The Song of Righteousness was a poem written by a Ming Dynasty writer, Righteousness. It quoted many allusions and idioms. The following are some of the common citations: One package of shame into anger: refers to embarrassment and anger. Quoted from Han Feizi,"It is brave to endure shame." Revenge: To act for the sake of revenge. Quoted from the Water Margins," Revenge, revenge, even if you die a hundred times." [3. Impetuous: It refers to a person's emotions that are passionate.] It was quoted from the Biography of the Marquis of Huaiyin in the Records of the Historian." Xiang Bo killed Hua Xiong with a knife and died passionately." 4. Work together: It refers to working together in unity. Quoted from Water Margins," Yan Qing, Li Jian, and Wang Aihu worked together to break out of the encirclement." 5. Righteousness: It refers to a temperament that is filled with justice and courage. It was quoted from Mencius, Gongsun Chou. 6. Unyielding: It means to be unyielding and never yield. Quoted from the Biography of Qu Yuan and Jia Sheng in the Records of the Historian,"Qu Yuan was released to swim by the river and pool. His face was haggard. He is a loyal minister who does not scratch and does not yield." The above are some of the common citations. Of course, there are many other allusions and idioms that have been applied in the Song of Righteousness.
The Song of Righteousness was a song in the ancient Chinese literary work Water Margins. It described the fighting spirit of the Liangshan heroes who were guided by the sense of justice. The full text of the Song of Righteousness was as follows: Heaven and earth have a mixture of righteous qi, which is full of qi. Below is the river, above is the sun star. To others, it is said that it is vast and vast, blocking the dark sky. The emperor's road should be clear, the barbarians should contain and spit out the bright court. At that time, I had no choice but to see one by one. In Qi Taishi Jian in Jin Dong Hu pen. The history of Yuan Dynasty is written by Liu Xiang of Han Dynasty. The Five Classics are diligently practiced, and the mind is clear. One by one, they are written into a book that will never be forgotten. The first four lines of the poem described the awe-inspiring righteousness that existed in the world. This righteousness was universal and eternal. The next five lines of the poem described the characters of different historical periods, and their moral character and deeds reflected the importance of justice and morality. The last two lines of the poem were the author's evaluation of these people, emphasizing that their spirit and behavior were worth learning and inheriting. This poem has a profound meaning, expressing the author's admiration for justice and morality, reviewing history, and reminding people to constantly learn and progress in order to maintain justice and morality.
The following are some idioms with characters: 1 Han Xin's Divination: It described how people could make full use of their talents. 2. Calling a stag a horse: a metaphor for deliberately reversing black and white to confuse right and wrong. 3. Instant success: It described doing things very smoothly and achieving the desired goal. 4. To describe something that happened very unexpectedly and surprised people. 5. Pointing at the mulberry and scolding the locust tree: On the surface, scolding this person is actually scolding that person. 6. Making eyes at her: It described how a woman used her eyes to hint at her love. 7. Scolding the willow with the mulberry tree: It means that on the surface, you are scolding this person but in fact, you are scolding that person. 8. Imitation: The result of blind imitation is very poor. 9. Diversion: A tactical wit that attacked the enemy on the surface but was actually protecting itself. 10. Scattered scales and western claws: It refers to the fact that things are scattered and trivial without a big picture. 11 People come and go: to describe the frequent and lively atmosphere of people. Strong on the outside but weak on the inside: It is used to describe a person who is strong on the outside but weak inside. Soft on the outside but hard on the inside: It is used to describe a person's gentle appearance and firm heart. 14 Self-reliance: To describe solving problems with one's own strength. 15. High standards but low capabilities: It refers to people who have no practical ability but are self-righteous. Pointing at the mulberry tree and scolding the willow tree: It is like scolding this person on the surface is actually scolding that person. Calling a deer a horse: a metaphor for deliberately reversing black and white to confuse right and wrong. 18 Nothing is born out of thin air: It is a derogatory term to describe things that do not exist. 19 Desperate Dog Jumps Over a Wall: It described a person who would take risky actions when forced into a desperate situation. [20. Utter Bullshit: Extremely absurd and stupid to describe language and articles.]
The Song of Righteousness was a classic Chinese martial arts novel song written by the famous Ming Dynasty novelist, Jin Yong, and included in his novel, The Demigods. The song became a classic in Chinese culture with its impassioned, powerful lyrics and melodious melody. There were many singers of this song, among which the more famous ones were Taiwan singer Huang Zhan, Hong Kong singer Tan Yonglin, mainland singer Eason Chan, etc. If you want to know more about the Song of Righteousness, you can try to search for related music resources on the Internet or listen to related music programs.
