The content of Han Yuefu folk songs can be divided into the following categories: (1)Narrated folk songs: mainly describing war, disaster, social unrest and other topics, such as "will enter the wine","song of eternal regret","peacock flying southeast" and so on. (2)Lyrical folk songs: to express personal feelings, the pursuit of love and marriage, such as "Song of White Head","Shangxie","Changmen Resentment" and so on. (3)Description of nature folk songs: to describe mountains, rivers, flowers and other natural scenery, such as "Jiangnan","Lushan ballad" and so on. (4)Reflecting folk life folk songs: mainly reflecting folk life, customs, habits, etc., such as "Fu De Gu Yuan Cao Farewell","Oil seller monopolizes the top courtesan" and so on. (5)Satire folk songs: satirize the corruption, greed, cruelty of bureaucrats, such as "adverbials" and "trench officials".
There were many songs adapted from folk songs such as " Little Red Riding Hood " and " Jasmine Flower ". Folk songs were a type of traditional Chinese music that had a strong ethnic style and unique expressiveness. The adaptation of a song was to recreate the melody, lyrics, or instrument performance of a folk song to make the song more popular, easier to understand, and more acceptable. Adapting songs could not only make traditional music more widely spread, but also bring people a new music experience.
Xiangxi folk songs had many classic songs, including " Six mouthfuls of tea,"" Cutting firewood on high mountains without a knife,"" The mulberry tree sets up a lantern stand,"" Wudao River is a good place,"" Many matchmakers have many mouths,"" The sun comes out brightly,"" Mountain girls,"" There's a Mengdong River in my hometown," and so on. These songs were widely sung in Xiangxi, and they had strong local characteristics and ethnic customs. Among them," The Mulberry Tree Sets the Lamp Stand " was a long-sung folk song of mulberry plants and was considered one of the representatives of Xiangxi folk songs. In addition, Tujia folk songs were also an important musical form in Xiangxi, including folk songs, minor tunes, labor songs, etc. In general, Xiangxi folk songs were rich and varied, showing the unique music culture of Xiangxi.
Folk songs were an important part of Chinese traditional culture, and they were very rich in content. Folk songs came in various forms, such as folk songs, folk songs, Yangge, and songs. They covered social life, historical events, cultural traditions, and many other aspects. Folk songs had strong regional characteristics and cultural traditions, often reflecting the local living conditions and customs. For example, the folk songs of the southern region, the folk songs of the northern region, and the songs of the northern region all had unique styles and characteristics. Folk songs also reflect the local history and cultural heritage. For example, folk songs in some areas contain local legends, stories, historical events, etc. They are an important part of local culture. Folk songs are an indispensable part of Chinese traditional culture. Not only are they musical, but they also have important cultural value and historical significance.
Tujia folk songs were a unique musical form of the Tujia people, and duet was a way of performing Tujia folk songs. Tujia folk songs are famous for their unique artistic appeal and affinity, and are widely sung and appreciated. This kind of music expressed the sincerity of Tujia young men and women towards love and the spirit of brave pursuit. The artistic characteristics of Tujia folk songs were euphemistic, crisp and bright, with a lingering reed tone, full of romantic poetic and artistic feelings. In the past, young men and women admired each other, but it was inconvenient for them to say it, so they wrote their love on wooden leaves and expressed their feelings with music. Tujia folk songs are not only the symbol of Tujia culture, but also the carrier of national feelings. They were famous in the main settlements of Tujia people, such as Zhangjiajie and Longshan County. Although there were no specific songs or lyrics in the information provided, it was certain that the duet of Tujia folk songs and love songs was an important part of Tujia culture.
The following conclusions were: The ten most well-known folk songs were Jasmine Flower, Azalea, Horse Racing, Xintian Tour, Yellow Soil High Slope, Walking West, Thirty Mile Shop, Red Flower of Shandan, guerrillas from Hengshan, and Orchid Flower. These songs were widely loved for their affectionate lyrics, melodious melodies, and moving performances. They were recognized as one of the best folk songs.
