Yu Dafu's " The Past " is a novel that reflects modern Chinese history. It tells a series of events that happened in a small town in northern China from the 1930s to the 1950s. The protagonist of the novel was Chen Jiru, a doctor in this small town. Chen Jiru decided to leave his hometown to work in the city after his wife passed away, but he had always been deeply attached to his hometown. In his work, he met some local residents, including a young girl named Li Suhua and a man named Zhao San. As Chen Jiru's life gradually unfolded, he gradually learned about some historical events in his hometown, including the civil war in the town, the Japanese invasion, and the land reform. Chen Jiru recorded the details of these historical events through his own experience and observation, and also revealed the various contradictions and problems of the society at that time. The novel was developed from Chen Jiru's perspective, and through his experiences and observations, it showed the history and social reality of a small town in northern China at that time. The novel's concise language and the ups and downs of the plot deeply reflected the social situation and people's lives in China at that time through vivid characters and real historical details.
Yu Dafu (October 15, 1896-December 19, 1961), formerly known as Yu Wenzi Dafu, was born in Liuyang, Hunan Province. He was a modern Chinese, a critic, a translator, and a social actician. Yu Dafu's representative works included "Sinking,""A Night Intoxicated by the Spring Breeze,""Dongli Yuefu," etc."Sinking" was considered a classic of modern Chinese literature. He was good at describing characters 'psychology and social reality. His works were concise in language, profound in emotion, distinctive in personality and profound in ideology. Yu Dafu participated in the May 4th Movement and was one of the important representatives of the New Culture Movement. He taught at Peking University and left the school to engage in literary creation and social activities. He had experienced the political, social and cultural changes in China throughout his life, which had a profound impact on the development of modern Chinese literature and thought.
Yu Dafu was a modern Chinese author. His works described his personal fate and the Chinese society during the war. His style was unique and full of emotion and depth of thought. Yu Dafu's writing style was unique and focused on emotional description and psychological exploration. He was good at revealing the complexity and contradiction of the characters 'inner world through their inner monologues and psychological descriptions, thus profoundly revealing the nature of human nature and psychological needs. At the same time, he also paid great attention to the fate and experience of the characters. Through the description of the fate of the characters, he showed the various shortcomings of Chinese society during the war and the complexity of human nature, making the works more profound and meaningful. Yu Dafu's works were based on the description of Chinese society during the war period, and he had a deep understanding and experience of the history and social reality at that time. He focused on reflecting human nature and social problems in his works, hoping to explore and reveal the nature and fate of human beings through novels. Yu Dafu's writing style and the reason for its formation are closely related to his deep understanding and experience of human nature and social reality in his creation, as well as his personal experience and literary ideas. His creation not only had an impact at that time, but also had an important enlightening effect on today's literary creation.
Yu Dafu (1895 - 1966), formerly known as Yu Wenzi Dafu, was a modern Chinese literary critic, literary historian, translator, and ideologist. He was born in Hangzhou City, Zhejiang Province. He studied in Japan in his early years and later returned to China to engage in literary creation. His works were unique in style, mainly describing Chinese social life and interpersonal relationships. He was hailed as the "pioneer of modern literature." Yu Dafu's representative works include "Sinking,""Night Intoxicated by the Spring Breeze,""Kong Yiji,""Border Town,""Spring Silkworm," and so on. These works have become classics of modern Chinese literature with their profound insight into human nature, delicate descriptions, and unique artistic style. Yu Dafu was also an important scholar in the history of modern Chinese literature. He had taught at Peking University, Tsinghua University, Nankai University and other universities and made important contributions to the fields of modern Chinese literature and philology. At the same time, he was also one of the founders of modern Chinese translation, and had translated many excellent literary works and works of philosophers. Yu Dafu became an important figure in the history of modern Chinese literature and culture with his outstanding literary achievements and academic contributions.
Yu Dafu (1898 - 1966), formerly known as Yu Wenzi Dafu, was one of the leaders of modern Chinese literature, literary critics, literary historians, and cultural movements. He was also one of the important figures in the history of modern Chinese literature. Yu Dafu was born in Shaoxing, Zhejiang Province. He was from a wealthy scholarly family and received a good education since childhood. In 1919, together with Lu Xun and others, he participated in the "literary revolution" and founded a new literary school in the history of modern Chinese literature-literary realism. His representative works included "Sinking" and "Night Intoxicated by the Spring Breeze"."Sinking" was considered a classic in the history of modern Chinese literature. Yu Dafu was not only an excellent writer but also a leader of the cultural movement. He founded the Literature Research Society in 1924 and was one of the founders of the Modern Chinese Literature Research Society. He also actively participated in the May Fourth Movement and supported the student movement. He was one of the important figures in the history of modern Chinese culture. Yu Dafu's position in the cultural movement was very important. His thoughts, literature and academic achievements had a profound impact on the modern Chinese cultural history. After his death, he was known as the "Master of Culture" and was respectfully addressed as "Mr. Yu Dafu".
