Guo Jingming's annual income was also a hot topic in China. However, the answer to the question of whether Guo Jingming's annual income was the same as that of the whole country was not certain. According to public data, his annual income in China was about 1 billion yuan. Guo Jingming ranked second with an annual income of about 400 million yuan. It was important to note that the ranking was not necessarily accurate because of the sales volume, copyright price, advertising revenue, and so on.
I don't know most of the country famous because this is a highly confidential information. , pricing, sales, marketing strategies, and other factors, which are usually very uncertain and complicated. Therefore, it was difficult to determine the exact number.
According to the information provided, it was impossible to accurately answer the annual income of Maoni in 2018.
According to the information provided, it was impossible to accurately answer the income of "Celebrating Years". Although it was reported that the drama had invested 600 million to 700 million, no specific revenue figures were provided. Therefore, the exact amount of income was still not disclosed.
Sanjie's annual income had increased from 30,000 to 40,000 yuan to 70,000 to 80,000 yuan now. Including his sideline business, his total annual income was about 200,000 yuan.
Xu Kai's annual income was between 15 million to 40 million. It was reported that his salary was more than 100 million yuan, but there were also reports that his salary for a drama was only 500 thousand yuan. In addition, Xu Kai also earned income through some activities and endorsements. There was no specific figure for his net worth, but he had already become an A-list male celebrity and his salary was between 15 million to 20 million. Overall, Xu Kai's annual income was about 40 million yuan.
Wang Jiaer's annual income was about 8 million to 12 million. However, the exact number might vary according to different reports. As a well-known celebrity, he had his own brand and business cooperation, which also provided an additional source of income for him. In addition, Wang Jiaer was known for his frugality. He would not spend his income extravagantly. Instead, he would send a portion to his parents to show his filial piety and frugality. Even though the average income of Korean artists was low, Wang Jiaer was very generous to his teammates and fans. He had given his ring to lucky fans on the group show and bought drinks from the fans on the scene during filming. In general, Wang Jiaer's income was relatively high, but he won the fans 'love with his frugal and generous image.
Li Jiaqi's annual income was 1.8553 billion yuan. This figure exceeded the net profit of most A-share listed companies, accounting for 93%. In addition, Li Jiaqi's annual net income also exceeded the total operating income of 2728 A-share listed companies, accounting for 52%. This meant that Li Jiaqi's net income alone exceeded half of the total income of listed companies. Therefore, it could be said that Li Jiaqi's annual income was very considerable.
The internet included the quality of the work, popularity, platform traffic, and the popularity of the publishing company. Some of the successful networks received huge royalties, but there were also many networks. According to some data, some well-known networks, but this was only the tip of the iceberg. Some smaller networks and some smaller platforms might not be able to provide enough revenue. The fees for the same book may vary between different online platforms and publishing companies, so the income from the same book will also vary depending on the platform and publishing company. The network needed to be evaluated according to the specific situation.
Online novels, platform traffic, etc. According to some survey data, some web novels were even higher. However, this figure was only a rough estimate. The actual annual income would be affected by many factors, such as the flow of works and sales. In addition, it was important to note that online novels often had flexible writing schedules, but their income might not be able to return in time. At the same time, they also had to bear the copyright fees, editing, promotion and other expenses. Therefore, the actual income needed to take these factors into account.
Guo Jingming's Critical Records was published in 2009, 2010, 2011, and 2012. The fourth book, Critical Records, was published in 2013.