In Buddhism, the old lady Da Hua was a fictional character that appeared in some novels, movies, television dramas, and other works. She was usually described as a rich, compassionate, and intelligent old lady with strong Buddhist beliefs and cultivation experience. The image of the old lady may have originated from some famous figures in Indian Buddhism, such as Empress Gita of Gion Temple, Alodo of Bamboo Forest Temple, and so on. These characters all had their own unique stories and backgrounds, and the old lady might be an interpretation or extension of these characters. It is important to note that Buddhist concepts and characters are not applicable to all cultures and backgrounds, so there may be misunderstandings or confusion in some works.
Lady Nine was a novel written by A Pillow Under the Mountain Moon. The story was about the heroine, Xiao Yunmu, who had transmigrated into a melodramatic novel and became a vicious supporting actress. She had planned to live a Buddhist life and not cause trouble or be provoked by others, but she had unexpectedly attracted the attention of the male lead, Sheng Jingnian. Sheng Jingnian was a cold and black-bellied male lead. He was unwilling to break off the engagement and began to pursue Xiao Yunmu. Xiao Yunmu decided to give her a taste of her own medicine and launched a series of counterattacks. The plot of this novel was full of ups and downs, and it was very exciting. It was an excellent urban romance novel.
The old lady in the first episode was Fan Xian's grandmother, Fan Jian's mother. She played an important role in the play. Although she wasn't very close to Fan Xian at first, she was actually a shrewd and scheming person. In the play, she showed that she knew all the scheming and treacherous things like the back of her hand. After Fan Xian discovered that the food was poisoned, she decisively took action to protect Fan Xian's safety. There were also some unknown sides to her background. It was said that she was the empress dowager of the Qing Kingdom and had a special relationship with the Qing Emperor and Fan Jian.
I don't know who the old lady Slovick was without more details. She could be an ordinary woman from a particular community.
The red spider lilies mentioned by Buddhists usually referred to a flower called "Manjusaka". In Buddhism, the Flower of the Other Shore was described as an extremely beautiful and spiritual flower. Its fragrance could awaken the souls of the dead. Manjusaka was a type of red or pink flower. The flower usually had five petals with long, thin spikes on the petals. According to Buddhist legends, Manjusaka was the place where the souls of the dead lived. When the souls reached liberation, they would come to the other side of Manjusaka, and Manjusaka was the beautiful flower that bloomed in their souls. In Buddhism, Manjusaka was regarded as an extremely sacred flower, used to symbolize the souls of the dead, representing release and transcendence. In Buddhism, people usually pursued the transcendence and release of the soul in cultivation, and Manjusaka was one of the important ways of cultivation. It should be noted that in Buddhist legends, Manjusaka was not a real plant but a symbolic flower. Its specific shape and characteristics were also different from those of real plants.
In the last year of Qing, old lady Fan was Fan Xian's grandmother, the mother of Fan Jian, the assistant minister of the Ministry of Revenue. She played an important role in the play and was the only one trusted by the Qing Emperor. She also contributed to the rise of the Qing Kingdom. In the play, old lady Fan showed her intelligence, shrewdness, and kindness. She had deep feelings for Fan Xian. She was not a simple woman, she had a special background and identity.
In the last year of Qing, old lady Fan was Fan Xian's grandmother, the mother of Fan Jian, the assistant minister of the Ministry of Revenue. She played an important role in the play and was the only one trusted by the Qing Emperor. She also contributed to the rise of the Qing Kingdom. In the play, old lady Fan showed her intelligence, shrewdness, and kindness. She had deep feelings for Fan Xian. She was a true grandson doting demon with schemes and wisdom. She was the Qing Emperor's wet nurse. She had an iron background and great wisdom, so she could do whatever she wanted outside the Qing Emperor's authority. Old Lady Fan's role in the play had left a deep impression. Her appearance was not groundless, but she played a very important role.
In the last year of Qing, old lady Fan was Fan Xian's grandmother, the mother of Fan Jian, the assistant minister of the Ministry of Revenue. She played an important role in the play and was the only one trusted by the Qing Emperor. She also contributed to the rise of the Qing Kingdom. In the play, old lady Fan showed her intelligence, shrewdness, and kindness. She had deep feelings for Fan Xian.
In the last year of Qing, old lady Fan was Fan Xian's grandmother, the mother of Fan Jian, the assistant minister of the Ministry of Revenue. She played an important role in the play and was the only one trusted by the Qing Emperor. She also contributed to the rise of the Qing Kingdom. In the play, old lady Fan showed her intelligence, shrewdness, and kindness. She had deep feelings for Fan Xian. Old Lady Fan's background was the Qing Emperor's wet nurse, so she had a special status and power in the Qing Kingdom.
Cao Cuifen was playing the role of the old lady Fan in the year of celebration. She was Fan Xian's grandmother, the mother of Fan Jian, the assistant minister of the Ministry of Revenue. She played an important role in the play and was the only one trusted by the Qing Emperor. She also played a key role in the Qing Kingdom. Old Lady Fan was an old woman with wisdom and background. She was the Qing Emperor's wet nurse and had a very high status. She had displayed her intelligence and decisiveness in the play and had deep feelings for Fan Xian. Although she seemed distant from Fan Xian on the surface, she was actually very concerned and protective of him. Old Lady Fan's background and status allowed her to do whatever she wanted within the boundaries of Qing Kingdom's power.
Cao Cuifen was playing the role of the old lady Fan in the year of celebration. She was Fan Xian's grandmother, the mother of Fan Jian, the assistant minister of the Ministry of Revenue. She played an important role in the play and was the only one trusted by the Qing Emperor. She also played a key role in the Qing Kingdom. Old Lady Fan was an old woman with wisdom and background. She was the Qing Emperor's wet nurse and had taken care of the Qing Emperor since he was young, so she had a special place in the Qing Emperor's heart. She showed a side of her that had endured for many years in the drama. At the same time, she was also a ruthless and calculative character.