The Song of Righteousness was one of the famous scenes in the martial arts novel "Book Sword Gratitude and Revenge" written by Mr. Jin Yong. The original text was as follows: Heaven, Earth, Black, Yellow, Universe, Wilderness. All living things had emotions, and life and death were a cycle. a beautiful face is fated to die, a hero is loyal. The sword qi was invincible in the world. The first paragraph mainly talked about the background of Heaven, Earth, Black and Yellow, the universe, and the concept of life and death. The second to the fifth section described the heroic loyalty, the sword qi, the beautiful face and the unfortunate fate, and other plots to show the heroic image of the protagonist Zhang Cuishan and the others. The sixth to tenth paragraph described the tragic fate of the swordsman Li Mochou and the final confrontation between the protagonist Zhang Cuishan and Li Mochou, expressing their deep feelings and resentment. The complete text was as follows: Heaven, Earth, Black, Yellow, Universe, Wilderness. All living things had emotions, and life and death were a cycle. a beautiful face is fated to die, a hero's loyalty. The sword qi was invincible in the world. Zhang Cuishan's heart tightened as he saw Li Mochou's sword move faster and faster. The sword light flashed like lightning. He knew that he had to go all out to block this female swordsman's attack. He took a deep breath and channeled his internal energy. Streams of sword qi gushed out like a waterfall and attacked Li Mochou. Li Mochou's sword was getting faster and faster, and Zhang Cuishan was getting more and more nervous. But he knew that he had to remain calm to defeat her. He concentrated on perfectly combining his internal energy with his sword technique and finally successfully blocked Li Mochou's attack. His sword momentum paused, but he saw a trace of surprise in Li Mochou's eyes. Then, she pounced on Zhang Cuishan. The two of them exchanged blows, and the scene was unusually intense. Zhang Cuishan circulated his internal energy and shot out sword qi like a waterfall. Li Mochou continued to attack, his sword momentum getting faster and faster.
Okay, I can help you tidy it up. Here are 100 idioms with allusions: One day apart felt like three years. (From the Book of Songs, Wang Feng, Picking Wei) After dusk I drink wine in the eastern fence. (From Li Yishan, the Legend of Tang Genius) Great minds think alike. (From Chuang Tzu's Carefree Travel) 4. Work together. (From the Book of Changes, Xi Ci 1) 5. Give it your all until you die. (From The Analects of Confucius, Second Collection) A journey of a thousand miles begins with a single step. (From the Book of Changes, Jishan) 7. (From the Biography of Bian Que and Cang Gong in the Records of the Historian) 8. Out of thin air. (From "Records of the Historian: The Family of King Gou Jian of Yue") 9. A dog's tail continues to be a ferret. (From Shi Ji: The Comical Biography) The onlooker sees more clearly than the player involved. (From the Biography of Qing Guan, Chen Xunli) 11. A lesson learned from the past. (From Han Shu·Yiwen Zhi) I'm the fish on the chopping board. (From "Records of the Historian: The Family of King Gou Jian of Yue") 13. (From the Records of the Historian, Confucius Family) 14 was glib. (From Dream of the Red Chamber) 15 Drawing tigers and dogs. (From Chuang Tzu, Foreign Matter) 16 was a drop in the bucket. (From the Analects of Confucius, Duke Ling of Wei) 17. (From the Analects of Confucius, Gongye Chang) 18. (From Records of the Historian, Biography of the Marquis of Huaiyin) 19 Nonsense. (From Records of the Historian, Biography of Lian Po and Lin Xiangru) Better be a dog in peace than a man in troubled times. (From Water Margins) 21. (From the Biography of Bian Que and Cang Gong in the Records of the Historian) 22 blowing his own trumpet. (From Records of the Historian, Biography of Shang Jun) Men die for wealth, birds die for food. (From the Bible, Matthew) 24. The house leaks, but it rains all night. (From Dream of the Red Chamber) 25 thousand miles of levees are destroyed by ant nests. (From Han Feizi, Yu Lao) 26. Draw a cake to allay one's hunger. (From "Records of the Historian: The Family of King Gou Jian of Yue") Desperate Dog Jumps Over a Wall. (From Water Margins) 28 Blind Man Feeling the Elephant (From Chuang Tzu's Carefree Travel) A Fire at the City Gate Suffer the Moat Fish. (From Water Margins) I'm the fish on the chopping board. (From the Bible, Matthew) 31 The lips are gone, the teeth are cold. (From the Analects of Confucius, Duke Ling of Wei) A glib tongue. (From Dream of the Red Chamber) 33. (From the Biography of Bian Que and Cang Gong in the