The Skill of Staggering in the Classic Chinese
Parting sentences in classical Chinese referred to dividing a sentence into several individual words and determining the position of these words. In classical Chinese, every word has an independent grammar function. Therefore, when breaking a sentence, you need to judge the position of the word according to these grammar functions. The following are some commonly used techniques for breaking sentences in classical Chinese: 1. Preposition of the object: The object will be broken in advance before the predicates. For example,"food, color also" where "food" and "color" are the objects, but they are broken in advance. 2. Attribute postposition: When an attribute is placed after the predicates, the attribute is placed postposition to break the sentence. For example,"I am telling you" where "you" is an attribute but it is followed by a sentence. 3. Omission of auxiliary words: When an auxiliary word is omitted in a sentence, it will cause the verb to lose its object or attribute, and the verb or attribute will be broken in advance. For example,"learning and practicing is also said" in which "time" is an auxiliary word, but it is broken in advance. The first four sentences: The first words that appear in a sentence are "Yue","Hu","Yu","Er","Zhi", etc. These words can be used as a reference for breaking sentences. For example,"Master's Dao is great!" 5. Different sentence patterns: There are many sentence patterns in classical Chinese, such as "Yu Hu","Zhi Hu","Yan Zai","Er Yi", etc. The position of these sentence patterns may also be different. The above are some commonly used techniques for breaking sentences in classical Chinese. However, it should be noted that breaking sentences needs to be judged according to the specific context.
The Skill of Staggering in the Classic Chinese
The skill of breaking sentences in classical Chinese refers to how to break sentences accurately in order to better understand the meaning of the article. The following are some commonly used terminologies: 1. In terms of word classes, there are many word classes in classical Chinese, such as pronoun, verb, adjective, adverb, etc., which can be used to break sentences. For example, the word " mountain river " could be split into two words," mountain " and " river "." River " could be split into " river " and " mountain " could not be split. 2. In terms of tone, the tone in classical Chinese is also an important symbol. You can break sentences according to the tone. For example, the tone of "say" is "flat tone","say" and "words" have the same tone, so "say" can be broken into "words". The tone of "say" is higher, so "words" can be broken into "words". The tone of "say" is lower, so "words" cannot be broken. 3. From the perspective of auxiliary words, some auxiliary words in classical Chinese can also be used as a sign of breaking sentences. For example, auxiliary words such as "de","di","de" could be broken after them, and prepositions such as "hu","yu","er","zhi" could also be broken after them. 4. From the point of view of the last sentence, the last sentence is also an important sign of the sentence. For example, the words 'desire',' he','bu', and' yan 'could be broken after that. It was important to note that one should try to ensure the integrity of the sentence when breaking it up. At the same time, he should first translate the unfamiliar classical Chinese before breaking down the sentences.
The Skill of Staggering in the Classic Chinese
The skill of breaking sentences in classical Chinese refers to how to break sentences accurately in order to better understand their meaning when reading classical Chinese. The following are some commonly used terminologies: The first word of a sentence: The first word of a sentence is usually the starting point of the sentence before the predicative verb. 2. Parsing auxiliary words: Parting sentences before auxiliary words such as "de","di","de", etc. 3. Emptiness words: before the empty words, such as "Hu","Yu","Er","Zhi","Ye","Yi","Yan","Er", etc. 4. Pronoun break: break sentences according to the position of the pronoun, such as "I","he","she","it","this","that", etc. 5. Sentence break of relative words: break sentences according to the position of relative words such as "yes","no","have","no","for","if", etc. 6. Paratactic sentences: Parating sentences before parallel words such as "not only","moreover","if","then", etc. 7 Turning point: Before the turning point, break the sentence such as "however","but","but not martial", etc. 8. Omitting sentences: In an omitted sentence, the sentence is broken according to the omitted part, such as "I am","Yu is","Yu is", etc. It was important to note that when breaking sentences, one needed to judge according to the specific context and sentence structure. At the same time, the phrasing of classical Chinese required a certain amount of grammar knowledge and corpus-analysis skills, which required constant practice and practice.
The Rule of Staggering in the Classic Chinese
The rule of breaking sentences in classical Chinese refers to dividing the syllables in a sentence into several parts and determining the relationship between these parts. Usually, there were several ways to break a sentence in classical Chinese: * The first word (subject) of a sentence is broken before the subject. * The first word in a sentence is broken after the subject. This is to separate the predicates and objects in the sentence after the subject. * Conjunction in a sentence: The conjunction in a sentence (such as "also","hu","yu","and","zhi","yi","yan","er","ze", etc.) is separated and broken in front of the conjunction. * Modal particles at the end of a sentence: the words in the sentence (such as "hu","yu","er","zhi","yi","yan","er","ze", etc.) are separated and broken after the words. It was important to note that when breaking sentences, one needed to judge which sentence breaking method was more appropriate according to the specific context and sentence composition. At the same time, he also had to pay attention to avoid making mistakes when breaking sentences so as not to affect his understanding.
