The Purple Sand Master Mi Ke referred to the Purple Sand Artist Mi Wanzhang during the Qianlong period of the Qing Dynasty (1711-1799). He was one of the representatives of the Chinese Purple Sand Art and was known as the "Master of Purple Sand". Mi Wanzhang was born in Yixing County, Jiangsu Province. He had a wealth of experience and skills in the art of purple sand. His unique style of work was known for its simplicity, smoothness, bright lines, and exquisite craftsmanship. Not only did he produce a large number of purple clay pots, but he also produced many fine works such as "beige clay pot","jade pot spring" and so on, which were praised as the classic works of purple clay art. Mi Wanzhang's purple sand works had an important position in the history of Chinese purple sand art and had a profound influence on the later purple sand artists.
Wang Dongshi was a purple clay teapot artist and ceramic artist from the Daoguang to Tongzhi years of the Qing Dynasty. He was famous for his antique teapot making skills, fine carving skills, teapot making supervisor engraving skills, etc. Wang Dongshi's pots are many and exquisite, such as Dongpo's beam pot and so on. He cooperated with the literati to make the teapot. The design was just right, and the teapot body was engraved with the inscriptions of the mountain people. The teapot made by Wang Dongshi was well-known and the carving technique was exquisite. He had once made a pot for Hu Gongshou, which was recorded in the Biography of Hu Yuan. In addition, Wang Dongshi also made friends with the painters of the Shanghai School, such as Ren Bonian, Hu Gongshou, Xu Gu, etc., and established Yucheng Kiln in Zhejiang Province with his colleagues He Xinzhou and Mei Tiaoding. Yucheng Kiln was founded around the Tongzhi period of the Qing Dynasty, mainly producing tea pots and other study utensils. Wang Dongshi's works were unique in shape and were often made by literati and were very popular among collectors. His craftsmanship was superb, and his inscriptions were also excellent. He liked to use the green mud of the mountain to make pots, which were burned to a white yellow color and a jade color. Wang Dongshi made friends with colleagues in the painting and calligraphy circle, and had close contacts with celebrities such as Hu Gongshou, Ren Bonian and Mei Tiaoding. His works were often engraved on the body of the pot. Because of the short time it took to make it and the low production, it was cherished by collectors. In short, Wang Dongshi was a well-respected artist of the purple clay teapot. His works had an important position in the purple clay art world.
Gu Guoqiang was born in 1969 and was a Yixing Zisha teapot craftsman. After he graduated from arts and crafts, he had once taken Mr. Ding Yaping as his teacher and received the guidance of master craftsmen Lv Yaochen, Li Changhong, Cao Wanfen, and other purple sand seniors. He had more than 20 years of experience in teapot making, and was especially good at twisting mud and embedding mud. Gu Guoqiang's teapot was made entirely of raw ore purple sand mud without any chemical coloring. His purple sand works were published in Taiwan's professional books, Tea and Pot, Purple Jade Golden Sand, and Heaven and Earth Square. Gu Guoqiang is a member of the China Arts and Crafts Society, the Jiangsu Arts and Crafts Society, and the Jiangsu Province Art Society. He also won the second prize of the 2009 Yixing City Handmade Porcelain Competition. Gu Guoqiang's Purple Sand Teapot Workshop was an honorary product of Guyi Purple Sand. It provided purple sand teapots made from pure natural purple sand mud and had a cash on delivery service.
Fan Jianqiang was a national craftsman and an outstanding young ceramist. He was born into the Fan family of ceramists and began to work on purple sand crafts in the 1990s. He had received the guidance and teachings of many masters such as Fan Weiqun, the third generation descendant of Dasheng, and Yin Xiaorong, the national master of arts and crafts. He had a deep understanding and understanding of the production and creation of purple sand. Fan Jianqiang was firmly on the path of inheriting and developing the art of purple sand. His works had a clear design concept, and the production was constantly improving. He mainly used the large inlaid series to form his own unique style. His works were in a leading position in the history of purple sand development and were deeply loved by purple sand lovers at home and abroad.
The list of Yixing Zisha Teapot Masters included Wang Quanlin, Chen Mingyuan, Chen Ziqi, Chen Hanwen, Hui Mengchen, Hui Yigong, and the Yang siblings. In addition, there were also some official names of Yixing's purple clay teapot masters, such as Li Dandi, Xu Yufang, Le Quansheng, Li Zhaolan, and so on. However, the specific ranking and more information about the masters were not found in the search results provided.
