Why Shen Congwen turned to the study of historical relics
In the 1930s, Shen Congwen began to turn to the study of historical relics because he realized that literary works had limitations in describing and understanding history and culture. Through studying ancient relics, he learned about the true face of ancient Chinese society and the changes in historical culture, thus gaining a deeper understanding of Chinese history and culture. Shen Congwen believed that literary works often only showed the tip of the iceberg of history and culture, while historical relics could reveal a deeper meaning and meaning. Therefore, he began to conduct in-depth research on historical relics and wrote a series of papers and works on ancient Chinese relics, including "Research on Ancient Chinese Costume" and "History of Chinese Painting". Through the study of historical relics, Shen Congwen not only gained a deeper understanding of ancient Chinese culture and history, but also integrated it into his own literary creation. Many of his works, such as Border Town and Longxu Gully, contained deep thoughts and understanding of ancient Chinese society and culture, and became classics in the history of Chinese literature.
The Study of Rain in Shen Congwen's Fictions
Shen Congwen's novels often depicted rainwater, and the theme and symbolic meaning were reflected in different works. Rain was depicted as a beautiful and mysterious natural phenomenon, representing the cycle of life and the power of nature. At the same time, rain was also seen as a pure spiritual power that could cleanse people's hearts. In Spring Silkworm, rainwater was given a special symbolic meaning. Shen Congwen believed that the rain represented a woman's strength and purity. It was a selfless dedication. In the novel, the spring silkworms continuously offered their silk threads in order to complete their mission, and the rain nourished them so that they could continue to grow and produce silk. Shen Congwen believed that rain was a very beautiful and mysterious natural phenomenon, representing the power of life and nature. Through the description of the novel, he gave the rain as a pure spiritual power with a special symbolic meaning, thus enriching the content and expression of the novel.
The Study of Xiangxi World in Shen Congwen's Fictions
Shen Congwen's novel, Border Town, depicted a mysterious and beautiful world of Xiangxi, where different ethnic minorities lived with picturesque scenery and unique customs. The study of the world of Xiangxi can be started from the following aspects: Natural environment: The Xiangxi world in Shen Congwen's novel is a beautiful and mysterious natural environment, including mountains, rivers, forests, swamps, lakes, etc. Through the description of these natural elements, one could have a deeper understanding of the natural scenery and ecological environment of Xiangxi. 2. National culture: There are many ethnic minorities living in Xiangxi, including Miao, Yao, Zhuang, Li, Dong, Tujia, etc. The culture of these ethnic groups was unique and rich, including traditional crafts, music, dance, language, and beliefs. Through the exploration of these cultures, we can better understand the ethnic culture and history of Xiangxi. 3. economic development: The Xiangxi world in Shen Congwen's novel is a poor and backward area. However, the author also shows some unique economic models in the novel, such as the silverware industry of the Miao nationality and the crafts of the Dong nationality. Through the study of these economic models, we can better understand the economic development situation and characteristics of Xiangxi. 4. social class and cultural identity: The world of Xiangxi in Shen Congwen's novels is a multiculturalized society. All kinds of people have their own culture and identity. Through the exploration of these social classes and cultural identities, we can better understand the social structure and cultural identity of Xiangxi. The Xiangxi world in Shen Congwen's novel is a mysterious and beautiful place. Through the study of this place, we can better understand the traditional Chinese culture and minority culture, and at the same time, we can deepen people's understanding of the natural environment and economic development.
Why didn't Shen Congwen write novels and then turn to the study of ancient Chinese clothing?
Shen Congwen was a famous Chinese author who had written many excellent novels and prose works, but he gradually gave up literature and turned to the study of ancient Chinese clothing. As far as I know, the reason why Shen Congwen gave up literary creation was mainly because his creative ideas were influenced by some modern literary trends, such as realism and post-realism. These trends emphasized the importance of form and technique, while ignoring the expression of content and emotion. In contrast, the study of ancient Chinese clothing paid more attention to the content and emotion. It needed to deeply excavate and express the meaning of Chinese traditional culture and history. In addition, Shen Congwen also felt that his talent in literary creation was not outstanding enough to be qualified for higher creative positions and higher-intensity creative work. The study of ancient Chinese clothing could allow him to focus on a field that he was good at and better display his talent and creativity. In short, Shen Congwen gave up literary creation and turned to the study of ancient Chinese clothing out of consideration for his own talent and creative ideas, but also to better play his talent and realize his academic aspirations.
Why was Shen Congwen called a stylist?
Shen Congwen was a well-known Chinese scholar known as "Wen Yi". His writing style was unique, and he was good at using various styles to express different types of characters and plots, forming his own unique literary style. Shen Congwen's works were mainly novels, including " Border Town "," Spring Silkworm " and other excellent novels. He was good at using poetic expressions to describe the plot and the characters in a delicate and moving way. At the same time, he also paid attention to the character and emotions so that the readers could deeply feel the inner contradictions and struggles of the characters in the works. In addition, Shen Congwen was also good at using various styles to show different plots and characters, including prose, poetry, letters, etc. He was able to flexibly switch between different styles to make his works more artistic and enjoyable. Therefore, Shen Congwen became an outstanding representative of modern Chinese literature with his diverse literary style and flexible use of literary style, known as "style".
Why did Shen Congwen stop writing?