classic Chinese classic
There are many Chinese classics, some of which are famous: Dream of the Red Chamber: A masterpiece in the history of Chinese literature, depicting the life of the Qing Dynasty aristocratic society and the growth of a woman. 2. Journey to the West: The story of Sun Wukong and the others who went to the Western Paradise is a classic mythical novel in the history of Chinese literature. 3. Water Margins: The story of the uprising of 108 righteous thieves is regarded as a heroic legend in the history of Chinese literature. Romance of the Three Kingdoms: It tells the historical story of the Three Kingdoms period, describing the political struggles between Wei, Shu and Wu, and the legendary stories of heroes. 5. The Scholars: It narrates the life stories of the Confucian scholars in the Qing Dynasty. It is regarded as a satirical novel that reveals the various drawbacks of feudal society. These are the famous Chinese classics. They not only have literary value but also contain profound historical, social and philosophical thinking.
classic Chinese classic
There are many Chinese classics. The following are some of the famous ones: Dream of the Red Chamber, a love story depicting Jia Baoyu and Lin Daiyu in the Qing Dynasty, is considered a classic in the history of Chinese literature. 2. Journey to the West-The story of Sun Wukong and the others helping Tang Sanzang go to the West to obtain Buddhist scriptures in the Ming Dynasty was adapted into various versions of books and movies. 3. Water Margins-The story of 108 righteous men in the Yuan Dynasty is considered one of the representative works of Chinese martial arts novels. Romance of the Three Kingdoms-Yuan Dynasty tells the historical story of the Three Kingdoms period, including many heroes and war scenes. Strange Tales from a Chinese Studio-The story of ghosts and immortals in the Qing Dynasty is regarded as one of the important landmarks in the history of Chinese novels. These are the representative works of Chinese classical masterpieces. They not only occupy an important position in the history of Chinese literature, but also make important contributions to world literature.
classic Chinese classic
There are many Chinese classics, some of which are famous: Dream of the Red Chamber-The Qing Dynasty described the lives of Jia Baoyu, Lin Daiyu and other characters in the Grand View Garden, as well as their love and family entanglements. 2. Water Margins-The Yuan Dynasty depicted the story of 108 rebel fighters in Liangshanpo and their struggle with the government. 3. Journey to the West-The Yuan Dynasty tells the story of Sun Wukong and others helping the Tang Monk to go to the West to obtain Buddhist scriptures, which includes many mythical and legendary elements. 4 Romance of the Three Kingdoms-Yuan Dynasty described the historical stories of the Three Kingdoms period, including many famous generals and war scenes. Water Margins and Journey to the West both have corresponding opera versions, the most famous of which is the Peking opera version of Dream of the Red Chamber. These Chinese classics not only occupied an important position in the history of Chinese literature, but also had a profound impact on world literature.
What are the characteristics of a master of skill in Chinese novels?
A master of skill in Chinese novels often has excellent storytelling ability. They can create engaging plots that keep readers hooked from start to finish.
On Vernacular Chinese and Classic Chinese
The vernacular and classical Chinese are two different forms of literary and literary reading, which have a long history in the history of Chinese culture. The classical Chinese was an ancient language used on the basis of Chinese. Its origin could be traced back to the pre-Qin period. It was the official language of ancient China. It was mainly used to record history, philosophy, literature, science and other aspects of knowledge. The characteristics of classical Chinese were that the grammar structure was rigorous, the words used were precise, and it had a certain sense of rhyme. Vernacular Chinese referred to modern Chinese, which was developed on the basis of classical Chinese. It was mainly used for daily communication and the publication of literary works. The characteristic of vernacular Chinese was that the grammar structure was relatively free, the words were easy to understand, the expression was concise and clear, and it had a strong oral expression ability. In literary works, classical Chinese and vernacular Chinese each had their own unique way of expression and charm. For example, many classic works in Chinese classical literature were written in classical Chinese, such as "Dream of the Red Chamber" and "Journey to the West". Modern literary works, such as novels, essays, and poems, used more vernacular.
Who can be considered a master of skill in Chinese novels?
One could consider Jin Yong as a master of skill in Chinese novels. His works are full of vivid characters, complex plots, and profound cultural connotations.
It was a classic sentence from a classic Chinese classic.
The following is a classic sentence from a classic Chinese classic: 1. The water is clear and there are no fish people. The water is cheap and invincible. The Wall of Mottos The rise and fall of the world is the responsibility of every man. Gu yanwu 3. A gentleman helps others to achieve good things, but does not help others to achieve evil things. The Analects of Confucius 4. A gentleman who walks in the sky should strive to improve himself. Book of Changes Humans die for wealth, birds die for food. Records of the Historian Do unto others what you would not have them do unto you. The Analects of Confucius 7. A gentleman speaks of righteousness and a villain speaks of profit. The Analects of Confucius 8. If love is deep, it will not live long. If wisdom is extreme, it will hurt. Dream of the Red Chamber I'm the fish on the chopping board. Romance of the Three Kingdoms If a workman wants to do his job well, he must first sharpen his tools. The Analects of Confucius