Who is the representative of official script?
Official script was an official script in the Han Dynasty. The representative characters were Cai Yong, Deng Shiru, and others. The official script was featured by beautiful strokes, smooth shapes, and a certain degree of decoration, so it was widely used in the Han Dynasty culture. In modern times, official script was regarded as a traditional art form of calligraphy and was widely used in culture, art, advertising and other fields.
2 representative works of official script and 2 representative works of seal script, characteristics and differences
Both official script and seal script were representative works of the writing style of Chinese characters. Official script was mainly popular in the Han Dynasty. It was the official document and calligraphy form of the Han Dynasty. The representative figures of the Han Dynasty calligrapher Cao Quanbei, Shimen Song, etc. The characteristic of official script was that the strokes were beautiful, graceful, and smooth. The writing style was beautiful, and the form was beautiful. It was mostly used for letters, regulations, inscriptions, and so on. Seal script was mainly popular in the Qin Dynasty and the Western Han Dynasty. It was the writing form of seals and currency. The representative figures were Li Si, Zhao Gao, Deng Ai, etc. The characteristic of seal script was that the strokes were square, hard, standard, and neat. It was mostly used for seals, stone inscriptions, history books, and so on. The main differences between official script and seal script were in writing style, stroke form, and writing tools. The elegant strokes of official script, smooth and beautiful in shape, were mostly used for letters, regulations, inscriptions, etc., while seal script, with its square and hard strokes, was mostly used for seals, inscriptions, history books, etc. In addition, the writing tools of official script and seal script were also different. Official script was usually written with a brush, while seal script was written with a pen or ballpoint pen.
What were the representative works of Wu Rui, the seal and official script calligrapher of the Yuan Dynasty?
The representative works of Wu Rui, a seal and official script calligrapher at the end of the Yuan Dynasty and the beginning of the Ming Dynasty, included: [1. Mysterious Secret Pagoda Stele: This is one of Wu Rui's most famous works and also the most complete one of Wu Rui's seal inscriptions.] The stele is about 27 meters high and 12 meters wide. It was carved in 1368 and is one of the representative works of the Yuan Dynasty. 2 Dongli Yuefu Stele: This is the stele inscribed by Wu Rui for the Yuan Qu Dongli Yuefu. The stele is about 18 meters high and 12 meters wide. It was carved in 1367. The inscription was written in Xingkai script, which was one of the representative works of Wu Rui's official script. 3."Ode to Coral": This is the full text of the Fu written by Wu Rui for the Yuan Qu "Red Whisk". It is about 500 words long and was engraved in 1366. The standard and rigorous structure of the font of this work reflected Wu Rui's skill in seal script and official script. 4. Preface to the Holy Church: This is a preface written by Wu Rui for the Buddhist classic Daji Sutra. The preface is about 400 words long and was engraved in 1364. The structure of this work was standard and the beautiful handwriting reflected Wu Rui's standard of seal script and official script calligraphy. The above is one of Wu Rui's representative works. Other works include "Dongli Yuefu Zan" and "Dongli Yuefu Ji".
Official script calligraphy
Official script calligraphy was a type of Chinese calligraphy with unique characteristics and styles. The font of the official script is flat and square. The font is flat and develops in the horizontal direction. The main point of writing official script is to start writing silkworm head and finish writing goose tail. The origin of official script could be traced back to the Qin Dynasty, and it reached its peak in the Han Dynasty. In the Eastern Han Dynasty, Han Li had the secular aesthetic characteristics of craftsmanship and beauty. The representative works of official script include Zhang Qian's Stele and Cao Quan's Stele. Official script, as a style of calligraphy, had an important influence on calligraphy in later generations. Official script had extremely high artistic value and was widely collected and appreciated.
Official script works
There were many kinds of official script works, such as Shi Chen Stele in the late Eastern Han Dynasty, which showed the relatively mature and standardized characteristics of official script and was one of the iconic works of Han Li style. There were also works such as Zhang Qian Stele, Zhang Jing Stele, Yang Huai Biaoji, etc. In addition, there were some official script works of calligraphers, such as Zhang Xuling's official script works. Some calligraphy exhibition would also display many official script works, such as the works of contemporary official script calligraphers. "Warrior Sage!" The novel is equally exciting. Everyone is welcome to click and read it!
Regular script, official script, cursive script... The problem! Anxious!
Alright, I'll try my best to answer your questions. Do you have any questions about regular script, official script, and cursive script that you need me to answer?
Is the Han Dynasty official script or small seal script
The Han Dynasty used official script.
