Jin Shengtan was a writer and ideologist at the end of the Ming Dynasty. He had a unique view of Lu Zhishen. In his novel, Lu Zhishen was portrayed as a heroic and somewhat absurd character. His image had a strong personality and distinctive characteristics. Jin Shengtan believed that Lu Zhishen was a hero with a rebellious spirit. He was not afraid of power or violence and dared to fight for justice. His actions and words were full of courage and courage, and also reflected his deep reflection on the social reality at that time. However, Jin Shengtan had also pointed out some of Lu Zhishen's shortcomings. For example, although he resisted power, his actions were often beyond his control and might even cause harm to himself. In addition, there were also some flaws in his character, such as being too open-minded and naive, lacking the ability to think and judge. In summary, although Jin Shengtan's view of Lu Zhishen was somewhat subjective, his description of Lu Zhishen's character reflected the society's attitude towards resistance and violence at that time, as well as people's different views and values towards heroes.
Jin Shengtan was a writer, dramatist, and ideologist of the Qing Dynasty. His representative works included Water Margins, Dream of the Red Chamber, and Journey to the West. Jin Shengtan had a profound influence on Chinese literature. His works were regarded as the classics of Chinese classical novels. His novel revealed the dark side of feudal society with a unique perspective and profound insight, criticizing the corruption and unfair treatment at that time. His works have a high literary value and artistic value, known as one of the treasures of Chinese classical novels. Jin Shengtan's " Water Margins " and " Dream of the Red Chamber " were two of the most classic works of Chinese classical novels, representing the peak of ancient Chinese novels. These two works both depicted the dark side of feudal society, revealing the various ills of feudal society and the distortion of human nature through the protagonist's experience and mental journey. They had profound thoughts and unique artistic charm, which played an important role in the development and prosperity of Chinese literature. Jin Shengtan was an outstanding figure in the history of Chinese literature. His works had a profound influence on the development and prosperity of Chinese classical novels. His thoughts and works are of great significance to our understanding of ancient Chinese society and human nature.
Jin Shengtan was a writer, critic, and ideologist in the late Ming Dynasty. He had a deep research and unique views on ancient Chinese novels. In his works, he also had his own views on the image of Liangshan heroes. Jin Shengtan believed that the Liangshan hero was a classic image in ancient Chinese novels, with a distinct personality and unique charm. When he evaluated the Liangshan heroes, he emphasized their courage and loyalty, believing that these qualities were important reasons for them to become heroes. At the same time, Jin Shengtan also criticized some of the Liangshan heroes 'actions, such as burning, killing, looting, bullying the people, and so on. He believed that these actions did not meet the requirements of morality and law. Jin Shengtan believed that the image of Liangshan heroes was a peak in ancient Chinese novels, representing the outstanding representatives of the heroic characters in ancient Chinese novels. His evaluation not only reflected his view of Liangshan heroes, but also his overall understanding of ancient Chinese novels.
Lu Zhishen was played by Zang Jinsheng in the 98 edition of Water Margins. He created this character through crazy weight gain and a special diet, making his figure very close to the original description. Zang Jinsheng successfully presented Lu Zhishen, the soul of the game, in front of the audience. His performance was very vivid and detailed. Lu Zhishen was a righteous man who abhorred evil. Zang Jinsheng had successfully created this image through his superb acting skills. His performance was admirable and met the expectations of the audience.
Lu Zhishen's cause of death was his passing. In the Water Margins, Lu Zhishen heard the sound of the Qiantang River tide in Liuhe Temple in Hangzhou. He took a bath, changed his clothes, burned incense, and meditated. Finally, he passed away. This statement was also confirmed by Elder Zhizhen's prophecy in the novel. Therefore, Lu Zhishen's method of death was to pass away.
Jin Shengtan (1580 - 1649) was a writer, ideologist, and revolutionary during the Ming and Qing Dynasties in China. He was hailed as "a peak in the history of Chinese literature" and one of the important founders of modern Chinese literature. There were several different versions of Jin Shengtan's name. One theory was that his original name was Jin Yingjie. Because he had two brothers in his family, he took the name of "Double Saints" and his profession was a doctor, so he changed his name to "Jin Shengtan". Another theory was that his original name was Kim Sung-Seok because his father, Jintai Temple, had once received a plaque with the words "Sheng Tan", so he gave the child this name. No matter how he got his name, Jin Shengtan was a very important figure in the history of Chinese literature. His works,"Water Margins" and "Dream of the Red Chamber", were regarded as classics in the history of Chinese literature. His thoughts and literary contributions had a profound impact on the history of Chinese literature.
