Illustrate with examples what new features the vernacular novels and vernacular novels have in their love descriptions compared to the novels of the previous generation? Please help me.
Verbal scripts and verbal scripts were both a type of ancient Chinese novels. Compared with the novels of the previous generation, their love descriptions had the following new characteristics: 1. Direct description: The love descriptions in the vernacular novels and vernacular novels are often presented directly in front of the eyes, such as the protagonist's emotional reaction and emotional expression, rather than through indirect hints or descriptions. This kind of direct description was more realistic and vivid, allowing the readers to feel the emotions of love more deeply. 2. Personalized descriptions: The love descriptions in the storybooks and vernacular scripts pay attention to the personality and characteristics of the characters, describing the protagonist's personality, habits, hobbies, etc. This kind of personal description could more truly reflect the character's personality and characteristics, allowing the reader to have a deeper understanding of the protagonist's inner world. 3. Slang descriptions: The love descriptions in the vernacular and vernacular versions often use slang and common sayings to make the descriptions more vivid and interesting. This kind of slang description could better adapt to the language and cultural background of ancient society, making it easier for readers to understand and accept. 4. Exaggerated plots: The love plots in novels and vernacular novels are often exaggerated and sometimes use some fictional plots and scenes. This kind of exaggeration could better reflect the characteristics of life in ancient society and the way people thought, allowing readers to have a deeper understanding of the customs of ancient society. The love descriptions in the novels were direct, personal, slang, and exaggerated, which made them better reflect the love life and people's way of thinking in ancient society.
What changes have happened to the love story in the vernacular version compared to the novels of the previous generation?
Compared with the novels of the previous generation, the love story in the vernacular version had the following changes: 1. The plot is more bizarre and exaggerated: The story in the story book is often full of imagination and exaggeration. The plot of the protagonist is often very bizarre, full of mystery and fantasy. Therefore, the love stories in the vernacular novels were often more fictional and fantastical than the real world. 2. The character image is more distinct: the characters in the story of the Huaben are very distinct. Each character has a unique personality and characteristics. Therefore, the characters in the love story in the vernacular version were often more three-dimensional and plump, with more realism and vitality. 3. The narrative style is more diverse: the narrative style of the Huaben is very diverse. It often uses a variety of artistic forms such as rap, opera, poetry, etc. Therefore, the narrative style of the love story in the Huaben is also very diverse.
Vernacular novels of vernacular novels
Vernacular novels are short stories written in modern Chinese. They are usually told in a humorous, relaxed, or ironic way. The language style is simple and clear, close to the lives of ordinary people, and has a certain degree of popularity. Vernacular novels first appeared in the 1920s, and with the development of the vernacular movement, they gradually became an important part of Chinese literature and culture. In China, vernacular novels are widely welcomed. Many famous writers have written vernacular novels, such as Lu Xun, Mao Dun, Lao She, etc. In the world, vernacular novels also had a certain influence. Many foreign writers had written vernacular novels such as Ye Shengtao and Zheng Zhenduo.
Illustrate the characteristics of the love description in the vernacular version
Huaben was a form of ancient literature. It was featured by concise words and compact plots. It often expressed the characters 'personalities and plots in an exaggerated and humorous way. The love descriptions in the novels also had some characteristics, including: 1. Exaggeration and humor: The description of love in the story is often exaggerated and humorous, such as using absurd and ironic language to describe the love psychology and actions of the characters or using exaggerated and ironic descriptions to portray the characters to make the plot more lively and interesting. 2. Short and concise: The language of the story book is often concise and only has dozens of sentences or even a few sentences. Therefore, it is necessary to use refined language and vivid description techniques to make the text more concise and easy to understand so that readers can better understand and feel the plot. 3. Direct expression: The love description in the story is often expressed directly. The author does not need to use too many rhetorical devices, but through direct description and dialogue to express the emotions and psychology of the characters, so that the readers can feel the emotions and power of love more deeply. 4. The characters of the male and female protagonists: The love descriptions in the story often highlight the personalities and characteristics of the male and female protagonists. They portray distinct characters such as the male protagonist's bravery, courage, gentleness, kindness, etc. These characteristics will be deeply imprinted in the readers 'hearts and affect the readers' understanding and evaluation of the story. 5. Strong emotions: The love descriptions in the story are often filled with strong emotions, romance, and passion. For example, the love between the male and female protagonists, the lovesickness, or the misunderstandings, quarrels, and reconciliation between them will make the readers feel the beauty and power of love.
Compared with the previous Chinese novels, what are the new features of the narrative art in The Scholars?
