essays, historical plays, and many other types. His main focus was on the social and economic changes in France. Protagonists: Flaubert's protagonists usually have distinct personalities and complex psychological descriptions. They are often the representatives of realism. Balzac's protagonists were more common and ordinary, but their images were more voluptuous and three-dimensional. They were representatives of various classes in French society. 4. Social criticism: Flaubert's works deeply criticized and reflected on social reality, emphasizing the complexity of human nature and the division of social classes. On the other hand, Balzac's works focused more on the description and analysis of social phenomena and systems, emphasizing social injustice and corruption, revealing the essence of capitalist society. 5. Literature status: Flaubert and Balzac were both important figures in the history of French literature. Their literary works had a profound impact on European literature. Flaubert's Eugenie Grandet and Pérot Goriot were regarded as one of the greatest novels in the history of world literature, while Balzac's Human Comedy was regarded as a classic work of modern literature.