Jin Shengtan was a novelist and literary theorist in the Ming Dynasty. His novel theory advocated that human nature should be the center. He believed that novels should expose the contradictions and conflicts between good and evil, true and false, good and bad, and express these contradictions and conflicts through the images of novels. Jin Shengtan believed that the novel was an art form and should be thoughtful, artistic, and entertaining. He believed that the novel should reveal the contradictions and conflicts of good and evil, true and false, good and bad in human nature, and guide the readers to understand the essence of human nature by describing the character, behavior and thoughts of the characters. Artistry was also an important aspect of Jin Shengtan's novels. He believed that the novel should have vivid images, beautiful language, and twists and turns in the plot so that readers could better understand and feel the meaning of the novel. Entertainment was also an important aspect of Jin Shengtan's novels. He believed that novels should be entertaining and allow readers to enjoy themselves while reading. Therefore, Jin Shengtan focused on creating vivid and interesting characters, twists and turns in the plot, suspense, beautiful language, and humorous humor in order to attract readers 'interest. Jin Shengtan's novel theory advocated that human nature should be the center and emphasized the balance of ideology, artistry and entertainment, which made an important contribution to the development of Chinese novels.
Lu Zhishen's four verses were: " Rise when you meet a forest, become rich when you meet a mountain, prosper when you meet a river, and stop when you meet a river." These four sentences hinted at Lu Zhishen's life experience. Among them," Rising in the Forest " referred to Lu Zhishen's journey to Jianghu after saving Lin Chong in the Wild Boar Forest;" Prosperity in the Mountain " referred to him, Yang Zhi, Wu Song, and others occupying the Erlong Mountain as kings and gradually accumulating wealth;" Prosperity in the Water " referred to him leading the people of Erlong Mountain to join Liangshan Lake and become a member of Liangshan Lake; and finally," Stopping in the River " referred to his passing away and becoming Buddha by the Qiantang River after capturing Fang La alive. These four verses revealed Lu Zhishen's life trajectory and fate.
The Water Margins was one of the classic Chinese novels. Jin Shengtan criticized this novel. He believed that there were flaws in the plot and character creation of Water Margins, and there were some unreasonable plots. For example, he believed that some characters in the novel were described as heroes, but such heroic images did not exist in real life, and some plots in the novel did not conform to historical facts. In addition, Jin Shengtan also criticized the artistic expression of Water Margins, saying that his novel was too violent and bloody, which had a certain negative impact on the readers 'psychology. Although Jin Shengtan's criticism of Water Margins was reasonable, some readers believed that his works had made an important contribution to the development of Chinese classical novels.
Jin Shengtan's evaluation of Water Margins was: "Water Margins is a good book, but it makes a group of heroes too heroic, making people think of 'Hu Baoyi' and easily mistake them for heroes. If the heroes were just ordinary people, why would they resist oppression? If resistance was only for one's own benefit, then why did they have to talk about morality and benevolence? Therefore, there were only a few heroes in the Water Margins, and most of the heroes just followed the trend of the times. In addition, the author exaggerated the trust and loyalty between the heroes when describing their relationship, which weakened their combat effectiveness. Therefore, although Water Margins is a good book, Jin Shengtan thinks that the hero image in it is somewhat hypocritical, and there are some unreasonable aspects in the story."
Jin Shengtan was a writer, critic, and ideologist of the Ming Dynasty. When he commented on novels, he advocated taking human nature as the center and emphasized that novels could reflect social reality and the voices of the people. His unique comment was that he not only paid attention to the plot and character of the novel, but also paid attention to the ideas and values conveyed by the novel, which could reflect the social reality and the nature of human nature through the novel. He believed that the novel was an art form that not only expressed the character and behavior of the characters, but also revealed the nature and values of human nature.