The Scholars was a long novel by Wu Weiye, a writer of the Ming Dynasty. Compared to the previous Chinese novels, it had the following new characteristics: Narrations from multiple perspectives The Scholars used a multi-perspective narrative method to show many aspects of the whole event through the perspectives of many characters, making the story more vivid, three-dimensional, complicated and easier for readers to understand. 2. Humorous narrative style The narrative style of The Scholars was humorous and full of sarcasm. The author used humorous language and plots to make the story more fascinating and easier for readers to accept and understand. Critical Narrations of Reality The Scholars was not only a novel, but also a literary work that criticized reality. Through the various plots and characters in the story, the author expressed his criticism of the feudal society and his thoughts on human nature. At the same time, he also called on the readers to pay attention to and reflect on the real social problems. 4. Focus on Character Creation The Scholars also took great care in shaping the characters. Through the perspectives of multiple characters, it showed their personalities, thoughts, emotions, and behaviors, making the characters more vivid, three-dimensional, and real, and also providing readers with a deeper emotional experience. To sum up, The Scholars had a multi-perspective narrative style, a humorous narrative style, a narrative theme that criticized reality, and a focus on character creation. These characteristics made The Scholars a classic in the history of Chinese literature.
Ancient vernacular novels
The ancient vernacular refers to a literary style that is relatively simple and easy to understand in language. It often appears in novels and folktales of the Qing Dynasty and the Republic of China. The characteristics of ancient vernacular novels were concise language and easy to understand words. They often used spoken words and expressions. The plot was also often more bizarre and full of imagination. Compared with modern Chinese literature, it paid more attention to the plot and the shaping of the characters. The representative works of ancient vernacular novels included Dream of the Red Chamber, Water Margins, Journey to the West, and so on. These works not only occupied an important position in the history of Chinese literature, but also had a far-reaching impact on the literary creation of later generations.
The peak of vernacular novels
The peak period of the vernacular novel was around the end of the 1980s and the beginning of the 1990s. At that time, a group of vernacular novels appeared, such as Wang Xiaobo, Chen Zhongshi, Mo Yan, etc. Their works were known for their oral and easy-to-understand language style, which made an important contribution to the development of Chinese literature at that time. The representative works of the vernacular novels of this period include Golden Age, Red Soroliang Family, Decryption, Alive, etc. These works have become the classics of Chinese literature with their profound ideology, unique literary style and outstanding performance, and have had a profound impact on the development of Chinese literature.
The classification of vernacular novels
Verbal novels are a traditional Chinese online novel that is usually published in a serial form on a website or magazine. There were many types of novels, including fantasy, science fiction, martial arts, history, fantasy, romance, urban, campus, pets, horror, suspense, and so on.
Compared to the love stories in the novels of the previous generation, what new changes had happened to the concept of love and the image of the characters?
Compared to the love stories in the novels of the previous generation, the love stories in the vernacular and the vernacular novels had new changes in the concept of love and the image of the characters! Huaben and Huaben were a form of ancient Chinese literature, usually presented in oral form, so the description of love stories was more direct, simple, and exaggerated. Compared to the love stories of the previous generation, the concept of love in the vernacular novels was more open, and the theme of free love was more diverse, such as love, marriage, loyalty, betrayal, desire, human nature, and so on. In the aspect of character image, the love characters in the vernacular version and the vernacular version were more three-dimensional, full of characters, more complex and diverse, such as heroism, romantic feelings, loyalty, love, betrayal, desire, etc. These characters were fully displayed in the vernacular version and the vernacular version. In terms of generation, the love stories in the vernacular novels and the vernacular novels were also different from the love stories in the novels of the previous generation. For example, in the Tang Dynasty's Song of Everlasting Sorrow, there was a scene where the love between a pair of lovers experienced a process from deep affection to mutual hatred and mutual harm. Such a plot did not appear in the vernacular and the vernacular. The love stories in the vernacular novels and the vernacular novels were more realistic and direct, while the love stories in the novels of the previous generation paid more attention to the performance of the characters and the plot.
Love history, vernacular novels, recommended reading
" Love History " was a vernacular novel compiled by Feng Menglong, a writer from the Ming Dynasty. This novel was a collection of love stories of the past dynasties, describing a tragic, tragic, and ghostly love story. It expressed the good wishes and pursuits of the people of Guangdong, praised the pure love between young men and women, and criticized the villains who played with beautiful love. To a certain extent, Love History reflected the reality of the society at that time and contributed to the development of later vernacular novels and opera creation. Although some of the content in the book advocated feudal ethics, karma, love, absurdity, grotesqueness, or filth, some of the plots were appropriately abridged in the process of translation into the vernacular. Therefore, if you are interested in vernacular novels, you can consider reading Love History.
What are the characteristics of Chinese vernacular novels?
Chinese vernacular novels often have vivid character portrayals. For example, in 'Journey to the West', the Monkey King is a very distinct character with his bravery and mischievousness. They also typically incorporate elements of Chinese culture, like traditional values and superstitions. And many of them are set in historical periods, which helps to show the social and cultural context of those times.