Lao She (December 23, 1899-August 24, 1966) was a famous modern Chinese scholar and social practitioner. His pen name "Shu Qingchun" came from his original name, Shu Yi. He split the word "Shu" into two parts,"Shu Shu" and "Qingchun", which implied that he hoped his life and creation could bloom and prosper like flowers in spring. Shu Qingchun's pen name was used in 1925 when he published his first essay, Camel Xiangzi. Later, he gradually integrated his works and pen names into his name. For example, his son, Shu Junde, used "Shu Qingchun" as his name. Lao She often used a pen name in his works. For example, his novel, Lao Zhang's Philosophy, used the pen name "Lao Zhang". In addition to his pen name, Lao She, he also had another commonly used pen name,"Camel Xiangzi." This pen name originated from a character in his novel, symbolizing his love and persistence for a difficult life.
Lao She (February 23, 1899-August 24, 1966) was a famous Chinese dramatist, ideologist, and fighter for democracy. His pen name was "Shu Qingchun", which was given to him by a teacher when he was studying at Peking University. This pen name came from the name of his hometown Shu Family's building,"Shu Qingchun Building", which meant "prosperity and success". In addition to the name "Lao She", he also used other pen names such as "Camel Xiangzi","Little Fish","Four Generations Under One roof" and so on. Camel Xiangzi was the pen name he used in the literary world in his early days. At that time, Camel Xiangzi represented the image of young people struggling in poverty, which was in line with his personal experience and writing style. "Little Fish" was the pen name he later used to distinguish himself from his original name,"Lao She". Lao She's pen name contained his deep concern and criticism of social reality, and also reflected his persistence and pursuit of his identity and attitude towards life.
Lao She (December 23, 1899-August 24, 1966) was a modern Chinese drama, director, politician, and ideologist. His pen name was Shu Qingchun, which originated from his original name Shu Yi. In addition, he also used other pen names such as Shu Mo, Shu Jun, Shu Gou, etc. The name Shu Qingchun was a homonym of the surname Shu, meaning "relaxed and happy", while "Qingchun" implied "happiness and prosperity". Lao She hoped to use this pen name to express his relaxed, happy, optimistic attitude towards life, as well as his expectations for the prosperity and development of Chinese society.
Lao She's original name was Shu Qingchun. Because Lao She was born in the beginning of spring in the lunar calendar, his parents named him "Qingchun," probably to celebrate the arrival of spring and the bright future. After going to school, he changed his name to Shu Sheyu, which meant "abandoning himself" or "forgetting myself." Later, he published a novel and used Lao She as his pen name. Lao She did not have a firm and pure literary standpoint. His literary thoughts were wavering, but he tended to look at literature from an emotional point of view. He believed that "making people happy is the purpose of art" and "literature is to understand and explain life".
Lao She (December 3, 1899-August 24, 1966) was a famous novelist, drama director, screenwriter, and one of the founders of modern Chinese literature in the 20th century. Lao She had many pen names. The most famous one was Shu Qingchun, which was the pen name he used in the novel Camel Xiangzi. Shu Qingchun's meaning was the homophonic meaning of "Camel Xiangzi's father" and also implied the tenacity and fighting spirit of the character "Camel Xiangzi." In addition, Lao She also used other pen names such as Lao She, Ba Jin, Cao Yu, etc. Lao She's masterpieces included the novels Camel Xiangzi, Four Generations Under One roof, Teahouse, Dragon Whisker Gully, etc. These works deeply reflected the dark side of Chinese society and the suffering of the people at that time, and were loved and respected by the majority of readers. In addition, Lao She also participated in the screenwriting of movies, TV series, and plays, including Old Zhang's Philosophy, Party A and Party B, and Journey to the West.
Lao She's original name was Shu Qingchun. Because Lao She was born in the beginning of spring in the lunar calendar, his parents named him "Qingchun," probably to celebrate the arrival of spring and the bright future. After going to school, he changed his name to Shu Sheyu, which meant "abandoning himself" or "forgetting myself." Later, he published a novel and used Lao She as his pen name. Lao She did not have a firm and pure literary standpoint. His literary thoughts were wavering, but he tended to look at literature from an emotional point of view. He believed that "making people happy is the purpose of art" and "literature is to understand and explain life".
Lao She was a famous Chinese writer and playboy. The names of his two children had special meanings. Lao She's son was called Shu Qingchun. The word 'Shu' was derived from his original name, Shu Yi, which meant 'comfort', while' Qingchun 'was derived from his father's original name, Qingshou, which meant' to celebrate spring'. Lao She's daughter's name was Shu Ting. The word "Shu" was derived from her childhood name, Shu Ting, while the word "Ting" was derived from the word "Fang" in Lao She's daughter's name, which had the same pronunciation as Lao She's original name. The names of Lao She's two children had profound cultural implications, reflecting the importance he attached to his family and life.
Lao She was a famous Chinese writer. He had many pen names, some of which were as follows: Shu Qingchun: This was a pen name he used in 1925. At that time, he was still called Shu Chi. Shu Yi: This was a pen name he used in 1930. It was originally Shu Tiejun, but later changed to Shu Yi. 3. Ma Sanli: This was a pen name he used in 1943. It was originally Ma Sanli, but later it was also called Ma Sanli. Old Camel: This was a pen name he used in 1956. It was originally Old Camel, but later it was called Lao She. 5 Little Fish: This was a pen name he used in 1961. It was originally Little Fish, but later it was called Lao She. It should be noted that Mr. Lao She may have used more pen names than these. These pen names were used when he wrote to avoid confusion with his real identity.
Lao She's pen name was Shu Qingchun, which meant " Mr. Lao She's wife gave it to him." Shu Qingchun was a family name that meant " Happy and Prosperous Spring." It was said that Lao She often used this name in his pen name to express his mood and writing style. Other than Lao She. For example, Lu Xun's pen name "Zhou Shuren" came from his original name Zhou Zhangshou, which symbolized a Camphor tree in his hometown; Ba Jin's pen name "Lin Fengmian" came from what he read when he was studying in France; Mo Yan's pen name "Yu Hua" came from his original name Yu Guangzhong, and "Mo Yan" implied "red land". Moreover, when using a pen name, it often reflected the characteristics of the person's thoughts, cultural background, and so on.
Lao She (February 23, 1899-August 24, 1966) was a modern Chinese dramatist, critic, and translator. His original name was Shu Qingchun, and because he liked the English novel The Great Gatsby, he changed the "Shu" in his original name to "Lao She", meaning "Lao She is famous all over the world".
Lao She was a famous Chinese novelist, dramatist and literary critic in the 20th century. His works were famous for their humor, satire and beautiful language. Lao She's literary language can be traced back to his early life. He spent his childhood and youth in his hometown of Jinan, where he was influenced by traditional Chinese culture and also came into contact with Russian literature and European literature. In his works, Lao She paid attention to the flexibility of language, expressiveness and sense of humor. He was good at using unique language style and rhetoric to make his works more vivid, vivid and touching. Lao She's language style was deeply loved by readers and was hailed as "one of the founders of Chinese vernacular literature". In addition, Lao She also attached importance to the language art and language function of literature. He advocated the view that "literature is life" and emphasized that literary works should truly reflect social life and people's lives so as to stimulate readers 'resonance and thinking.