Famous People's Evaluation of Old Things in the South of the City
Old Story in the South of the City was regarded as a classic work of modern Chinese novels. Here are some famous people's comments on this book: Lao She believed that Old Things in the South of the City was "a mirror of modern Chinese novels" through which one could "see the various ills of Chinese society and the dark side of human nature". 2 Bing Xin praised The Old Story in the South of the City as "a novel full of humanist spirit" and praised the protagonist Camel Xiangzi as "a real hero". Lu Xun commented that Old Things in the South of the City was "a novel full of painful mourning for the old times and joy for the new things" and that it "profoundly revealed the dark side of human nature". Four weeks later, he praised Old Things in the South of the City as "a novel full of humanist spirit" and thought that it "truly reflected the life and humanity of old Shanghai". To sum up, celebrities have a very high evaluation of Old Things in the South of the City. They think that it is an excellent literary work that profoundly reveals the dark side of human nature and the life of old Shanghai.
The Author's Evaluation of Old Things in the South of the City
The evaluation of Old Things in the South of the City varies from person to person, but overall, this novel is considered a classic of modern Chinese literature. In the eyes of critics, Old Story in the South of the City had a unique narrative style and profound character portrayals, depicting the local customs and culture of the southern part of Shanghai in the 1930s. From the perspective of the protagonist, Xiao Yingzi, the novel showed the social background and people's inner contradictions through the emotional entanglements between her and many characters. At the same time, the novel also expressed the deep meaning of human nature, love, friendship and other topics. In the eyes of the readers, Old Things in the South of the City was an unforgettable historical and cultural memory. The novel described the local conditions and customs of the southern part of Shanghai in simple and vivid language, making people feel the atmosphere and customs of that era. At the same time, the characters in the novel were unforgettable. A novel was not only a literary work, but also a precious historical and cultural heritage. The Old Story in the South of the City was a novel with extremely high artistic value and historical value. It was hailed as a classic of modern Chinese literature.
Famous people's comments on the novel,"Old Things in the South of the City", 5 with names.
1 Lu Xun: "Old Things in the South of the City" is an essay by Lu Xun that expressed his criticism and nostalgia for the old Shanghai society. Lao She: Lao She is an outstanding person in the history of modern Chinese literature. He has a very high evaluation of Old Story in the South of the City and thinks that it is a classic work of modern Chinese novels. 3. Zhang Ailing: Old Things in the South of the City is one of Zhang Ailing's representative works. She believes that the novel deeply reflects the fragility and complexity of human nature by describing the loneliness and exploration of puberty. 4. Shen Congwen: Shen Congwen is an important figure in the history of modern Chinese literature. He also has a high evaluation of Old Story in the South of the City. He believes that the novel shows the complexity and beauty of human nature through delicate emotional descriptions and unique narrative techniques. 5 Ding Ling: Old Things in the South of the City is one of Ding Ling's representative works. She believes that the novel reflects the various ills of old Shanghai society and the contradictions of human nature by describing the characters and stories in the old things in the South of the City.
Regarding the evaluation of "Old Story in the South of the City".
Old Story in the South of the City was regarded as a classic in the history of modern Chinese novels. The novel was set in the southern part of Beijing in the 1920s. Through describing the life and experiences of the protagonist Zhang Zao, it showed the various difficulties of Chinese society and the complexity of human nature in that era. It was considered one of the pioneers of modern Chinese novels. From Zhang Zao's perspective, the novel presents the living and psychological state of the people in that era through the description of his inner world and the historical events in the south of the city. The language of the novel was concise, vivid, poetic, and philosophical, with strong expressiveness and appeal. At the same time, the novel also pays attention to the discussion of human nature, revealing the complexity and contradiction of human nature, so that people have a deeper understanding of the essence of human nature. The Old Story in the South of the City was regarded as a classic of modern Chinese novels with extremely high artistic and cultural value. It not only had a profound influence on the development of modern Chinese literature, but it was also widely praised and influenced many later works.
The style of the old things in the south of the city
The Old Story of the Southern City was a novel that was usually composed of several short stories. It described a character's life experience in the southern part of the city, including his understanding and experience of the city, culture, history, and interpersonal relationships. These novels were usually narrated from the first-person perspective through the protagonist's experience to show the story of the old things in the south of the city.
The author of Old Things in the South of the City
The author of Old Story in the South of the City was Jiang Fangzhou.
The author of Old Things in the South of the City
The author of Old Story in the South of the City was Lao She.
Information on Old Things in the South of the City
Old Things in the South of Beijing was about the author's life experiences and interpersonal relationships in the south of Beijing. The novel was published in 1924 and is considered a classic in the history of modern Chinese literature. The protagonist of the novel, Camel Xiangzi, was a young peasant worker who had experienced many hardships and setbacks in the south of Beijing. He established deep relationships with many people, including businessmen, policemen, prostitutes, and old-fashioned warlords. The novel depicted the local conditions and customs in the southern part of Beijing, reflecting the dark side of society and the suffering of the people at that time. Old Story in the South of the City attracted the attention and love of many readers with its unique narrative style and profound ideology. It is not only a classic in the history of modern Chinese literature, but also a precious heritage in the history of Chinese culture.
Understanding the Old Things in the South of the City
The Old Story of the City South was published in 1943. The story mainly narrated the history and characters of the old south of Beijing, including teahouses, old shops, lanterns, couplets, folk artists, and so on. The novel was narrated in the first person, through the perspective of the protagonist, Camel Xiangzi, to show his struggle and experience in the south of Beijing. The novel's language is concise, the characters are vivid, and the plot is twisted and moving. It is considered one of Lao She's representative works.
Was Old Things in the South of the City an autobiography?
" Old Story in the South of the City " was not an autobiography, but the author, Jiang Fangzhou's recollection. The novel was set in the southern part of Beijing in the 1930s and told the story of a group of young people, including Jiang Fangzhou's own childhood and youth. Although the characters and events in the novel were real, it was more like a literary work than a personal narrative of a character.
Was Old Things in the South of the City an autobiography?
No, it wasn't. " Old Things in the South of the City " was a story about her life in a cafe in the south of Beijing in the 1920s. Although the characters in the novel had a certain degree of authenticity, they were not the author's own personal experience, but fictional according to the needs of the creation of the novel.