Early vernacular refers to the vernacular popular in the mainland of China in the early 20th century. During this period, the vernacular gradually replaced the traditional classical Chinese as a widely used literary form in the mainland of China.
Early vernacular poetry was characteristic of language that was easy to understand, and it pursued the effect of being spoken, slang, and vernacular. It often used vivid metaphor and symbols, as well as easy-to-understand vocabulary and grammar. This form of poetry was influenced by modern Chinese and folk songs, with distinct characteristics of the times and regional characteristics.
The vernacular was created by Lin Shu, a literary researcher and translator in the late Qing Dynasty. In the late 19th century, he reformed classical Chinese and old vernacular Chinese, creating a new form of writing. The characteristics of vernacular Chinese were concise, clear, and easy to understand, which could better adapt to the needs of society at that time. Lin Shu believed that classical Chinese was too cumbersome to express modern thoughts, while old vernacular Chinese was too oral to read and study. Therefore, he created a new form of writing that not only maintained the charm of classical Chinese but also met the reading needs of modern readers. This was the vernacular. The rise of the vernacular was closely related to the social background at that time. At the end of the Qing Dynasty, China was faced with the invasion of foreign powers, the corruption of the feudal system, social unrest, and many other problems. The people's living standards declined, and the cultural and educational industries stagnated. In this case, vernacular could better express the needs of the people, better transmit social information and promote social progress. In addition, the creation and promotion of vernacular by Lin Shu and others also laid the foundation for the development of vernacular.
The vernacular refers to the literary form that is expressed in an easy-to-understand language. It usually uses a spoken expression to avoid using overly professional or complicated vocabulary and grammar structures. The Vernacular Movement was a revolutionary movement launched by the Chinese literary world in the early 20th century in order to spread literary works more widely. It aimed to make literary works closer to the readers 'real life and easier to understand and accept. The Vernacular Movement had a profound influence on the development of Chinese literature and the rise of modern literature.
Vernacular novels are short stories written in modern Chinese. They are usually told in a humorous, relaxed, or ironic way. The language style is simple and clear, close to the lives of ordinary people, and has a certain degree of popularity. Vernacular novels first appeared in the 1920s, and with the development of the vernacular movement, they gradually became an important part of Chinese literature and culture. In China, vernacular novels are widely welcomed. Many famous writers have written vernacular novels, such as Lu Xun, Mao Dun, Lao She, etc. In the world, vernacular novels also had a certain influence. Many foreign writers had written vernacular novels such as Ye Shengtao and Zheng Zhenduo.
Early vernacular poetry was a stage in the history of modern Chinese poetry. It was featured by the use of spoken language to emphasize the expression of true, natural, vivid feelings and emotions, and the use of easy-to-understand literary forms. The artistic features of early vernacular poems included: 1. Colloquialism: The early vernacular poems used a large number of spoken vocabulary and dialect to make the language of the poems more easy to understand and close to real life. 2. Direct: Early vernacular poetry pursued direct and true feelings and emotions. They did not hide their inner feelings and emotions, but expressed them through direct expression. 3. Natural: Early vernacular poetry emphasized the expression of nature, true feelings and emotions, combining the creation of poetry with the experience of nature to pursue the beauty of nature. 4. Easy to understand: Early vernacular poetry used easy-to-understand literary forms such as folk songs, folk songs, and vernacular novels to make poetry more easily accepted and understood by the public. 5. Form simplicity: The early vernacular poems were relatively simple, usually four or five sentences. There was no strict rhythm and rhythm, and the form of poetry was simple, free, and lively. 6. The breadth of content: The content of the early vernacular poems covers life, nature, love, friendship and many other aspects, reflecting the breadth and influence of modern Chinese poetry.
The advantages and disadvantages of early modern Chinese vernacular poetry are as follows: Strengths: Close to real life: The creation of vernacular poetry in the early modern China directly expressed the author's feelings and experience of real life. The language was easy to understand and close to real life, which easily attracted the interest of readers. 2. Freedom of form: The form of vernacular poetry in early modern China was very free from the constraints of traditional poetry. It adopted various forms of modern poetry such as free poetry, lyric poetry, narrative poetry, etc. to make poetry more colorful. 3. Express sincere feelings: Early modern Chinese vernacular poetry expressed the author's pursuit of sincere feelings in life, such as love, friendship, homesickness, etc., which made the poetry more emotional resonance. Deficiency: 1. The lack of cultural heritage: The language and form of the early modern Chinese vernacular poetry lacked the accumulation of traditional culture, and it was easy to appear isolated and difficult to resonate with the readers. 2. Simple grammar: The grammar of the early modern Chinese vernacular poetry was relatively simple. The lack of certain grammar rules and rhetorical skills easily made the expression of the poem not precise and beautiful enough. 3. Monotonous content: The creation of vernacular poems in early modern China tended to focus on a certain theme or emotional content. It was relatively monotonous and difficult to arouse the interest and continuous attention of readers.
Early vernacular poetry was a form of poetry that appeared in China in the early 20th century. Easy to understand: Early vernacular poetry used simple and clear language to avoid using esoteric terms and difficult to understand vocabulary so that the poem was easier for readers to understand and accept. 2. Freedom: The form of early vernacular poetry was not restricted by the traditional poetry rhythm. The poet could create according to his own preferences and creative needs. 3. Liveliness and relaxation: The early vernacular poems were full of vitality and relaxed atmosphere, often showing a positive attitude and optimism towards real life. 4. Pay no attention to technique: Early vernacular poems paid attention to the poet's emotional expression and artistic conception creation, but did not pay much attention to the rhythm, rhythm and rhetorical techniques of poetry. 5. Anti-tradition: The early vernacular poems were anti-traditional, pursuing innovation and trying to break through the shackles of traditional poetry, showing dissatisfaction and resistance to the old culture. Early vernacular poetry created a unique poetic style through its easy-to-understand, free and casual, lively and relaxed, not paying attention to skills and anti-tradition, which had a profound impact on the development of modern Chinese poetry.
The vernacular movement began at the end of the Qing Dynasty, around 1905. At that time, some writers and scholars began to advocate writing in the vernacular to replace the traditional classical Chinese. This vernacular was also known as "vernacular literature". As time passed, vernacular gradually became the mainstream language in the field of literature and academia, and had a profound impact on Chinese culture and society.
His first vernacular novel was A Madman's Diary.
His first vernacular novel was 'Dream of the Red Chamber'.