Jingchu folk songs refer to the folk songs in Hubei, Hunan, Sichuan and other provinces of Hubei and Hunan with rich local characteristics and cultural content. Jingchu folk songs can be divided into the following types: 1 Nanyin Chudiao: Nanyin refers to Guangdong music, Chudiao refers to the tune of Hubei folk songs. Nanyin Chudiao is similar to the tune of Hubei folk songs. It has distinctive local characteristics and is an important part of Jingchu folk songs. 2. Xiangchu love songs: Xiangchu love songs refer to the love songs of Hunan and Hubei, which have strong local characteristics and emotional colors. These love songs often used vivid metaphor and symbolism to express love, which had a high artistic value. 3. Chu folk songs: Chu folk songs refer to the folk songs in Hubei Province that have rich Chu cultural and regional characteristics. These folk songs appeared in the form of narration, lyricism, discussion, etc. They often used the literary forms and images of Chu Ci, which had very high literary and artistic value. 4. Western Hubei folk songs: Western Hubei folk songs refer to the folk songs in western Hubei with rich local characteristics and cultural implications. These folk songs expressed nature and life as the theme, often using figurative metaphor and ballad-like narrative methods, which had a very high musical and literary value. Chuanchu folk songs: Chuanchu folk songs refer to the folk songs of Sichuan and Hubei that have rich local characteristics and cultural implications. These folk songs appeared in the form of narration, lyricism, description, etc. They often used the dialect and literary forms of Sichuan and Hubei, and had a very high musical and literary quality.
Jingchu folk song is a local folk song in the Hubei Province of Hubei and its surrounding areas. It is one of the important folk song schools in southern China. Jingchu folk songs reflect the history, culture and social life of Hubei with its unique tone, rhythm and expression, with strong local characteristics and cultural heritage. The content of Jingchu folk songs was very rich, including but not limited to the following aspects: 1. Narrated folk songs: There are many narrated songs in Jingchu folk songs, such as Yellow Crane Tower and Oil Man monopolizing the Courtesan Belle, which describe the plots and characters in local folktales and are full of strong human feelings and life. 2. Sacrificial folk songs: There are many sacrificial activities in Jingchu area, such as the Spring Festival Sacrifice, Qingming Festival Sacrifice, Dragon Boat Festival Sacrifice, etc. Therefore, many sacrificial folk songs such as "Bao Gong Song" and "Qu Yuan Song" express the local people's admiration and memory of historical and cultural celebrities. 3. Living folk songs: There are also many songs that reflect the local social life in Jingchu folk songs, such as "Firewood Song" and "Cloth Selling Song", which describe the daily life and labor scenes of the local people. Love folk songs: Jingchu folk songs also have many songs that express love, such as "Lang Tao Sha","Send You Away", etc. Through these songs, Jingchu people express their love and pursuit of love. Jingchu folk songs are an important part of the culture of Jingchu area. Their rich and colorful contents and forms of expression reflect the production and life of the local people, history, culture and values, with extremely high artistic value and cultural content.
Many songs are adapted from folk songs. Here are some famous examples: Ode to the Motherland was adapted from the Yellow River Chorus by the famous composer Schubert. Jasmine Flower was adapted from Little Jasmine Flower and composed by the famous folk singer Ah Bing. 3 " Qinghai-Tibetan Plateau " was adapted from " The Plateau on the Qinghai-Tibetan Plateau " by the famous folk singer Gao Tianhe. "High Slope of the Yellow Soil" was adapted from "High Hills of the Yellow River" and was composed by the famous composer, Zhou Dong. Perturbed was adapted from the folk song and composed by the famous folk singer Gong Linna. These songs had unique folk characteristics and became classics in pop music.
Ninghai was a county in the Ningbo City, Zhejiang Province, China. It was rich in folk songs and nursery rhymes. The following are some folk songs and nursery rhymes from Ninghai: Twinkle T [Moon Ballad]: This is a widely circulated nursery rhyme that tells the story of the moon in the sky. Jasmine Flower: This is a classic Chinese folk song about the beauty and fragrance of the Jasmine Flower. "Little Bees": This is a cheerful nursery rhyme about the little bees flying in the flowers. 5." Calabash Brothers ": This is a nursery rhyme adapted from a traditional Chinese cartoon. It tells the adventure story of seven Calabash Brothers. 6 "School Song": This is an easy-to-understand nursery rhyme about primary school students going to school. 7 " Pony Polly ": This is a nursery rhyme adapted from the cartoon " Pony Polly ". It tells the story of a group of ponies running in the grassland. These Ninghai folk songs and nursery rhymes had unique melodies and lyrics that were deeply loved by people.
The Voice of Entertainment: The Eight Teachers Crying at the Beginning was an entertainment novel. It told the story of the protagonist, Jiang Cheng, who accidentally transmigrated to the scene of The Voice's competition and obtained the God of Entertainment's system. Although there was no detailed plot introduction in the search results provided, it could be speculated that the novel might start with a folk song as the theme, telling the story of the protagonist causing a sensation with an original folk song on a talent show. However, due to the limitations of the search results, it was impossible to provide more specific information about the novel.