It was difficult to determine whether there was a special relationship between Yang Guifei and Li Bai. In literary works, the relationship between characters was often fictional. The characters 'personalities and story plots could be expressed by describing their feelings, friendship, love, etc. The special relationship between Yang Guifei and Li Bai might exist in some novels, but not everyone believed that such a relationship really existed between them. In fact, there was not enough historical and archaeological evidence to prove the specific situation between them. Therefore, whether there was a special relationship between Yang Guifei and Li Bai required a concrete analysis of the specific situation and could not simply give a positive or negative answer.
The relationship between Yang Guifei and Li Shimin was twofold. Yang Guifei was both Li Shimin's granddaughter-in-law and his great-grandson's daughter-in-law. At first, Yang Guifei was the wife of Emperor Xuanzong's son, King Shou. Because of her beauty, she became Emperor Xuanzong's concubine. According to the information provided, Noble Consort Yang's background was rather complicated. She was born into an aristocratic family of officials and was once conferred the title of Princess Shou. However, due to the death of Emperor Xuanzong's mother, Concubine Wu Hui, Emperor Xuanzong became interested in the beauty of Concubine Yang and married her as his concubine. Therefore, after Emperor Xuanzong of the Tang Dynasty deposed Empress Wang, Yang Guifei was equivalent to an empress. In short, Yang Guifei was Li Shimin's great-great-granddaughter-in-law and later became his great-grandson's daughter-in-law.
There was no special relationship between Li Bai and Yang Guifei. In the novel, it might be possible to portray Li Bai's admiration for Yang Guifei or that the two of them had some kind of agreement or fate, but these were all fictional plots and had no historical evidence. In fact, there was no special relationship between Li Bai and Yang Guifei.
Li Bai was active during the Tang Dynasty, while Wu Zetian and Yang Guifei were active during different periods. Therefore, Li Bai was not active during the period of Wu Zetian, nor was he active during the period of Yang Guifei.
Li Bai was active during the Tang Dynasty, while Wu Zetian and Yang Guifei were active during different periods. Therefore, Li Bai was not in the era of Wu Zetian, nor was he in the era of Yang Guifei. To be specific, Li Bai was active during the Tang Dynasty's prosperous period, while Wu Zetian and Yang Guifei were active during the early Tang Dynasty and the prosperous period. Therefore, Li Bai, Wu Zetian, and Yang Guifei had no direct relationship with each other.
The relationship between Yang Guifei and her sisters could be described as close and mutual support. After Yang Guifei was favored by Tang Xuanzong, she missed her sisters and asked Tang Xuanzong to welcome Lady Guo and Yang Guifei's other two sisters into the capital. Emperor Xuanzong of the Tang Dynasty called Yang Guifei's three sisters aunts and gave them houses. In the early years of Tianbao, they were named Lady Guo, Lady Korea and Lady Qin respectively. The sisters enjoyed high positions and honor in the palace, and together with Noble Consort Yang, they were favored and favored by the Emperor. This showed that Yang Guifei and her sisters had a close relationship and supported and helped each other.
The three poems that Li Bai praised Yang Guifei were "Three Songs of Qing Ping Diao." These three poems used the peony flower as a metaphor to describe Yang Guifei's beauty to the extreme. The first poem described Noble Consort Yang's clothes as rosy as clouds, her appearance as beautiful as a peony, the spring breeze blowing over her body, and the dewdrops nourishing her. In the second poem, Li Bai compared Yang Guifei to a red peony, describing her heartbreaking beauty. He asked if there was anyone in the Han Palace who could be compared to Yang Guifei. Even Flying Sparrow Zhao had to dress up carefully to be compared to her. In the third poem, Li Bai compared Yang Guifei to a famous flower, winning the king's smile. Through metaphor, personification, and imagination, these poems showed Yang Guifei's peerless beauty from different angles.
The love story between Yang Guifei and Li Longji has many different versions in literary works. The following are some of the common versions: Song of Everlasting Sorrow: Bai Juyi's long narrative poem of the Tang Dynasty described the love and power struggle between Emperor Xuanzong of the Tang Dynasty and Yang Guifei. It also described the complex emotional relationship between Yang Guifei and Li Longji and the love-hate entanglement between them. 2. Biography of Yang Guifei in the New Book of Tang Dynasty: This was an official history book of the Tang Dynasty that recorded Yang Guifei's personal experience and love story with Li Longji. It described their mutual love and support, as well as their power struggle and the final tragic outcome. 3 " Ci of Daming Palace ": The long narrative of the famous poet Bai Juyi of the Tang Dynasty mainly narrates the love story of Emperor Ming of the Tang Dynasty, Li Longji, and Yang Guifei. It describes their mutual love and emotional entanglement, as well as their power struggle and the final tragic ending. 4." Palace Heart Locking Jade ": A famous modern story about the love story between Emperor Ming of the Tang Dynasty, Li Longji, and Yang Guifei. It described their mutual love and emotional entanglement, as well as their power struggle and the final tragic ending. The love story between Yang Guifei and Li Longji in these literary works was the main line. Through different plots and angles, they showed their feelings, power and tragic ending, which enriched people's understanding of the history and culture of the Tang Dynasty.
The reason why Li Bai liked to drink when he was writing poems might be that he loved wine as much as his life, or it might be that he needed to relax his body and mind through drinking to better devote himself to writing. It was said that Li Bai had been punished for misjudging the situation because of excessive drinking. However, Li Bai's poems also had many chapters that described drinking, such as "Going to Drink" and "Lushan Ballad". There were not many specific historical records about the story between Li Bai and Yang Guifei. However, Li Bai was a famous poet of the Tang Dynasty. There might be some cultural connection between him and Yang Guifei. Li Bai had once described his love story with Yang Guifei in the Song of Everlasting Sorrow, and Yang Guifei had once praised Li Bai's poems. However, the authenticity of these stories could not be determined and could only be used as a reference for the plot of the novel.
Xu Yang and Bai Lian Xue were master and disciple. Bai Lian Xue was Xu Yang's first disciple, and Xu Yang valued her very much. The relationship between the two of them surpassed the relationship between disciples. Bai Lian Xue wasn't even willing to break through and ascend because she wanted to wait for Xu Yang to ascend together with her to help her master break through. In the end, Xu Yang even revived Bai Lianxue. Therefore, it could be said that they were master and disciple.
Pei Min and Li Bai were master and disciple. Li Bai admired Pei Min's character and talent and decided to take him as his teacher. Li Bai learned swordsmanship from Pei Min and asked him about literature. In this process, the two of them established a deep master-disciple relationship. Pei Min was Li Bai's swordsmanship instructor and had a great influence on Li Bai's swordsmanship. Li Bai inherited Pei Min's swordsmanship and became the second best swordsman in the Great Tang.