The Song of White Snow Seeing Off Judge Wu's Return to the Capital was a poem written by Wang Zhihuan, a poet of the Tang Dynasty. Regular script was a type of Chinese calligraphy that was usually used to write official documents or calligraphy works. The writing of this poem in regular script could be considered from the following aspects: 1. Character momentum: The characteristic of regular script is that it requires the strokes to be standard, correct, and neat, giving people a clear, stable, and steady feeling. When writing this poem, he could vividly reflect this style and make the handwriting appear dignified and generous. 2. Strokes: The strokes of regular script should be clear, smooth, and beautiful. Especially when writing long sentences or complex sentences, you need to pay attention to the continuity and rhythm of the strokes. In this poem, some smooth strokes and beautiful curves could be used to make the font more vivid. 3. The structure of regular script should be reasonable, balanced, and coordinated. Especially when writing long works such as titles or couplets, you need to pay attention to the density, height, size, and other factors of the structure. In this poem, the structure could be clearly divided to make the font more harmonious and beautiful. Rhythm: The rhythm of regular script requires nature, elegance, and fluency. Especially when writing poems or couplets, you need to pay attention to the use and matching of rhythm. In this poem, he could use some rhyming and echoing techniques to make the font more beautiful and moving. In short, the regular script writing of Bai Xuegong sending the judge back to the capital needed to pay attention to the requirements of norms, dignity, beauty, coordination and rhythm in order to achieve a beautiful artistic effect.
The full text of Bai Xuege sending Judge Wu back to the capital was as follows: Song of White Snow Sending Judge Wu Back to the Capital Full text: The white snow covered the mountains and the bright red sun rose. The mountains and rivers are green and misty, like the scenery of the place where we part is different. Thousands of miles around the capital, there is no dust. The winged cavalry stopped and returned to this place. Green mountains cross the north wall, white water around the east wall. This place is a farewell to the lonely Peng Wanli expedition. Floating clouds, wandering children's thoughts, old friends 'feelings at sunset. I'll send you off far away, and I'll finally get to Qin Pass.
When Judge Wu returned to the capital, the mountains on the east and west sides of Luoyang looked like snowflakes, and the figures and lights reflected each other.
This poem was written by Wang Zhihuan, a poet of the Tang Dynasty. The white sun is leaning against the mountains, and the Yellow River flows into the sea current. I want to see a thousand miles and climb another level. Once upon a time, people had already left this place by yellow crane, leaving the Yellow Crane Tower empty. The yellow crane is gone, never to return. Qingchuan calendar Hanyang trees, fragrant grass lush parrot island. Where is the village at dusk? the misty waves on the river make one sad. This poem mainly described the author's view of the magnificent Yellow River and the spectacular landscape from afar, and also expressed the poet's nostalgia. Among them," The sun is against the mountains, the Yellow River flows into the sea " depicted the scene of sunset, while " To the next level " expressed the people's constant pursuit of progress and the spirit of surpassing themselves. The meaning of this poem was to express the author's homesickness and praise for the magnificent scenery. At the same time, it also entrusted people's yearning for progress and surpassing themselves.
"Song of White Snow Seeing Off Judge Wu Returning to the Capital" was a farewell poem written by Wang Zhihuan, a poet of the Tang Dynasty. It mainly expressed the poet's reluctance to part with his friends and the joy of his friends returning to the capital. The first two lines of the poem," The autumn scenery on the frontier is different from the wild geese in Hengyang." It depicted the autumn scenery, the desolate scenery, the geese leaving, the people staying, expressing the poet's parting feelings. The next two sentences were," The sound of the four sides rising from the corners, the long smoke in the thousands of peaks, the setting sun, the lonely city closed." Through describing the scenery of the frontier fortress, it shows the hardship of the environment beyond the Great Wall and the desolation of parting. The three sentences in the middle," I want to see a thousand miles to reach a higher level." It expressed the poet's longing and desire for his friend, hoping that his friend could climb high and enjoy the more beautiful scenery from afar. The last two sentences were: " How can a floating life rival a monarch's long-lasting love? For the time being, I'm a guest in Chang 'an." It expressed the poet's friendship with his friend and his joy of returning home. At the same time, it also expressed his joy that his friend was about to return to the capital. The theme of the poem was separation. It expressed the poet's longing and reluctance for his friends, as well as the joy of friendship and homecoming.
