Yes, I recommend the following novels that have similar plots to The Moon in the Water Pavilion: 1. "The Cute Wife Marries in a Honey Marriage": The male protagonist and the female protagonist quickly get married due to some unexpected circumstances. The male protagonist has been showing goodwill to the female protagonist, but the female protagonist has been avoiding it. In the end, the male protagonist is in a favorable position and tries every means to make the female protagonist fall in love with him. 2. "Your Heart Moves": The female protagonist and the male protagonist live together for family reasons. The male protagonist calls each other brother and sister at first, but as time goes by, the male protagonist gradually finds himself falling in love with the female protagonist. He also uses the method of being close to the water tower to get the moon first to launch an attack. 3. "Bamboo Horse Order: Kissing the School hunk 99 times": The male and female protagonists have known each other since they were young. The male protagonist has always regarded the female protagonist as his sister, but the female protagonist has a crush on the male protagonist. In the end, the female protagonist also made the male protagonist like her through the method of being close to the water tower and getting the moon first. I hope you like this fairy's recommendation. Muah ~๐
Near the water tower first get the moon, the sun flowers and trees easy to spring.
This sentence came from the Tang Dynasty poet Li Bai's "Climbing High" poem. The whole sentence was "Near the water tower, the first to get the moon, the sun, the flowers and the wood are easy to become spring." It meant that it was easier to get the light of the moon near the water source, and it was easier for spring to come in the sunny place. This sentence did not refer to " keep the fertile water in one's own fields " but to describe who was responsible for the quality of the local resources. The 'fertile water' referred to the fertile water flow, while the 'outsider fields' referred to fields that did not belong to them. The meaning of this sentence was that the place near the water source had more resources, and the quality of these resources had nothing to do with the people nearby, so they did not belong to any outsider.
Moon Worship Pavilion and Moon Worship Pavilion were not the same script. The Moon Worship Pavilion was a southern opera of the Yuan Dynasty. It was adapted from Guan Hanqing's drama, The Moon Worship Pavilion, which told the love story of Wang Ruilan and Jiang Shilong. The Moon Worship Pavilion was one of the representative works of Guan Hanqing, a dramatist of the Yuan Dynasty. Its full name was The Moon Worship Pavilion of the Beauty in the Secluded Guesthouse. Although the two had similar names, they were different scripts.
The Moon Worship Pavilion and the Moon Worship Pavilion were the same work, there was no difference. The Moon Worship Pavilion was a legendary play created by Shi Hui in the Yuan Dynasty. It was also known as the Moon Worship Pavilion and the Secret Guesthouse. This work mainly described the development of love between Jiang Ruilian and Wang Ruilan, and praised their loyalty. At the same time, the work also exposed and criticized the behavior of feudal parents who despised the poor and loved the rich, and used their power to break up the young generation's independent marriage, expressing the wishes of the people and the anti-feudal ideology. The Moon Worship Pavilion, along with the Jingchai, the White Rabbit, and the Dog Killing, was one of the four great southern operas and one of the Five Legends.
The Moon Worship Pavilion and the Moon Worship Pavilion were the same work, there was no difference. The Moon Worship Pavilion was a legendary play created by Shi Hui in the Yuan Dynasty. It was also known as the Moon Worship Pavilion and the Secret Guesthouse. This work mainly described the development of love between Jiang Ruilian and Wang Ruilan, and praised their loyalty. At the same time, the work also exposed and criticized the behavior of feudal parents who despised the poor and loved the rich, and used their power to break up the young generation's independent marriage, expressing the wishes of the people and the anti-feudal ideology. The Moon Worship Pavilion, along with the Jingchai, the White Rabbit, and the Dog Killing, was one of the four great southern operas and one of the Five Legends.
The Moon Worship Pavilion was a southern opera script. The story took place at the end of the Jin Dynasty, when the Mongolian army attacked Zhongdu (now Beijing). It was mainly about the scholar Jiang Shilong and Wang Ruilan who met and became husband and wife during the war. However, Wang Ruilan's father blamed them for not keeping their chastity and forced them to separate. Later, Jiang Shilong was the top scorer in the examination and was recruited by Wang Ruilan's father as his son-in-law. In the end, the couple reunited. The story emphasized the persistence and mutual help of love in difficult situations, which had positive meaning.
Moon Worship Pavilion was a romantic comedy with a hint of tragedy. Although there was a tragic plot and atmosphere in the work, the overall tone was a lyrical comedy, which was very popular with the audience. Therefore, it could be said that Moon Worship Pavilion had both tragic and comedic elements.
The Moon Worship Pavilion and the Wangjiang Pavilion were not the same work. Moon Worship Pavilion was one of the representative works of Guan Hanqing, a dramatist of the Yuan Dynasty, while Wangjiang Pavilion was another work of Guan Hanqing. Although both were works by Guan Hanqing, they were different scripts.
The author of Moon Worship Pavilion was Guan Hanqing.
Moon Pavilion was a love drama in ancient costume by Guan Hanqing of the Yuan Dynasty. The story happened during the Jin Dynasty's invasion from the north, and the imperial court moved south. Minister Wang's daughter, Ruilan, met Jiang Shilong, a poor scholar, on her way to escape and became husband and wife. However, Minister Wang despised Shilong's lowly status and brought Ruilan home. Rui Lan couldn't forget Shilong, but she was betrothed to the new top scholar by her father. In the end, Shilong and his sworn brother Tuoman Xingfu became the top scorer in literature and martial arts and reunited with Rui Lan, while Rui Lian married Shilong's sworn brother. The story was set in the midst of war and depicted the love story of Ruilan and Shilong in adversity.