The work that Lu Xun was talking about was " A brief history of Chinese novels."
Mr. Lu Xun once praised a work as "The Historian's Masterpiece: Li Sao". The name of this work was "A brief history of Chinese novels". This work has a profound understanding and unique analysis of the history and development of Chinese literature, and is known as the foundation of modern Chinese literature.
The work that Lu Xun called "the masterpiece of historians, Li Sao without rhyme" was "Records of the Historian". It was written by Sima Qian, an ancient Chinese writer and historian. It was considered a classic work of Chinese history.
The literary work that Lu Xun called " the masterpiece of the historian of Li Sao " was " Dream of the Red Chamber ". 'Dream of the Red Chamber' was considered a classic in the history of Chinese literature during the Qing Dynasty. This novel used the love story of Jia Baoyu, Lin Daiyu and others as the main line to describe the life and social reality of a feudal dynasty family. At the same time, it also showed the richness of human nature. The plot of the novel was complicated, the characters were vivid, the language was beautiful, and it had a high artistic and cultural value. It was known as "the masterpiece of the historian of Li Sao without rhyme".
Lu Xun called " Records of the Historian "" The Historian's swan song, Li Sao " mainly because its writing style was smooth, concise and bright, with high artistic value, and it contained rich historical information and character descriptions. It could be called a true historical masterpiece. " Records of the Historian " was one of the most famous historical books in ancient China, written by Sima Qian. It recorded the historical events and characters of various dynasties in Chinese history with concise writing, rich information and profound character descriptions. It not only covered the ancient history of China, but also contained a large number of myths, legends and folktales, making this book have a high literary value. At the same time, through the evaluation of historical events and characters, Records of the Historian also showed the author's deep thinking about history and deep insight into human nature. It was known as the "masterpiece of historians". Lu Xun believed that the artistic value and influence of Records of the Historian were not only significant in literature, but also in history and philosophy. It was a precious heritage of ancient Chinese culture and history, and also a classic in the history of world literature.
The work that Lu Xun hailed as the masterpiece of historians was Dream of the Red Chamber.
Sima Qian's " Records of the Historian " was one of the most important historical books in ancient China. It was known as " The Historian's swan song, Li Sao without rhyme ". This was because it not only reached a very high level in terms of the accuracy of historical records, the refinement of writing style, and the vivid narration, but it also created a precedent for the " Ji Zhuan Style " history book and became an important milestone in the development of Chinese history books. The Records of the Historian recorded the history from the mythological period of ancient legends to the Western Han Dynasty, covering politics, economy, culture, art, philosophy and many other aspects. It vividly, objectively and comprehensively presented the political, social and cultural features of ancient China, with high historical, literary and cultural value. His writing style is simple and straightforward, and the language is easy to understand. It pays attention to objective records and combines the author's personal thoughts and feelings to form a unique literary style, which is regarded as one of the treasures of ancient Chinese literature. Lu Xun also had a very high evaluation of Records of the Historian. He thought that it was " lengthy and profound, concise and comprehensive, with the reputation of 'Li Sao without rhyme.'" This sentence expressed Lu Xun's high evaluation of the literary value of the Records of the Historian and also explained the status and influence of the Records of the Historian in the history of ancient Chinese literature.
The work that was praised by Lu Xun as "the masterpiece of historians, Li Sao" was "Records of the Historian".
Sima Qian's " Records of the Historian " was called by Lu Xun as " The Historian's swan song, Li Sao without rhyme ". It was a classic work in ancient Chinese history books and was hailed as a milestone in the history of ancient Chinese literature. The Records of the Historian recorded the history from the ancient times to the Western Han Dynasty, including various myths and legends, historical events, biographies, etc. The writing was concise and the content was extensive and profound. It was known as the "crown of literature and history scholars."
Lu Xun praised the Records of the Historian as "the masterpiece of historians, Li Sao without rhyme" mainly because it had an important historical position and far-reaching influence in Chinese history. " Records of the Historian " was a historical book written by Sima Qian of the Western Han Dynasty. It included the history of the Three Emperors and Five Emperors to the Western Han Dynasty, covering politics, economy, culture, military and many other fields. Records of the Historian recorded important events and figures in Chinese history in an objective and fair manner. It was regarded as a classic work of Chinese history. In the process of writing Records of the Historian, rich literary techniques such as Fu, Bi, Xing, etc. of the Spring and Autumn Period and the Warring States Period were used to make the whole book full of rhythm and beauty. At the same time, the Records of the Historian reflected the political, economic, and cultural characteristics of ancient Chinese society with its unique ideology and cultural content. It was known as the encyclopedia of ancient Chinese history. Therefore, Lu Xun's praise of Records of the Historian was not only an affirmation of its historical status and literary value, but also an acknowledgment of its unique position in the history of Chinese literature.
What Lu Xun called "The Unique Song of Historians, Li Sao without rhyme" was Sima Qian's "Records of the Historian".