Records of the Historian) Burning the Bridge After Crossing It (From the Analects of Confucius, Gongye Chang) Humans die for wealth, birds die for food. (From the Bible, Matthew) 36. (From "Records of the Historian: The Family of King Gou Jian of Yue") 37. (From Records of the Historian, Xiang Yu's Biography) 38. (From the Biography of Bian Que and Cang Gong in the Records of the Historian) Frog in the Well (From Chuang Tzu's Carefree Travel) 40. (From the Biography of Bian Que and Cang Gong in the Records of the Historian) Drawing Tiger and Dog. (From Chuang Tzu, Foreign Matter) The house leaks, but it rains all night. (From Dream of the Red Chamber) I Am the Fish on the Knife. (From the Bible, Matthew) Frog in the Well (From Chuang Tzu's Carefree Travel) Painting Cake to Allay Hunger (From "Records of the Historian: The Family of King Gou Jian of Yue") A Fire at the City Gate Suffer the Moat Fish. (From Water Margins) The lips are gone, the teeth are cold. (From the Analects of Confucius, Duke Ling of Wei) Drawing a Snake (From the Biography of Bian Que and Cang Gong in the Records of the Historian) 49. (From the Analects of Confucius, Gongye Chang) 50. (From Records of the Historian, Xiang Yu's Biography) 51. (From "Records of the Historian: The Family of King Gou Jian of Yue") 52. (From the Biography of Bian Que and Cang Gong in the Records of the Historian) Frog in the Well (From Chuang Tzu's Carefree Travel) 54. (From "Records of the Historian: The Family of King Gou Jian of Yue") 55 The lips are gone, the teeth are cold. (From the Analects of Confucius, Duke Ling of Wei) 56. (From the Biography of Bian Que and Cang Gong in the Records of the Historian) Burning the Bridge After Crossing the River (From the Analects of Confucius, Gongye Chang) 58. (From Records of the Historian, Xiang Yu's Biography) 59. (From "Records of the Historian: The Family of King Gou Jian of Yue") 60. (From the Biography of Bian Que and Cang Gong in the Records of the Historian) Frog in the Well (From Chuang Tzu's Carefree Travel) 62. (From "Records of the Historian: The Family of King Gou Jian of Yue") The lips are gone, the teeth are cold. (From the Analects of Confucius, Duke Ling of Wei) 64. (From the Biography of Bian Que and Cang Gong in the Records of the Historian) Frog in the Well (From Chuang Tzu's Carefree Travel) 66. (From "Records of the Historian: The Family of King Gou Jian of Yue") 67. (From the Biography of Bian Que and Cang Gong in the Records of the Historian) Burning the Bridge After Crossing the River (From the Analects of Confucius, Gongye Chang) 69. (From Records of the Historian, Xiang Yu's Biography) Painting Cake to Allay Hunger (From "Records of the Historian: The Family of King Gou Jian of Yue") 71. (From the Biography of Bian Que and Cang Gong in the Records of the Historian) Frog in the Well (From Chuang Tzu's Carefree Travel) 73. (From "Records of the Historian: The Family of King Gou Jian of Yue") The lips are gone, the teeth are cold. (From the Analects of Confucius, Duke Ling of Wei) 75. (From the Biography of Bian Que and Cang Gong in the Records of the Historian) Frog in the Well (From Chuang Tzu's Carefree Travel) 77. (From "Records of the Historian: The Family of King Gou Jian of Yue") 78. (From the Biography of Bian Que and Cang Gong in the Records of the Historian) Frog at the bottom of a well. (From Chuang Tzu's Carefree Travel) Drawing a Cake to Satisfy His Feast (From "Records of the Historian: The Family of King Gou Jian of Yue") Drawing a Snake (From the Biography of Bian Que and Cang Gong in the Records of the Historian) Frog in the Well (From Chuang Tzu's Carefree Travel) 83. (From "Records of the Historian: The Family of King Gou Jian of Yue") Drawing a Snake (From the Biography of Bian Que and Cang Gong in the Records of the Historian) 85. (From "Records of the Historian, Han Feizi, You Du") Drawing a Snake (From "Records of the Historian: The Family of King Gou Jian of Yue") Drawing a Snake (From the Biography of Bian Que and Cang Gong in the Records of the Historian) Drawing a Snake (From Han Feizi, You Du) 89. (From Han Feizi, You Du) 90. (From Han Feizi, You Du) 91. (From Han Feizi, You Du) 92. (From Han Feizi, You Du) 93. (From Han Feizi, You Du) 94. (From Han Feizi, You Du) 95. (From Han Feizi, You Du) 96. (From Han Feizi, You Du) 97. (From Han Feizi, You Du) 98. (From Han Feizi, You Du) 99. (From Han Feizi, You Du) 100. (From Han Feizi, You Du)
