Shen Congwen's Four Stages of Creation: Their Motives
Shen Congwen's creative motivation could be divided into four stages: The first stage: from 1912 to 1915, Shen Congwen wrote "Border Town" and other early novels. The motive of his creation was mainly to express his love and pursuit of traditional culture. At this stage, Shen Congwen had deep feelings and understanding of Chinese traditional culture, hoping to show the charm and value of traditional culture through the form of novels. The second stage: from 1916 to 1920, Shen Congwen wrote novels such as "Sad Jiangnan", which was mainly to express his love and pursuit of rural life. At this stage, Shen Congwen began to pay attention to the life and characters in rural areas, hoping to show the truth and beauty of rural life in the form of novels. The third stage: from 1921 to 1926, Shen Congwen wrote novels such as Spring Silkworm, mainly to express his concern for human nature and social problems. At this stage, Shen Congwen began to delve into human nature and social issues, hoping to show the complexity of human nature and the profound problems of society through the form of novels. The fourth stage: from 1927 to 1935, Shen Congwen wrote novels such as The Long River. His motive was mainly to express his respect and pursuit for traditional culture and history. At this stage, Shen Congwen began to integrate traditional culture and history into his novels, hoping to show the value and significance of traditional culture and history through the form of novels.