The meaning of this sentence was that the nature of Chinese people was like those spectators in Lu Xun's works, lacking independent thinking and judgment, easily confused by superficial phenomena, lacking critical thinking and innovative spirit. This nature made it difficult for the Chinese to understand the essence and deeper meaning behind things. At the same time, this nature also caused the Chinese to lack initiative and creativity in decision-making and action. They could only find solutions from existing experiences and models, but could not actively think and explore new methods and ideas.
The spectators in Lu Xun's works usually referred to those who lacked the ability to think independently and would only passively accept reality. In his works, the audience often represented the bottom of society. They lacked cultural attainment and knowledge, and could only passively accept the arrangements of the government and society. They lacked initiative and creativity. The spectators in Lu Xun's works mainly included the following types: 1. Insensitive spectators: These spectators lack enthusiasm and attention to any social problems. They only passively accept reality without any enthusiasm or initiative. 2. Foolish and ignorant spectators: These spectators lack cultural attainments and knowledge, and can only stay on the surface level, unable to understand and think about the deeper problems. 3. Flattery spectators: For their own interests, these spectators will actively echo the activities of the government and society, and even take some despicable means to achieve their own interests. 4. Blind Followers: These spectators lack the ability to think independently and will only blindly follow the opinions and actions of others, unable to make independent judgments and choices. The spectators in Lu Xun's works were a kind of vulnerable group in social reality. They lacked cultural accomplishment and knowledge level, so they could only passively accept the reality, which had a profound impact on the development of society.
There are many sentences in Lu Xun's works that describe the appearance of characters. The following are some examples: He was short, only about 1.5 meters tall and weighed about 6 kilograms. His face was well-defined, and there seemed to be an unyielding spirit between his brows. His skin was dark, rough, and strong, as if he had been through a long period of labor. His bright eyes revealed a deep wisdom and keen insight. His hair was loose and messy, as if it had not been trimmed for a long time. His lips were thick and powerful, and often showed an unyielding attitude. The lines of his chin were clearly defined, as if he could feel a powerful force there. His arms were thick and muscular, often giving off a sense of firm strength. His leg muscles were clearly lined with strength and endurance. His shabby clothes often showed an unyielding spirit.
The common people in Lu Xun's works have different descriptions in different works, but generally speaking, they are described as poor, ignorant, backward and helpless. In Diary of a Madman, Lu Xun described a group of people who were oppressed and exploited by the feudal system, living in poverty and pain. Their thinking and cultural level were very low, and they were easily controlled and used by the rulers. In The True Story of Ah Q, Lu Xun portrayed a pretentious but actually humble and shameless low-class people. They were regarded as tools and laughingstocks by the rulers, constantly deceived and used. In Kong Yiji, Lu Xun described a poor, ignorant, lonely old drunkard whose life was full of pain and despair. The common people in Lu Xun's works were a group of people who lived in poverty, ignorance and backwardness. They lacked basic education and medical resources and were often oppressed and exploited by the rulers, facing various survival difficulties and challenges.
In Lu Xun's " Public Exorcism ", the coachman's method of dealing with spectators was not to deal with the audience themselves, but to deal with those forces that did not respect the freedom and dignity of others. In that era, there was a lack of respect for human rights and freedom in Chinese society. The spectators tended to treat the ruled and the vulnerable groups with indifference and numbness. The method provided by the driver to deal with the spectators was a voice calling for people to respect human rights and freedom. He expressed his yearning and cherish for freedom and dignity to the audience by showing his suffering and predicament. He told the audience that they should respect the rights of others and not treat the sufferings of others with indifference and numbness. The coachman's method was also a way to educate the audience. Through his actions, he showed the audience the qualities that a person should have, which was compassion and respect for the rights of others. His method was also a reflection and criticism of Chinese society at that time.
Lu Xun's works can be arranged in order of time. His works, Diary of a Madman, The True Story of Ah Q, Medicine, Kong Yiji, New Stories, and Canopy Collection are Lu Xun's most famous works.
Lu Xun (September 25, 1881-October 19, 1936) was a master of modern Chinese literature and one of the founders of modern Chinese literature. His representative works included A Madman's Diary, The True Story of Ah Q, New Stories, Hesitation, Canopy Collection, Morning Flowers Picked Up in the Evening, and so on. The Madman's Diary was one of Lu Xun's most famous works and was considered a classic in the history of modern Chinese literature. From the perspective of a mentally ill person, the novel reveals the darkness of society and the distortion of human nature through a deep insight into the contradictions and human nature of Chinese society. "The True Story of Ah Q" was another representative work of Lu Xun. It described the story of Ah Q, a bottom-level character who was oppressed by society. Through the psychological analysis of Ah Q and the criticism of social reality, it deeply reflected the various ills of Chinese society and the ugliness of human nature at that time. "New Stories" was a science fiction novel by Lu Xun that demonstrated the progress of mankind and the development of civilization through a comprehensive exploration of ancient myths, legends, and reality. The novel was set in the future world, and through the discussion of science and technology, human nature, morality and other topics, it reflected the author's deep thinking about human civilization. Lu Xun's works deeply reflected the contradictions and problems of Chinese society and human psychology at that time, which had a profound impact on the development of modern Chinese literature and thought, and was also an indispensable chapter in the history of Chinese literature.
Lu Xun (September 25, 1881-October 19, 1936) was a master of modern Chinese literature and one of the founders of modern Chinese literature. His works covered novels, essays, poems, essays, and many other fields. He was known as one of the founders of modern Chinese literature. Lu Xun's works had a wide range of topics, profound content, and a strong sense of social criticism and depth of thought. His works reflected the various ills of Chinese society and the sufferings of the people at that time. He criticized the feudal system and bureaucratic-capitalist system of the old society and called on people to pay attention to social reality and strive to change society. Lu Xun's representative works include the novels Diary of a Madman, The True Story of Ah Q, New Stories, Canopy Collection, Morning Flowers Picked Up in the Evening, etc. These works have become classics of modern Chinese literature with their profound thoughts, sharp language and unique artistic style.
Lu Xun (September 25, 1881-October 19, 1936) was a famous writer, philosopher, revolutionary and translator in modern China. His works covered novels, essays, poems, essays, translation and many other literary fields with high literary value and historical value. Lu Xun's works had a profound ideology and a strong sense of social responsibility with the theme of criticizing and revealing social reality. His representative works included A Madman's Diary, The True Story of Ah Q, New Stories, Canopy Collection, Weeds, etc. A Madman's Diary was regarded as a classic of modern Chinese novels. It revealed the darkness and poverty of Chinese society at that time and criticized the feudal system and old culture. Lu Xun's works had a profound influence on the development of modern Chinese literature and thought, and he was regarded as one of the founders of modern Chinese literature. His thoughts and behavior also deeply influenced the development and progress of Chinese society. He was one of the important figures in the modern Chinese cultural history.
Lu Xun (September 25, 1881-October 19, 1936) was a master of modern Chinese literature and one of the founders of modern Chinese literature. His works covered novels, essays, poems, essays, translation and many other fields with high literary value and ideology. Lu Xun's works mainly criticized and exposed social reality. His most famous works included "Madman's Diary","The True Story of Ah Q","New Stories" and so on. His works deeply revealed the dark side of Chinese society and the suffering of the people, showing his critical spirit and ability to think independently about Chinese society. Lu Xun's works had a profound impact on the development of modern Chinese literature and thought. He was hailed as one of the founders of modern Chinese literature and one of the most influential literary masters in the history of Chinese literature.