Translated from the Biography of Wang Xizhi in the Book of Jin
The Biography of Wang Xizhi in the Book of Jin was a historical biography of ancient China that described Wang Xizhi's legendary life and calligraphy achievements. The following is the full translation: Wang Xizhi (303 - 361) was a calligrapher, painter, and writer of the Eastern Jin Dynasty. He was known as the "Book Saint". Wang Xizhi was born in the Taiyuan period of Emperor Xiaowu of the Jin Dynasty (371 - 378). He was born into a calligraphy family. His father, Wang Ji, was a famous calligrapher, and his brother, Wang Ning, was a painter. He himself had been influenced by calligraphy and painting since he was young. When Wang Xizhi was young, he showed his talent and held an official position in Luoyang, where he became the leader of the calligraphy world. His calligraphy style was unique, combining official script, regular script, running script, cursive script and other styles. He was known as the "Calligraphy Saint" and had a profound impact on the development of calligraphy in later generations. Wang Xizhi not only had profound attainments in calligraphy, but also in literature and poetry. His poetry style was fresh and natural, expressing his views on life, nature and society. Wang Xizhi had experienced many political and war upheavals in his life, but he always maintained an optimistic attitude and actively faced the difficulties and challenges in life. His artistic achievements and charisma made him one of the most outstanding cultural figures in Chinese history.
How did the Biography of Wang Xizhi of the Jin Dynasty be evaluated by people at that time? How did the Biography of Wang Xizhi of the Jin Dynasty be evaluated by people at that time?
The Book of Jin was a biography written by Wang Xizhi, a writer of the Jin Dynasty. It recorded Wang Xizhi's life and deeds. At that time, people had a very high opinion of Wang Xizhi. Wang Xizhi was one of the most outstanding figures in the calligraphy world of the Jin Dynasty. His calligraphy style was unique and had a profound influence. He was known as the "Calligraphy Saint". The Book of Jin commented that Wang Xizhi was a man of both talent and moral character. Wang Xizhi was not only an outstanding calligrapher, but also a cultural celebrity. He had in-depth research and unique insights into literature, philosophy, history, and other aspects. In addition, the Book of Jin also evaluated Wang Xizhi's moral character as "simple, elegant, true and natural" and thought that he was a gentle and noble person. Wang Xizhi's life not only left behind excellent calligraphy works, but also left a profound cultural influence. He was one of the representatives of the cultural celebrities at that time.
Calligrapher Wang Xizhi
Wang Xizhi's representative works include Preface to the Orchid Pavilion, Two Xie Tie, Mourning Tie, Huang Ting Jing, Yue Yi Lun, Seventeen Tie, and First Moon Tie. Among them, the Preface to the Orchid Pavilion was known as the " world's first semi-cursive script ". It had strong artistic features, natural composition, and vivid charm. It was regarded as a model for learning semi-cursive by scholars in the past. The Second Letter of Thanks and the Mourning Invitation were also his important works. Wang Xizhi's calligraphy works were widely circulated. Although there were no original works, there were about 288 copies of them.
Wang Xizhi's Calligraphy
Wang Xizhi was a famous calligrapher in China. He left behind many works that were handed down from generation to generation. Among them, his representative works included Preface to the Orchid Pavilion, Seventeen Calligraphy, and Post-Rain Calligraphy. His calligraphy works had a variety of styles, including regular script, running script, cursive script, and so on. His calligraphy technique was unique, his words were majestic, and his strokes were vigorous. His works were called classics in the calligraphy world by later generations and were widely collected and studied. Wang Xizhi's calligraphy works had artistic features, natural structure and vivid charm. His cursive script work, Seventeen Calligraphy, was regarded as one of his representative works. Generally speaking, Wang Xizhi's calligraphy was a treasure in the history of Chinese calligraphy, which showed his talent and artistic attainments.
Wang Xizhi's Masterpiece
Wang Xizhi (303 - 361) was a calligrapher, painter, and writer of the Eastern Jin Dynasty. He was regarded as one of the great masters of Chinese calligraphy. One of Wang Xizhi's masterpieces was the Preface to the Orchid Pavilion Collection, which was regarded as a classic in the history of Chinese calligraphy. This article depicted Wang Xizhi and his friends enjoying the scenery and drinking among the mountains and rivers near the Orchid Pavilion during the Eastern Jin Dynasty. It expressed the author's open-mindedness and love for nature. The structure of this essay was exquisite, and the style of writing was elegant. It was one of Wang Xizhi's representative works and also a classic in the history of Chinese calligraphy.
Translated from Biography of the Yuan Dynasty, Chapter 23
Biography 23 was a biography in the History of the Yuan Dynasty that recorded some famous figures during the Mongol Empire. The following is the translation of this biography: Chapter 23 buha Buha word Bayan real gold brother. The real gold died early, and Buha succeeded to the throne and was praised for his talent. At the beginning, Buha, the lost territory of the Jin Dynasty, pretended to be arrogant and thought that he was the only strong person in the world, so he sent troops to attack North Korea and defeated it. He also attacked the city of Song and surrendered it without success. The following year, he attacked Liao and defeated Liao in Yanjing. A few years later, the Jin Dynasty defeated Buha and fled to Yan. The king of Yan was very happy to see Buha and liked him as a counselor. He persuaded him to take advantage of the situation and began to pacify Yanjing. The following year, he attacked Song and surrendered 47 cities to Bianjing. He also attacked Liao and defeated Liao in Tokyo. More than a year later, he entered the State of Song. The people of the State of Song were very happy and respected him as a wise man. He died two years later at the age of fifty-four. He was given the posthumous title of Taifu Wu Lie. His son Xianzu inherited the throne and was also very wise and famous for his military exploits at that time.