The official script of the last word
There were many different calligraphers who wrote the word "Wei" in official script, such as Shen Du, Ren Zheng, Lai Chusheng, Liang Shengqing, Li Longji, Deng Shiru, and other calligraphers who wrote the word "Wei". Moreover, there was also the official script writing method of the word "Wei" in the copybooks such as "Cao Quan Stele". These different writing methods reflected the uniqueness of the official script strokes in different calligraphers, such as the differences in the starting, running, closing, and overall shape of the strokes. " Her Shenzhen-Writing the Future " is equally exciting. Everyone is welcome to click and read it!
Ancient Official Script Relics
The following are some ancient official script relics: 1. ** Cao Quan Stele **: Engraved in October of the second year of Zhongping (185 years) of Emperor Ling of the Eastern Han Dynasty. It was discovered in Shenli Village, Heyang, in the early years of Wanli of the Ming Dynasty. There are more than 1165 words in the whole stele. There are many distinguishable words and the strokes are clear and natural. The tomb owner Cao Quan, also known as Jingwan, once served as the order of He Yang. This stele is also known as the Stele of Cao Quan of He Yang Order of Han Dynasty and the Stele of Cao Jingwan. This monument recorded Cao Quan's life in detail, including his achievements in quelling the rebellion, pacifying the peasant uprising, repairing the city, and so on. Mr. Qigong, a contemporary calligrapher, praised it as "the stippling and painting are deep and vigorous, far superior to the so-called majestic Kong Zhou Stele." The epiphany scholar Yang Shoujing also had a high evaluation of it. Its artistic value in the past dynasties was high and there were many people who learned it. 2. ** Piyong Stele **: also known as the "Emperor's Three Lives Piyong Stele", without the name of the author, now located in Luoyang, Henan Province, Yibin District Dianzhuang Town East Suburb Village. It was unearthed in 1931 in the north of Dongdajiao Village, in the ruins of the Western Jin Imperial College built in the 29th year of the fifth year of Jianwu of the Eastern Han Dynasty. It was later erected in the village. The name of the stele was in seal script, and the main text was in official script. It was carved in the year 278 of the fourth year of Xianning of the Jin Dynasty. It recorded the deeds of Emperor Wu of the Jin Dynasty, Sima Yan, and the Crown Prince, Sima Zhong, who personally visited the Imperial College. The stele was 322 cm high, 110 cm wide and 30 cm thick. The front and sides of the stele were carved with dragon patterns. The pedestal of the stele was engraved with eight portraits of Confucius and his disciples. The inscription on the top of the stele was "Ode to the Great Jin Dynasty's Longxing Emperor's Three Visits to Piyong Emperor's Eldest Son and His Second Arrival to Shengde Longxi". There were 30 lines on the stele, each line was 55 words. It recorded the establishment of the Imperial College by Sima Yan, Emperor Wu of the Jin Dynasty, and the visit of the Crown Prince Sima Zhong. It also recounted the history of the Western Jin Dynasty and praised Sima Yan's talent. On the back of the stele were the names of more than 400 officials, teachers, and students. 3. [Xianyu Huang Stele]: The rubbings of the whole stele were found in Lancheng Village, Gaocun Town, Wuqing County, Tianjin City. A farmer discovered it when he was plowing the ground. After identifying it as Xianyu Huang Stele, it was transferred to the Tianjin City Museum. The content was to praise Xianyu Huang's 'feats.' His calligraphy was of an extremely high standard, with a square brush as the main focus. The strokes were exquisite, thick and dignified, and reserved and calm. The simple and vigorous strokes and the words were extremely varied. Its artistic value was comparable to Zhang Qian's Stele. Mr. Teng Xiqi, a famous official script master of the Calligraphy Association, commented that the handwriting of this stele was clear, the mouth of the characters was intact, the shape of the characters was white and symmetrical, the structure was dignified and flat, dense and neat, and the characters were mostly written in square strokes. The strokes were straight and thick, the strokes were rich and dignified, the style was grand, simple and magnificent. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Liu Gongquan's Representative Regular Script
Liu Gongquan's representative works in regular script included the Diamond Sutra Stele, the Bell Tower Inscription, the Feng Su Stele, the Quiet Sutra, the Mysterious Secret Tower Stele, and the God's Will Army Stele.
The representative works of the four masters of regular script
The representative works of the four masters of regular script were Ouyang Xun's " Nine-percent Palace Liquan Inscription ", Yan Zhenqing's " Yan Qinli Stele "," Yan Family Temple Stele "," Pagoda Stele ", and " Magu Immortal Altar Record ", Liu Gongquan's " Mysterious Secret Pagoda Stele " and " God's Will Army Stele ", and Zhao Mengfu's " Three Gates Record of Xuanmiao Temple Rebuilding ".