Fan Zehong was a state-level arts and crafts artist. He was born in 1967 and came from Yixing, China. In 1986, he entered Yixing Second Purple Sand Craft Factory to learn the art of pottery carving. During his work, he received guidance from Chinese arts and crafts masters Xu Xiutang and Xu Hantang. Fan Zehong was good at making light and small flower ware. His works often decorated important parts of the purple clay teapot, retaining the practicality of the purple clay teapot. His works have been included in many domestic professional newspapers and magazines, and have been collected by many teapot lovers at home and abroad. One of Fan Zehong's specialties was that he focused on the craft of making red clay pots. Through layers of screening and fine processing, he made red clay pots that were as fine as grease. Fan Zehong's works were famous for their exquisite craftsmanship and unique style, and were highly praised.
Fan Jianqiang was a national craftsman and an outstanding young ceramist. He was born in the Fan family of ceramists. He began to work on purple clay crafts in the 1990s and was carefully taught by Fan Weiqun, a senior craftsman who was the third generation descendant of Dasheng. Later, he also received guidance from the national master of arts and crafts, Mr. Yin Xiaorong, and other masters. He had a new understanding and understanding of the production process and creation. Fan Jianqiang firmly followed the path of inheritance and development of art, constantly creating new products and striving for exquisite craftsmanship. His works had a clear design concept, and his production was constantly improving. He mainly focused on the large-scale inlaid series, gradually forming his own unique style. Fan Jianqiang's purple clay teapot works were highly praised and loved, including the "Aofan teapot","Heaven and Earth Fangyuan" series,"Gentleman Huaide teapot" and "Dafu". His works had a leading position in the field of purple clay pots and were deeply loved by purple clay lovers at home and abroad. However, there was no clear information about the specific price of Fan Jianqiang's purple clay teapot.
Fan Jianzhong was a master of purple clay teapot. He was born in a teapot making family in Yixing, the pottery capital. He was influenced by his ancestors since he was young. In 1988, he entered the Purple Sand Craft Factory to learn the design and production of purple sand pots. He received guidance and guidance from many masters and made great progress. Fan Jianzhong and his wife co-founded the studio," Geng Tao Xuan ", which focused on the design and creation of purple clay teapots. He was good at using the five-colored clay to change the color patterns, forming a unique style. His works had won many awards and were published in many domestic and foreign journals. Fan Jianzhong's work," Xiongfeng ", was also collected by the First National Congress of the Chinese People's Party. Regarding the ranking of Fan Jianzhong's purple clay teapot, according to a famous person, Fan Jianzhong was ranked at the top of the purple clay world in terms of title and honor. He was considered the leader of the purple clay world.
We can come up with the following ranking of the masters of the purple clay teapot: 1. Spring Offering: It is considered the ancestor of purple sand. The tea pot made is exquisite and practical. 2. Shi Dabin: The master of purple sand in the Ming Dynasty improved the production technique of purple sand. 3. Chen Mansheng, Yang Pengnian, Yang Fengnian: Chen Mansheng was known as the founder of the literati pot. He hired Yang Pengnian and Yang Fengnian to make the pot and inscribed the pot inscription on the pot himself. 4. Qu Ziye: A painter of the Qing Dynasty. He was good at carving bamboo and poems. He made a stone ladle. 5. Gu Jingzhou: The publicly acknowledged number one artist of the Purple Sand Teapot. He is one of the seven great masters of Purple Sand Teapot. Other search results also mentioned the names of some masters of the purple clay teapot, but there was no clear ranking information. Therefore, this is the ranking of the masters of the purple clay teapot that we can come up with.
Wang Fenglan was a famous Yixing purple clay teapot artist. She was a national craftsman and was good at purple clay pottery. Wang Fenglan's works were famous for their elegant shapes, unique designs, and exquisite workmanship. They were deeply loved by teapot enthusiasts and collectors at home and abroad. Her works were sold in Yixing's local teapot workshop, and they could be consulted and appraised through the Guyi Purple Sand Network. Wang Fenglan's work was considered authentic, and her Yixing Purple Sand Teapot Workshop also received much attention. Wang Fenglan's works had a certain reputation in the field of purple clay teapots, but the information provided so far was not enough to draw an accurate conclusion about her specific ranking and the details of her works.
Yong Juntian was a purple clay artist. He was involved in the making of purple clay pots in Yixing. He studied under Li Hanyong, a powerful potter, and under his master's guidance, he constantly improved his aesthetic, techniques, and innovative ideas. His works were mainly classical traditional light tools, with elegant shapes, smooth lines, and plump bodies. His works displayed the blooming of plum blossoms and entrusted a profound artistic conception. Yong Juntian's works were highly appreciated. He was currently engaged in purple sand art creation at the Gathering Water Hall. More information about his works could be found in the relevant anthology produced by Pleasant. As for Yong Yuejun, the article did not mention anything about him being related to Yong Juntian, so it was impossible to determine if he was related to Yong Juntian.