Yu Dafu (1895 - 1966), formerly known as Yu Wen, was born in Shaoxing, Zhejiang Province. He was a modern Chinese critic, translator, and scholar. Yu Dafu's works mainly covered literature, art, history, politics and many other fields. His novel style was fresh and bright, the emotion was sincere and delicate, with a strong sense of realism, but also pay attention to the expression of ideology and symbolism. His representative works included "Sinking" and "Spring Silkworm". Yu Dafu was also one of the important representatives of the modern Chinese literature movement. He was once known as the representative of the "New Moon School" together with Lu Xun and Lao She. His literary achievements and influence had a profound impact on modern Chinese literature. Yu Dafu had high attainments and achievements in the fields of literature, art, and translation. He was known as one of the founders of modern Chinese literature and one of the representatives of the New Moon School.
Yu Dafu (1895 - 1966), formerly known as Yu Wenzi Dafu, was a modern Chinese literature, critic, translator, and ideologist. He was also one of the outstanding representatives of modern Chinese literature. Yu Dafu's representative works included "Sinking","Intoxicated Night in the Spring Wind","Border Town","Spring Silkworm" and so on. These works occupied an important position in the history of literature with their profound thoughts and unique artistic style. Yu Dafu had won many literary awards, including the 1952 Nobel Prize in Literature, but his literary achievements had also received some controversy and criticism. Yu Dafu's works and thoughts had a profound impact on modern Chinese literature and culture. He was hailed as "one of the founders of modern Chinese literature" and "an outstanding representative in the history of modern Chinese literature".
Yu Dafu (1895-1966) was a famous modern Chinese commentator, translator, and social practitioner. He was one of the founders of modern Chinese literature and one of the representatives of the New Moon School, an important school in the history of modern Chinese literature. Yu Dafu's representative works include "Sinking","Intoxicated Night in the Spring Wind","Twenty Years Later", etc. These works are deeply loved and respected by readers for their profound insight into human nature and unique literary style. Yu Dafu had won many literary awards, including China's Nobel Prize in Literature and the highest award in modern Chinese literature, the Mao Dun Literature Prize. His literary achievements and influence were not only important in the field of Chinese literature, but also deeply loved and paid attention to by international readers.
" Moving South " was a romantic story that seemed absurd but was also true. The protagonist, Yiren, was a Chinese student studying in Japan. He lived on an island due to illness. He met a female student and fell in love with her. Because of her shyness, this relationship finally ended. In the middle of the story, there was also a memory of him being deceived by a Japanese woman. He once worked in a Japanese house, and after a long time, he had a strange relationship with the young mistress M. The climax of their relationship occurred during their vacation at a hot spring outside of Tokyo. However, the good times did not last long. When they returned together, things changed. It turned out that M was also in love with another tenant, W. After Yiren found out, she suffered a mental blow and left after leaving a long letter. She had experienced a series of setbacks in her life. The process of " moving south " was also the process of him becoming a " leftover person " in society step by step.
Yu Dafu's " Chi Guihua " was a novel that described the family life and marriage story in the rural areas of northern China. The main plot was as follows: The novel takes the protagonist Zhang Junlian's family as a clue and narrates the life experiences of Zhang Junlian, her family, relatives and friends to show the life scene, customs and interpersonal relationships in the rural areas of northern China. The main plot of the novel included: Zhang Junlian's father was a hardworking and kind farmer, but he was introverted and not good at socializing. After his death, Zhang Junlian's mother and brother led their family to live together. They were hardworking, thrifty, kind, and upright, but they also faced internal conflicts and difficulties in the family. 2. Zhang Junlian's marriage experience. She married two husbands, one a miner and the other a carpenter. Although they were both very good to her, the two husbands 'personalities and living habits were very different, causing problems between them and eventually divorcing. 3. The life experiences of Zhang Junlian's family and friends. Zhang Junlian's brother and younger brothers also had different life experiences and personalities, and there were subtle changes in their relationship. The novel reflects the life situation and interpersonal relationships in rural China through the life experiences of Zhang Junlian and her friends. At the same time, it also shows the complexity and variety of human nature. Through the life story of an ordinary family, Chi Guihua showed the richness and variety of Chinese rural life, and also reflected the beauty and ugliness of human nature.
" Moving South " was a romantic story that seemed absurd but was also true. The protagonist, Yiren, was a Chinese student studying in Japan. He lived on an island due to illness. He met a female student and fell in love with her. Because of her shyness, this relationship finally ended. In the middle of the story, there was also a memory of him being deceived by a Japanese woman. He once worked in a Japanese house, and after a long time, he had a strange relationship with the young mistress M. The climax of their relationship occurred during their vacation at a hot spring outside of Tokyo. However, the good times did not last long. When they returned together, things changed. It turned out that M was also in love with another tenant, W. After Yiren found out, she suffered a mental blow and left after leaving a long letter. She had experienced a series of setbacks in her life. The process of " moving south " was also the process of him becoming a " leftover person " in society step by step.