Picking Up Morning Flowers at Evening mentioned several stories from the Twenty-four Filial Piety Paintings. Among them, the most well-known were the Secret History of Xiaozhuang and the Legend of the White Snake. These two books were both well-known Chinese novels that were widely read and praised.
Which stories were mentioned in the Twenty-four Filial Piety Paintings? Picking Up Morning Flowers at Sunset was a classic of Chinese literature, which contained a lot of knowledge about culture, history, and humanities. There were many stories about filial piety mentioned in the Twenty-four Filial Piety Pictures. Some of the famous stories included: Filial Piety Touches the Heavens: This is the story of Dong Yong and his parents in the Records of the Historian. Dong Yong was a poor young man, but he was very filial. He used his salary to buy food, cloth and other things for his parents every day. In the end, Dong Yong was so moved that he received the help of an immortal and achieved immortality. 2. The Secret History of Emperor Xiaozhuang: This is the story of Emperor Xiaozhuang and his mother, Empress Dou, in the Book of Han. Emperor Xiaozhuang was very concerned about his mother during his reign. Empress Dou often gave her gifts and took care of her life. Empress Dou was also very touched that she had become Emperor Xiaozhuang's right-hand man and laid a solid foundation for her dynasty. Empress Dowager Xiaoci: This is the story of Empress Dowager Xiaoci in Romance of the Three Kingdoms. Empress Dowager Xiaoci was the mother of Liu Bei, the emperor of Shu Han during the Three Kingdoms period. She was a very kind old lady who made great contributions to the development of Shu Han. After Liu Bei lost his loved ones, he was very grateful to Empress Dowager Xiaoci for her guidance and care and vowed to do his best to let his mother live a happy life. 4 Emperor Xiaowen: This is the story about Emperor Xiaowen in the Water Margins. Emperor Xiaowen was an emperor of the Ming Dynasty. He attached great importance to filial piety and advocated the Confucian concept of filial piety. The ministers and eunuchs around him were inspired by him to give up their corrupt behavior and start working for the court. The above are some of the more famous stories mentioned in the 24 Filial Piety Paintings. These stories all contain the idea and spirit of filial piety, which has a profound impact on Chinese traditional culture.
The Painting of Twenty-four Filial Piety was a cultural painting from ancient China that recorded 24 different stories of filial piety. The following are some of the famous stories: Filial Piety: It tells the story of Dong Yong and his mother. Dong Yong took care of his mother for more than 70 years after his marriage until his mother passed away. This story was described as how Heaven was moved to grant Dong Yong the magical ability to pass through the clouds and fog. The Secret History of Xiaozhuang: It tells the story of Emperor Kangxi and his mother, Empress Dowager Xiaozhuang. Emperor Kangxi was deeply influenced by Empress Dowager Xiaozhuang during his growth and devoted his life to maintaining family harmony and promoting filial piety culture. 3. Filial piety to save his father: It tells the story of the boy Chen Da. Before Chen Da's father died, he told him that he wanted to visit his father. His filial piety touched the heavens and allowed his father to be reborn. 4.24 Filial Piety: Meng Zong Crying Bamboo: It tells the story of the boy Meng Zong. After his father died, he cut off his arm and made it into a blood sac to save his father. 5. Filial Daughter Dong Xiaowan: tells the story of Dong Xiaowan. She was a famous poetess of the Qing Dynasty. Her filial piety touched many readers and was praised as the "filial daughter of the ages". 6 Filial Daughter Cao E: tells the story of Cao E, a famous filial daughter in ancient China. She was moved by heaven and earth to save her father and received help from the gods. Empress Dowager Xiaozhuang Protects Kangxi: tells the story of Empress Dowager Xiaozhuang. Emperor Kangxi spent his youth and middle age under her guidance and was deeply loved and protected by her. 8. Filial Piety Moved the Emperor: It tells the story of the boy Li Sui. After his father died, he used his filial piety to move the emperor and was appreciated and reused by the emperor. Empress Dowager Xiaozhuang takes care of Kangxi: tells the story of Empress Dowager Xiaozhuang. Emperor Kangxi spent his youth and middle age under her guidance and was deeply loved and protected by her.
The seven stories in the 24 Filial Piety Pictures mentioned in "Morning Flowers Picking Up at Evening" were: 1 "Burying Children and Worshipping Mother" in "The Secret History of Xiaozhuang" 2 "Lying on Ice Seeking Fish" in "Bai Xiaowen" 3 "Dong Yong and the Seven Fairies" in "The Seven Fairies Send Dong Yong Home" 4."Heavenly King Li carries the pagoda to send off his son" in "Huang Xiang and the Pagoda Li Tianwang" 5 "Zhu Yingtai disguised as a man" in "Liang Shanbo and Zhu Yingtai" 6."The White Snake" in "The Legend of the White Snake" "Jia Baoyu's Memory Loss" in Dream of the Red Chamber
The full text of the Twenty-four Filial Piety Painting is as follows: The Painting of 24 Filial Piety was a painting of filial piety drawn by Zhang Zeduan during the Ming Dynasty in China. It depicted the stories of 24 filial daughters. These stories involved parents 'diet, travel, education, and other aspects to educate people about the importance of filial piety. The full text of the Twenty-four Filial Piety Painting is as follows: Twenty-four Filial Piety Paintings One is filial piety to foster parents, and the other is filial piety to loving mothers. Three filial piety, go out far away, four filial piety, serve parents. The five filial piety left money and goods, and the six filial piety comforted the orphans. Seven filial piety lying in the cold kiln eight filial piety hungry stomach. Nine filial piety, ten filial piety to parents and teachers. The above is the full text of the "Twenty-four Filial Piety Painting". I hope it will be of help to you.
