Director Xu Anhua's first film was 1982's "Jia Ling."
Xu Anhua's Film Master Class was an event of the 14th Beijing International Film Festival. An Xu was a famous director and producer from China Hong Kong. She was famous for capturing social changes and life from a delicate female perspective. Her works had a variety of styles, including thrills, light comedies, literary adaptation, martial arts films, and documentaries. In the film master class, Xu Anhua shared her creative process and understanding of the art of film with director Wen Yan and film scholar Dai Jinhua. This event was a sincere and simple dialogue and sharing. It reviewed the creative process of director Xu Anhua and showed the important position of female independent film artists in the history of film.
Xu Anhua was a Hong Kong director. Her representative works included " Golden Age,"" Golden Age 2,"" Made in Hong Kong," and so on. Among them," Golden Age " was considered one of his masterpieces. The film was based on the Hong Kong culture from the 1940s to the 1970s, showing the style of Hong Kong society and the lives of the characters at that time. It was hailed as a classic of Hong Kong movies.
Xu Anhua has directed many classic romance movies. Here are some of them: When Will The Bright Moon Appear (2002) Made in Hong Kong (1997) Sister Tao (2004) Day and Night in Tian Shui Wai (1995) Night and Fog in Tian Shui Wai (1995) Japanese Youth (1988) The Heaven Sword and Dragon Sabre: The Dragon's Might (1993) Eight Thousand Words (1998) Nine Women Forty (1993) A Thousand Words (1998) These movies covered different love stories, from romance to bitterness, from innocence to reality, showing the lives and feelings of people from all walks of life in Hong Kong society.
Xu Anhua's trilogy of Vietnamese refugees included Blade Runner, Ling'an, and Qing'an.
Director Ang Lee's first Hollywood Film Award was for Brokeback Mountain.
The director and director were two different professions. Although they were both people who were engaged in film, television series, or drama creation, they had different responsibilities and skills in their specific work. The director of a drama or film was mainly responsible for creating the script of a drama or film, designing the plot, shaping the characters, controlling the rhythm, and guiding the actors 'performance. They need to be familiar with the history of drama and performing arts, master creative methods and techniques, and have excellent imagination and creativity. The film director was mainly responsible for developing the script, storyboard script, and creative concept of the film or television series, as well as guiding the work of the actors, photographers, lighting engineers, and other staff. They need to be familiar with the production process of movies and TV series, master the film and television technology, and have excellent communication and collaboration skills. In addition, there were differences in the work processes between a drama director and a film director. Theater directors usually work under a theater or stage supervisor, while film directors work in front of cameras. A drama director needed to work closely with actors, audiences, and backstage staff, while a film director needed to work closely with technical teams such as photographers and lighting technicians. In short, film and television directors and film directors were professionals who were engaged in film, television series, or drama creation. They needed to have outstanding creativity, production, and communication skills in order to create outstanding works.
Xu Anhua's adaptation of Zhang Ailing's Love in a City-Toppling City was different from the original work in the following aspects: 1. There are differences in the plot and character creation between the movie and the original novel. The movie had edited and adapted some of the plots in the novel to adapt to the narrative and shooting conditions of the movie. For example, in the novel, Fan Liuyuan and Bai Liusu's relationship after the Qingcheng incident was cut, but in the movie, this plot was placed at the end to explain the ending of the whole story. There were also differences in the theme between the movie and the original novel. The original novel mainly explored the emotions and fates of the characters in the city-toppling incident during the civil war, emphasizing the power of love and family. The movie shifted the theme to the discussion of human nature, paying more attention to the psychological description of the characters and the turning point of the story. For example, in the movie, Bai Liusu explored the complexity and contradiction of human nature more deeply when she faced the choice between the civil war and the responsibility of the country. As a result, Anhua Xu's adaptation of Eileen Chang's " Love in a City-Toppling City " was quite different from the original work. Although the film had been adapted and deleted from the original work, it paid more attention to the psychological description of the characters and the plot twist, making the film more in-depth and enjoyable.
The original work of [Jade Guanyin] was a novel that was first published in 2002 by a famous author. The novel tells the story of the heroine, Xu Yuguanyin, in the 1980s in a small city in the mainland of China. The story is based on her personal experience, showing the changes in people's lives, emotions, and moral values in the social background at that time. The novel received widespread praise from readers and was hailed as a classic in modern Chinese literature.
[Yes, Xu Pingfeng is the supervisor's spy.] While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
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