"Song of White Snow Sending Judge Wu Back to the Capital" was a poem written by the Tang Dynasty poet Wang Zhihuan. It expressed the poet's reluctance to part with his friend and the joy of his friend's imminent return. The poem described the desolation and reluctance of parting by describing the snow flying and the rugged road. However, the joy of his friend's imminent return was also reflected in this scene. In the end, the poet used the phrase "I hope that we can spend a long time together" to express his blessing and longing for his friend. The whole poem expressed the poet's cherishment of friendship and the joy of his friend's return.
The sentence describing the snow scene in the desert in the "White Snow Song Sending the Judge of Martial Arts Back to the Capital" is: "The vast sea is a hundred feet long and the ice is bleak and the clouds are bleak." This sentence depicted the vast sea and railings in the desert, as well as the snow-covered Great Wall and the sky, showing a desolate, lonely and poignant scene.
The Song of White Snow Sending Judge Wu Back to the Capital was an ancient poem that belonged to the category of Tang poetry. The 20 poems were one of the representative works of the Tang Dynasty poet Wang Zhihuan. The poem used parting as the theme to describe the scene of the poet parting with his friends, expressing the poet's cherish of friendship and blessings to his friends. The language of this poem is concise, the artistic conception is profound, and it has a strong poetic and artistic meaning. It is a classic work of ancient Chinese poetry.
The original text, translation, and annotations of the White Snow Song sending Judge Wu back to the capital are as follows: Original text: Song of Snow Sending Judge Wu Back to the Capital Original text: The north wind rolls the earth, the white grass breaks the Hu sky, and it snows in August. It was as if a spring breeze had suddenly come and thousands of pear trees had blossomed. Note: North Wind: Cold North Wind. [White Grass Break: The white grass is broken by the north wind.] Hu Tian: The sky of Hu Di. August: August is the eighth month of autumn. [Flying Snow: Flying Snow refers to the snowflakes fluttering in the sky.] Thousands of trees, described as pear blossoms spread all over the branches like a sea of snow. Pear Blossom: Pear Blossom refers to the blooming of pear blossoms in the spring breeze, which vividly shows the vitality of spring.
Take the word "satiety" in Mr. Tian Yingzhang's regular script "Thousand Character Text" as an example."satiety" is a left-right structure, which is left and right. 1. ** Next to the "" on the left ** - The inclined posture is shoulder-to-shoulder, extending upward and retracting downward. The first stroke starts from the bottom right, then turns to the bottom left, paying attention to the length and angle; Write a small dot on the right side to avoid the right part. - The following "Liang" is slightly to the left. Pay attention to the position of the small dot. The angle is slightly flat and light. Pay attention to the position of the horizontal folding pen. Don't draw too heavily horizontally. Use the big pen to resist the shoulder. Then stop the pen and write vertically. It is slanted to the left and gradually lighter. - The horizontal painting inside should be on the left, not long; the bottom horizontal pen should be held by the vertical pen; the three horizontal paintings should be evenly spaced and parallel. - Pick up the pen vertically to block the starting pen of the horizontal fold. The vertical pen is heavy on the top and light on the bottom. It is slightly bent. After passing the third horizontal painting, do not write long. Slightly tilt to the left. Do not lift the pen. Cut the pen to write. Pay attention to the direction. The pen should not be big. It should be hidden inside to give way to the right. 2. ** The word "Bao" on the right ** - The left side is closed and the right side is opened, close to the left side. The top "" should be compact. The first stroke should be exposed and the pen should be raised. The pen should be slightly heavier to the bottom left. Don't be long. The pen should be closed in a circle and close to the left. The horizontal stroke should be drawn horizontally, then the pen should be raised upward. The pen should be paused to write the stroke, pointing in a different direction from the first stroke. - The lower part of the "Si" is closed and displayed, paying attention to the position relationship with the upper part. The upper "mouth" frame should be compact and moved to the left, and the inclined posture should be used to resist the shoulder, all for the vertical extension of the vertical hook below. - The first stroke should be folded horizontally and inserted into the pen, then the pen should be carried on the shoulder, not long, then slightly heavier to the lower right, then to the lower left, gradually lighter, not long; The second stroke should be parallel to the upper horizontal stroke, not heavy, and the pen should be stopped after passing the right vertical stroke. - The vertical hook is slanted and the starting pen is left with a small opening. Then it turns downward and connects with the horizontal painting. It continues to bend to the lower left. It gradually lightens. After reaching the position, the turn should be smooth and natural. After the bend, it should be slightly more powerful. The right line should gradually become heavier with a slight curvature. The length should be enough and the vertical exhibition should be comfortable. After reaching the position, it should turn upward and pick the hook out. It should be round inside and outside, vigorous and free.