The Painting of Twenty-four Filial Piety was an article in Morning Flowers Picking Up at Evening. The main content was the author's recollection of his childhood feelings when reading the Painting of Twenty-four Filial Piety, revealing the hypocrisy and cruelty of feudal filial piety. The 24 Filial Piety Paintings focused on analyzing stories of filial piety such as " lying on ice to seek carps,"" old Lai to entertain his relatives," and " Guo Ju burying his son," denouncing such feudal filial piety for not caring about children's lives, treating " mushy as fun," and " taking unfeeling as ethics, slandering the ancients and teaching future generations bad things." Its central idea was that the work sharply attacked the tendency of opposing vernacular Chinese and advocating retro literature at that time.
'Morning Flowers Picked Up in the Evening' was a modern Chinese novel that included a lot of social history and cultural knowledge. " The 24 Filial Piety Paintings " was one of the articles that introduced the filial piety culture in ancient China. It mainly described some filial piety stories and characters in ancient China, including some famous filial piety characters such as John New York Times, the founder of The New York Times, and Cao Xueqin, the author of Dream of the Red Chamber. These stories and characters reflected the importance of family, kinship, and filial piety in ancient Chinese filial piety culture.
The 24 Filial Piety Painting in the morning flowers and evening collection was a painting in traditional Chinese Confucian culture, depicting the story of 24 filial sons in ancient China. This map had a very important position in Chinese culture and was regarded as one of the classics that inherited Confucian morality. The main content of the 24 Filial Piety Portrait included the following aspects: [1 Filial Piety Touches the Heavens: This story tells the story of how a filial son can be filial. It shows the importance of the Confucian concept of filial piety.] 2. Old Lai to entertain his relatives: It tells the story of an old man who played the clown to make his grandson happy. It shows the importance of the Confucian concept of "benevolence". 3. Lying on ice and asking for fish: It tells the story of an old man who did not hesitate to lie on ice for three days in a temperature of below zero degrees in order to get a fish. It shows the importance of the Confucian concept of "frugality". [4. Indulging Mosquitoes in Blood: It tells the story of an old man who swatted mosquitoes with his hands in order to prevent them from biting him. It shows the importance of the Confucian concept of "hygiene". 5. Stranding the Tiger to Save the Mother: It tells the story of a young man who sacrificed himself to save a tigress that was bitten to death by a tiger. It shows the importance of the Confucian concept of courage. 6. Burying a son and serving his mother: It tells the story of an old man who donated all his property in order to take care of his sick grandson. It shows the importance of the Confucian concept of "benevolence". [7] The story of a young man who risked his life to retrieve his lost gold shows the importance of the Confucian concept of honesty. 8. Ignoring the Elderly: It tells the story of an old man who drove his son away for his own benefit, showing the importance of the Confucian concept of "selfishness". Lu Zhangke Saving His Mother: The story of an old man who did not hesitate to deceive his grandson in order to obtain a sum of money shows the importance of the Confucian concept of "fraud". [10. Indulge the Mosquitoes to Feast Their Blood: The story of an old man who swatted mosquitoes with his hands to prevent them from biting him shows the importance of the Confucian concept of "hygiene".
The Painting of Twenty-four Filial Piety was an article in Morning Flowers Picking Up at Evening. The main content was the author's recollection of his childhood feelings when reading the Painting of Twenty-four Filial Piety, revealing the hypocrisy and cruelty of feudal filial piety. The 24 Filial Piety Paintings focused on analyzing stories of filial piety such as " lying on ice to seek carps,"" old Lai to entertain his relatives," and " Guo Ju burying his son," denouncing such feudal filial piety for not caring about children's lives, treating " mushy as fun," and " taking unfeeling as ethics, slandering the ancients and teaching future generations bad things." Its central idea was that the work sharply attacked the tendency of opposing vernacular Chinese and advocating retro literature at that time.
The Painting of Twenty-four Filial Piety was a famous genre painting of the Han Dynasty and an important part of ancient Chinese culture. It recorded twenty-four stories of filial piety in the Han Dynasty, including parents 'birthdays, memorial ceremonies, filial piety, and support. The stories in the Twenty-four Filial Piety Paintings were all real historical events and characters. Some were famous people in the Han Dynasty, while others were ordinary people. The main plot of these stories was that children would make all kinds of sacrifices and contributions to express their filial piety to their parents, including traveling thousands of miles to mourn, observing filial piety for three years, treating their parents 'illnesses, and so on. The main purpose of the Twenty-four Filial Piety Portrait was to educate people to be filial to their parents and promote the culture of filial piety. In Chinese culture, filial piety was a very important tradition that had always been respected and passed down by people.
The 24 Filial Piety stories were an important part of Chinese traditional culture. It contained 24 stories about filial piety. These stories were presented in the form of vernacular, telling the filial piety and touching stories of ancient people towards their parents. Some of these stories include "Filial Piety Touches the Heavens,""Purging Parents and Drowning Vessel,""Biting Fingers and Heartache," etc. These stories conveyed the importance of respecting and being filial to parents by describing filial behavior and emotions. These stories were not only cultural heritage, but also important material for people to learn and inherit filial piety.