Shen Congwen was a famous Chinese writer who started writing in 1912. He had created a large number of novels, essays and poems throughout his life. However, in his later years, he gradually felt that there were problems with his physical and mental state, which led him to gradually give up writing. There were many reasons why Shen Congwen gave up writing. First of all, he experienced long-term poverty and joblessness, which led to his dissatisfaction and disappointment with life and society. Secondly, his works often involved some sensitive and complex topics such as race, class, love, etc. These topics were widely debated and challenged in Chinese society at that time. In addition, his writing style and methods were also unique. His writing style was more delicate and emotional, requiring more time and energy to complete. For these reasons, Shen Congwen gradually gave up writing in his later years and turned to other fields such as painting and translation. Although he no longer wrote, he still maintained a strong interest and enthusiasm for literature and art. His thoughts and works had a profound impact on modern Chinese literature and culture.
Why is Shen Congwen called a Beijing writer?
Shen Congwen was known as the Beijing School because his works were influenced by the Beijing School of Literature. The Beijing School of Literature refers to a literary school that rose in China in the late 1940s and early 1950s. Its main idea is to emphasize the relationship between literature and society and politics and advocate realistic literature. Shen Congwen's works reflected the changes in Chinese society and political reality many times. At the same time, he also paid attention to human nature, love, family and other topics. Therefore, he was regarded as one of the representatives of Beijing literature.
Shen Congwen
Shen Congwen (1892 - 1978), formerly known as Shen Yueheng, was a modern Chinese archaeologist, cultural critic, and translator. He was the most influential and controversial figure in the 20th century Chinese literary world. Shen Congwen was born in Shen Congwen City, Hunan Province, and grew up in a wealthy family. In his early years, he studied Japanese literature and culture in Japan before returning to China to study at Peking University as a literature professor. His literary works were based on ancient Chinese history, legends, myths, and folktales. His style was unique and romantic. Shen Congwen's works have won many domestic and foreign literary awards, including the Chinese and French literature and art knight medals. In addition to his literary creation, Shen Congwen was also committed to the protection and research of ancient Chinese cultural relics, becoming a pioneer of modern Chinese archaeology. He had established the first modern Chinese archaeologist's workstation in Shen Congwen City, Hunan Province, and participated in many archaeological excavation works of ancient Chinese cultural relics, including the excavation of the Mawangdui Han Tomb in Changsha and the Jiangyou Han Tomb in Sichuan. His archaeological research results also had a profound impact on the study of modern Chinese culture. Shen Congwen's representative works include "Border Town","Spring Silkworm", etc."Border Town" is considered a classic of modern Chinese literature and is known as a miracle in the history of Chinese short stories. He also wrote many other works, including novels, essays, and translation, which had an important impact on the development of modern Chinese literature and culture.
Shen Congwen
Shen Congwen (1892 - 1978) was originally Shen Yuehuan, a Chinese modern artist, archaeologist, historian, and cultural critic. Shen Congwen was one of the most famous novelists in China in the 20th century and also one of the outstanding representatives of modern Chinese literature. Shen Congwen's works used rural life, ethnic customs, and historical events as the theme to describe the living conditions and inner world of people from all walks of life in Chinese society from a unique perspective and delicate emotions. His works were concise and simple, with distinct personality and regional characteristics, which were deeply loved by readers. Shen Congwen had won many literary awards at home and abroad, including the Chinese and World Literature Exchange Awards. His works were translated into many languages and spread all over the world, which had a profound influence on modern Chinese literature and culture.
Shen Congwen
Shen Congwen (1892 - 1978) was originally named Shen Yuehuan, Shen Congwen, a modern Chinese historian and painter. He was one of the most famous novelists of the 20th century and one of the representatives of modern Chinese literature. Shen Congwen was born in a poor family, but he loved literature and painting since childhood. In 1918, he began to work in Beijing City Library and began to write literature. His literary works mainly described the life of Chinese rural areas and the culture of ethnic minorities. He was known as the "encyclopedia of Chinese rural areas". Shen Congwen's representative works include Border Town, Spring Silkworm, and Long River. These works profoundly revealed various problems in Chinese society and received widespread praise. He also actively participated in literary clubs and literary activities and published a large number of academic papers and historical works. Shen Congwen had high attainments in the fields of literature, history, and painting. His creation and academic achievements had a profound impact on the history of Chinese literature and the history of world literature. He died in 1978 at the age of 91.
Shen Congwen
Shen Congwen (1892 - 1978), whose original name was Shen Yuexi, was a modern Chinese painter, archaeologist, cultural critic, and translator. He was the most influential person in the 20th century's Chinese literary world and was hailed as the "founder of modern Chinese literature." Shen Congwen's works mainly described rural life and folk stories. His works were unique and full of strong local flavor and human feelings. His representative works included "Border Town" and "Spring Silkworm"."Border Town" was regarded as a classic in the history of Chinese novels. Shen Congwen had also made important contributions to cultural studies. He studied ancient Chinese clothing, porcelain, architecture and other cultural fields and published a large number of research papers and works on these aspects. He was also a pioneer of modern Chinese archaeology, and had in-depth research and unique insights into ancient Chinese culture and history. Shen Congwen's life was full of literary, artistic and academic works, and his influence and contribution were extensive and far-reaching. He was known as the founder of modern Chinese literature, the last traditional Chinese scholar, and the most important cultural figure in modern China.