Jia Baoyu felt the vicissitudes of life and tears filled his eyes. He said,"I ask you how much sorrow you can have, just like a river flowing eastward in spring."
"Dream of the Red Chamber" started with Jia Yucun and Zhen Shiyin. Zhen Shiyin's study was where the first story took place. In his dream, he saw a monk and a Taoist talking about the Crimson Pearl Immortal Grass and the Shenying Attendant. This story revealed pure and innocent love and foreshadowed the development of Bao Dai's love. In addition, Zhen Shiyin's appearance also hinted at the tragedy of the Jia family and pointed out the theme of the novel. Jia Yucun was a poor scholar. In order to rectify his foundation, he decided to enter the capital for the imperial examinations and pursue fame. Therefore, the opening with Jia Yucun and Zhen Shiyin as the starting point laid the foundation for the development of the subsequent story and the unfolding of the theme.
There was a famous line in Dream of the Red Chamber that Jia Baoyu wrote on Lin Daiyu's birthday," No matter how weak the water is, I will only take a ladle to drink." This sentence came from the first chapter of 'Dream of the Red Chamber'. The original text was' No matter how weak the water is, I will only take a ladle to drink.' " Ruo Shui " referred to the Yellow River and " Yi Piao " referred to the water in the ladle. This sentence expressed Jia Baoyu's deep love for Lin Daiyu. It meant that he was only willing to spend time with her and nothing else could replace her existence. This sentence had also become a classic phrase in 'Dream of the Red Chamber', and it was widely used.
'Dream of the Red Chamber' was a classic in Chinese classical literature. The author was from the Qing Dynasty. Below are four reading notes on 'Dream of the Red Chamber': Reading Notes of Dream of the Red Chamber--Exploring the Relationship between the Characters The main characters in 'Dream of the Red Chamber' were Jia Baoyu, Lin Daiyu, Xue Baochai, etc. The complicated relationships between these characters were also a major feature of this work. Through the delicate description, the author let the readers feel the contradictions and conflicts in the character's heart, and at the same time, it also had a profound impact on the character's fate. 2. Reading Notes of Dream of the Red Chamber--Analyzing the Plot The plot structure of 'Dream of the Red Chamber' was very complicated, including the emotional entanglements of Jia Baoyu, Lin Daiyu, Xue Baochai and other characters, as well as the disputes and conspiracies between families. The author used ingenious ideas and delicate descriptions to make the plot ups and downs so that the readers could not predict the development of the story. 3. Reading Notes of Dream of the Red Chamber-Learning the Author's Writing Style He was the author of 'Dream of the Red Chamber'. His writing style was unique and focused on details and the psychological description of the characters. In 'Dream of the Red Chamber', the author displayed his excellent writing skills and rich imagination through different scenes and conversations. Reading Notes of Dream of the Red Chamber--Thinking about the Cultural Value Dream of the Red Chamber is a work with a profound cultural background. It reflects the style of the Qing Dynasty society and the lives of the people. Through Dream of the Red Chamber, the author shows the essence and content of Chinese traditional culture and also provides us with thoughts and enlightenment on Chinese culture.
Jia Baoyu ordered his mother to purchase water supplies in case of emergency.
In Dream of the Red Chamber, there was a saying,"When you're done, sing a song and listen to me for life." This sentence came from the first chapter of the novel "Dream of the Red Chamber", which described Jia Baoyu singing a song with a heavy heart after Lin Daiyu's death. This sentence meant that " everything is fine now, there's no need to worry anymore."
"After Jia Baoyu experienced a dream, he gradually lost all thoughts about the human world." This sentence came from the first chapter of 'Dream of the Red Chamber'. It was something that Jia Baoyu said after lamenting his life experience. The meaning of this sentence was that after Jia Baoyu experienced some dreams, he began to have doubts and no thoughts about human life. He believed that everything should be put down and no longer be obsessed with the gains and losses of the past and the future. The background of this sentence was that Jia Baoyu had experienced many storms in the Grand View Garden and gradually realized the nature of life and the dark side of human nature. The profound meaning of this sentence is that it tells us that in the journey of life, we may experience many beautiful things, but they may also be short-lived. We need to learn to let go of our obsessions in order to truly understand the true meaning of life.
"Dream of the Red Chamber" is a masterpiece in the history of Chinese literature. With delicate strokes, rich cultural content, profound historical thinking, and unique artistic expression, it portrays the life, emotions, and fate of the aristocratic society in the Qing Dynasty. It is a long novel full of philosophy, emotions, and humanity.
Jia Baoyu had lost his memory in his dream, but when he woke up, he only remembered Lin Daiyu.
Jia Baoyu was unhappy because he dreamed of Daiyu again. He sighed and said,"Life is like a dream. Why force it?" This sentence came from the second chapter of 'Dream of the Red Chamber'.
The most famous sentence in Dream of the Red Chamber was,"No matter how weak the water is, I will only take a ladle to drink." This sentence came from the first chapter of 'Dream of the Red Chamber', which read: ' No matter how weak the water is, I will only take a ladle to drink.' The meaning of this sentence was that no matter how much seawater there was, I would only take a ladle of it to drink. This sentence expressed the author Cao Xueqin's pursuit of freedom, open-mindedness, and indifference. It also expressed his deep thinking about the meaning of life. This sentence had also become a classic in the history of Chinese literature, widely praised and quoted.