In Jin Yong's novels, such as The Legend of the Condor Heroes, The Return of the Condor Heroes, The Eight Dragons, The Smiling Proud Jianghu, and so on, the female protagonists usually had no love experience and only loved the male protagonist. This is because Mr. Jin Yong's novels are based on his personal experience and observation of society and human nature. The character and fate of the female protagonist are often influenced and shaped by the male protagonist, so their emotions and fate are often closely linked to the male protagonist. The male lead usually had a unique charm and personality that could attract the attention and love of the female lead. Therefore, it was natural that the female lead did not have any love experience. Of course, there were also some female protagonists who expressed their feelings for other male protagonists in the novel, but this was only the plot arrangement and the need to shape the characters in the novel. It did not mean that these female protagonists had no love experience. There were many reasons why the female lead of Mr. Jin Yong's novel did not have any love experience, including her personal experience, creative background, and character shaping.
"I'm always the one who conquers the male god of the quick wear NPC." Even though it was a fast-acting novel, the male protagonist loved the female protagonist deeply in all worlds, while the female protagonist kept trying to destroy the relationship between the male and female protagonists. In the end, the male protagonist and the female protagonist resolved the misunderstanding and the two of them got together, and the female protagonist died because of it. Therefore, it could be said that the male lead had never loved the female lead from the beginning to the end. I hope you like this fairy's recommendation. Muah ~😗
This question involved the background and character setting of Jin Yong's novels. Mr. Jin Yong's novels were mostly set in Jianghu and the characters in Jianghu were mostly adult males. In this setting, Mr. Jin Yong wanted to express a kind of brotherhood and resentment in Jianghu. These needed to be understood by a certain age and experience. Therefore, male characters were usually older than themselves to create a more mature and stable atmosphere. Mr. Jin Yong's novels also involved many complicated interpersonal relationships and plots, and the friendship and cooperation between male characters were often the most important part of these interpersonal relationships. Therefore, setting up friends of the same age in the novel might distract the attention and make the plot more complicated, making it difficult for the readers to understand it in depth. Of course, this did not mean that there were no good friends of the same age in Mr. Jin Yong's novels. In " The Return of the Condor Heroes," Yang Guo and Huang Rong were friends of the same age, and their relationship was very deep. However, setting up friends of the same age in the novel might be adjusted to better express the plot and character settings that Mr. Jin Yong wanted to express.
This question was not completely accurate because there were indeed some plots in Jin Yong's novels where the male protagonist dated his peers. For example, Guo Jing and Huang Rong in the Legend of the Condor Heroes were of the same age. They had known each other since they were young and had spent many good times together. In addition, Duan Yu and Xu Zhu in the " Demigods and Semi-Devils " were also of the same age. They became good friends when they were close in age. However, in general, the male protagonists in Jin Yong's novels usually had one or more close partners such as childhood sweethearts or masters who had a large age gap rather than close friends of the same age. This was because the male protagonists in Jin Yong's novels often experienced many hardships and grew up faster than their peers, so they needed a more mature and reliable partner to help them tide over the difficulties. At the same time, the age gap between the male leads could also provide some room for the plot to develop and make the story more colorful.
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Mr. Jin Yong's novels are generally regarded as one of the classic martial arts novels. However, in fact, Mr. Jin Yong did not complete all of his novels. He left behind 15 classic works, which are called "The Legend of the Condor Heroes","The Condor Heroes","The Eight Dragons","The Smiling Proud Jianghu","The Sword with the Green Blood","The Heaven Sword and the Dragon Sabre","The Deer and the Cauldron","The Book and Sword of Gratitude and Revenge","The Journey of Chivalrous Men","The Sword of the Yue Woman","The Mandarin Duck Knife"," The White Horse Howling in the West Wind"," The Golden Wheel Temple", 15 novels, including 'Chivalrous Bones and Tenderness'. The reason why there were only 14 couplets was probably because the novels in the couplets were written by Mr. Jin Yong in his later years, including "The Sword of Yue Nu","The Journey of Chivalrous Men","The White Horse Howling in the West Wind", etc. These works were not comparable to the early novels, so they were not included in the 15 early novels. In addition, there were some other works in the couplet, such as "Flying Fox on Snow Mountain" and "Liancheng Formula", which were not classified into Mr. Jin Yong's 15 novels.
Jin Yong's novels didn't have such a phenomenon because Jin Yong's novels were a type of realistic literature that focused on describing the fate and personality of the characters rather than emphasizing the importance of physical exercise for the success of the characters. In Jin Yong's novels, many characters had unique personalities and life experiences that determined their fates. Physical training was only one of the ways, not the only way. Therefore, there would be no such thing as being afraid of the young in the novel, emphasizing the importance of physical exercise for the success of the character. Jin Yong's novels also had many plots that described physical exercise. For example, Huang Rong's father, Huang Yaoshi, paid great attention to physical exercise and became a martial arts master through physical exercise. These plots reflected the importance of physical exercise for personal growth and success.
😋I recommend you a book called " The Host Is the Real Boss ". This sci-fi space-time travel novel only has one female protagonist. She is trapped in a small world and must complete the mission to counterattack the male protagonist, kill the boss, and defeat the female protagonist in order to resurrect. Although the female lead wasn't a good character, she and her spirit spirit demon were very interesting. The story was full of face-slapping, Su Shuang, brain-burning, melodramatic, and other elements. In this novel, the female protagonist's counterattack is full of challenges, but it is also very exciting. I hope you will like it.
I recommend 'I've Been Caught in a Crush' to you! This book was a romantic youth-youth campus novel. It described a story where the female protagonist didn't believe in love at first sight, but after meeting the male protagonist, she had a crush on him, but the male protagonist knew nothing about it. The female lead was a calm and lovely girl, while the male lead was a warm light. There was no exception. Their secret love and feelings intertwined, driving the progress of the entire story. I hope you like this fairy's recommendation. Muah ~😗
In Jin Yong's novels, the reason why childhood sweethearts never ended up together was mainly because there were often misunderstandings and entanglements between characters due to various factors in the novel, resulting in them not being able to be together in the end. In Jin Yong's novels, there were often characters who opposed each other because of sects, forces, interests, and other factors. These characters often had complicated emotional entanglements. Moreover, the male protagonist in the novel often had complicated relationships with other women, and these women often had conflicts and entanglements that ultimately led to them not being able to be together. The reason why the childhood sweethearts in Jin Yong's novels did not end up together was mainly because there were often various complicated relationships and entanglements between these characters, resulting in them not being able to be together in the end.
This type of novel was more common. It usually described how the female protagonist gradually became mature and profound after experiencing many twists and turns and tests. She began to realize the importance of the male protagonist to her and gradually revealed her feelings. The calm character of the female protagonist could let the readers feel her inner peace and determination more deeply, and at the same time, it also increased the drama and plot tension of the novel.