Translated from the Biography of Xunli in the Northern Qi Dynasty
The translation of the Biography of Official Records of the Northern Qi Dynasty was an article about Meng Ye. Meng Ye was from the An Kingdom of Julu. His family was poor and he had been an official in the state when he was young. He was incorruptible and cautious, rejecting the bribes of his colleagues who had stolen the silk from the government. Later on, Wang Shao of Pengcheng was appointed as the governor of Dingzhou, and Meng Ye was appointed as the official in charge of signing. " I'm outside the government, and you're inside. Let's work together. I hope we can succeed!" Liu Renzhi said to Meng Ye. After Liu Renzhi left, he recommended Meng Ye to Wang Shao of Pengcheng and told him that others could not be trusted. Meng Ye only had one horse and died because he was weak. Because Meng Ye's family was poor, Shao ordered the state officials to eat horse meat with him, hoping to compensate him, but Meng Ye firmly refused. Shao jokingly called him " invited celebrities." Meng Ye replied," I serve you with a small amount of strength. Since I can't help you, I'd rather damage the breeze." Later, Gaozu praised Meng Ye's ability in a letter and suggested that Shao put him in an important position. After Liu Renzhi left, he said to Cui Xian of the Ministry of Personnel," Only Meng Ye is from Guizhou. He should be promoted. The others cannot be trusted." The translation of the Northern Qi Scriptures did not mention the specific content.
Translated from the 79th Biography of the History of the Song Dynasty
The 79th biography of the History of the Song Dynasty was a biography of officials and generals of the Song Dynasty. It mainly described some important events and figures in the early years of the Song Dynasty. The following is the translation of Biography 79: Biography of Song Dynasty Officials Zhao Puchuan Zhao Pu word uncle to the early years of the Song Dynasty people. At the beginning, he served as Jingdong Secretary Gong to join the army with Song Jiang Uprising and was promoted to Zhizhou. After Song Jiang's rebellion was quelled, Zhao Pu had once helped Song Jiang govern the Jiangnan area and was deeply trusted by the local people. Later on, Song Jiang, Lu Junyi, and the others rebelled against Song Zhaopu, who successively served as the Jiankang prefect, Jiangzhou Zhizhou, and Hangzhou Zhizhou. After the fall of the Song Dynasty, Zhao Pu was granted the title of Grand Tutor by Zhao Gou and continued to serve as an official until his death. Zhao Pu was good at governing the people at that time and was very grateful to him. He was an upright, loyal, and reliable man who was deeply respected and trusted by the people. His political talent and military experience made important contributions to the establishment and stability of the Song Dynasty.
Wang Xizhi eats Five Stones Powder
Wang Xizhi was a famous calligrapher. According to historical records, he had once taken Five Stones Powder. Five Stones Powder was a type of medicine that was made from five medicinal stones and ten Chinese medicinal herbs. However, long-term consumption of Wu Shi San had caused great harm to Wang Xizhi's body, causing his health to deteriorate in his later years. He mentioned his illness many times in the letter, including chest tightness, retching, indigestion, abdominal pain and other symptoms. Although Wang Xizhi had spent his later years in illness, he still insisted on calligraphy creation. He combined his understanding of life with his pursuit of art and created many outstanding works. Therefore, it could be said that Wang Xizhi's consumption of Wu Shi San had a negative impact on his health.
Wang Xizhi's Preface to the Orchid Pavilion?
Wang Xizhi's Preface to the Orchid Pavilion Collection was the most famous calligraphy work in ancient China and was regarded as a classic in the history of Chinese calligraphy. The full text was as follows: Lanting collection Wang xizhi If you leave, you stay. Since there is such a thing, we should take it as it is. The joy where tonight is It's a good night for me to go home. There are high mountains here The flowing water gurgled. There is a pavilion with wings in the left-right It is the best thing that we admire. For those who wait for others This is why I miss my parents. For those who wait for things This is what I want to do. Wandering in the sky The nurse was with the patient day and night Like a bird I'm very content. parting words Thank you for your kindness. the occasion of his departure walk on thin ice facing the wind, I look far away. Though we are small It's not enough to drink the winding water I can't compare with you. But with words of faith I hope you will be kind to me If you think well of him, you should encourage him. The pavilion is gone The princes did not stay. This place is a farewell Never forget. I'm so lucky Singing to express my feelings.
Wang Xizhi's introduction? 's work?
Wang Xizhi (303 - 361) was a calligrapher, painter, and writer in the Eastern Jin Dynasty. He was also an outstanding figure in the history of Chinese calligraphy. Wang Xizhi was born in an official family and received strict education and training since childhood. He liked calligraphy and practiced regular script since he was young. Later, he gradually turned to running script, cursive script, and official script. Wang Xizhi's calligraphy works had a unique style. The strokes were smooth and graceful, which left a deep impression on people. One of Wang Xizhi's most famous works was the Preface to the Orchid Pavilion, which was regarded as a classic in the history of Chinese calligraphy. The Preface to the Orchid Pavilion was a preface written by Wang Xizhi in the third year of Yonghe of the Eastern Jin Dynasty (343). It described the poet's admiration for nature and blessings to his friends, as well as the author's outlook on life and values. This essay, with extremely concise and beautiful words, expressed the essence of Wang Xizhi's calligraphy art and became a classic work in the history of Chinese calligraphy. Other than the Preface to the Orchid Pavilion, Wang Xizhi's other calligraphy works were also outstanding, such as the Nine-fold Palace Liquan Inscription and the Mysterious Secret Pagoda Stele. They were all treasures in the history of Chinese calligraphy.