Mencius was an ancient Chinese philosopher. His thoughts and ideas had a profound impact on Chinese culture. In the Song of Righteousness, Mencius elaborated on the concept of "Righteousness" and believed that it was a powerful moral force that could resist evil forces and protect the interests of the people. Mencius believed that "Righteousness" referred to a spirit full of justice, courage, and integrity. This spirit was not affected by the outside world, nor by the influence of evil forces. It was like a powerful river that rolled forward and finally formed an unstoppable force. In the Song of Righteousness, Mencius described the heroic deeds of a hero and explained the concept of "Righteousness". This hero was called Zhang Zhengqi. He was not afraid of power or evil, and he was determined to uphold justice and protect the interests of the people. He took the lead and fought bravely, even in the face of powerful enemies, he was not afraid and finally won. Mencius believed that Zhang Zhengqi's spirit of "Righteousness" was what the people needed and what social development needed. This kind of spirit could not only resist the influence of evil forces and protect the interests of the people, but also stimulate the people's sense of justice and responsibility to promote the harmonious development of society. In the Song of Righteousness, Mencius elaborated on the concept of "Righteousness" and believed that it was a powerful moral force that could resist evil forces and protect the interests of the people. This kind of spirit was what the Chinese people needed and what society needed.
Animal Farm was a famous science fiction novel that contained many allusions and symbolic elements. Here are some literary works that quote Animal Manor: 1 " Three-body ": Liu Cixin's science fiction " Three-body " has a plot about the " Dark Forest Law ", which means that civilizations in the universe will compete and destroy each other to protect their own existence. This plot drew on the concepts of "traitor" and "revolution" in Animal Farm. Wolf Totem: The novel tells the story of a pack of wolves on the prairie. The wolves fight and betray each other for resources. This is very similar to the plot of the animals in Animal Farm who fight and betray each other for more resources. 3. Game of Thrones: George R. R. Martin's fantasy novel, Game of Thrones, has a plot about the political struggles of the Seven Kingdoms. There is a character named Tyrion Lannister whose last name is very similar to the character Bran Stark in Animal Manor. A Song of Ice and Fire: George R. R. Martin's fantasy novel A Song of Ice and Fire has a plot about the political struggle of the Seven Kingdoms. One of the characters is called Ryan Stark. He was the brother of Bran Stark's father. This is very similar to the surname of the character Ryan Snow in Animal Manor. These literary works all used the allusions and symbolic elements of Animal Farm to show similar story structures and topics.
The original text of the Song of Righteousness was a famous saying in the martial arts novel,"The Way of the Chivalrous":"Every man for himself. Those who do not eat for themselves will become fat. If heaven and earth destroy us, we will kill ourselves. However, he took the risk for himself. He is chivalrous and righteous. This is what it means to be chivalrous and righteous for oneself, and the world is for the public!"
Song of Righteousness was a military novel written by the Ming Dynasty general Qi Jiguang. It described the series of victories he achieved with loyalty and courage in the process of leading the Qi's Army to fight against the Japanese pirates and the British army.
The Song of Righteousness was a novel written by Feng Menglong, a writer of the Ming Dynasty. It mainly told the story of the protagonist Zhang Wuji, who finally grew into a martial arts master after experiencing hardships in the martial arts world. However, the Righteous Song was not a fictional novel but a real literary work. It originated from the late Ming Dynasty, when some martial artists in southern China suffered unfair treatment due to political corruption and social unrest. In order to protect themselves and their families, they wrote some novels to vent their dissatisfaction and anger. One of the most famous works was the Song of Righteousness. Song of Righteousness told the story of Zhang Wuji and the others who finally fought for justice after going through hardships. This story involved many historical figures and events, such as political corruption, pirate crimes, and fighting against foreign enemies in the late Ming Dynasty. Song of Righteousness expressed the author's criticism of the society at that time and hope for the future through fictional stories. Later, the Song of Righteousness was adapted into various versions of books, movies, and television dramas, becoming an indispensable part of Chinese culture.