Why didn't anyone like the sickly girls in real life?
Sick and delicate was a common emotional setting in novels. It usually referred to a character's excessive dependence and delicate behavior due to certain psychological or physical problems. In real life, many people felt that the emotional setting of a sick girl lacking basic respect and responsibility was not popular. The behavior of a sickly girl may be uncomfortable and annoying because their behavior often exceeds the scope of ordinary social norms and moral standards. They may be dissatisfied and disappointed that their partner is overly dependent on them and requires them to make countless actions and sacrifices, but their partner may not be able to meet their expectations. This behavior may make the partner feel stressed and tired, and even cause the partner to run away or get bored. Sick characters usually had strong emotional needs and desires, but their actions often made people feel helpless and lonely. They may try to get their partner's attention and love through over-reliance and coquettishness, but this kind of emotional setting often makes their partner feel tired and bored. Although the sickly girl was very attractive in the novel, this kind of emotional setting was not popular in real life. People preferred healthy, mature, and responsible partners over overly dependent and delicate characters.
Why were sickly girls in novels more popular than sickly girls in real life?
The main reason why sickly characters in novels were more popular than sickly characters in real life was that sickly characters in novels were usually described as extremely dependent on others, delicate emotions, and emotional fluctuations. These characteristics usually gave readers a strong emotional resonance and a sense of immersion. In addition, the sickly character in the novel would usually be described as having some special ability or characteristic, such as having a strong willpower, superpower, etc. These characteristics would also make the readers more interested. However, no matter in real life or in novels, the act of being a sickly woman was not advocated and was in line with social ethics. In real life, if a person showed excessive dependence and possessiveness, it might be regarded as emotional control and bullying. This behavior would bring great pain and trouble to the dependent and the dependent. Although the sickly character in the novel could arouse the readers 'resonance and interest, it also had to follow the creation principles and norms of fictional novels. It could not be confused with reality and moral standards. Although the sickly character in the novel had a unique charm, it was not popular or advocated in real life.
Why didn't there be such beautiful love in real life?
The beautiful love in novels was usually presented through fictional plots and characters. Although the love in the novel may be in line with people's expectations of a beautiful love to some extent, the love in real life is not exactly the same as the love depicted in the novel. Love in real life involved more factors such as family, society, culture, economy, etc. These factors will have a profound impact on the relationship between the two people, so the beautiful love in the novel may become unrealistic when faced with real problems. Love in novels is usually an idealized love that ignores many real-life problems and challenges. But love in real life requires us to face more practical problems such as communication, tolerance, understanding, trust, and so on. These problems might make the beautiful love in the novel difficult to realize in real life. Although the beautiful love in the novel may be a beautiful imagination, it does not represent all the love stories in real life. Love in real life needed to face more challenges and tests, but it was also a real and beautiful existence.
Why didn't she have a boyfriend like Liang Shanbo in real life?
Liang Shanbo was a fictional character who did not exist in real life. In many novels, the male protagonist is usually portrayed as a very brave, caring, responsible, talented and courageous person who can bring happiness and security to the female protagonist. However, these characters were usually fictional and could not be compared to real life people. Although we may imagine that we have a boyfriend like Liang Shanbo, it doesn't mean that we will definitely find such a character. Everyone's needs and expectations are different. A real-life boyfriend or girlfriend needs to have different qualities and characteristics. In addition, we also need to realize that everyone has their own shortcomings and shortcomings. We should not set the perfect person as our goal. Therefore, although we can't have a perfect boyfriend like Liang Shanbo in the novel, we can find a partner who is really suitable for us by recognizing and accepting our shortcomings and finding someone who is suitable for us.
Was this novel good? Why didn't anyone read it?
😋For those who have unique tastes, I have two very good novels to recommend to you. The first book was " Invincible Without Cultivation ", a fantasy novel about the continent. It told the story of the protagonist being able to exchange various treasures for cultivation time, thus easily achieving invincibility. The second book was " Big Bosses in Love Are Always Adorable ", a modern romance novel. It told the story of the female protagonist being pestered by a big boss from the same school after her rebirth. The sweet and hilarious love story between the two of them. I hope you like these two books.
Why are the sickly girls in the 2D world?
This was not certain. In the 2D culture, the image of a sickly girl could appear on male or female characters. In fact, the sickly personality is usually associated with gentleness, fragility, desire for attention and love, and other traits. This trait can also appear in female characters, but it is not necessarily limited to female characters. In the ACG culture, it was usually easier for female characters to create the image of a sickly girl. This was because many female characters often showed gentleness, fragility, helplessness, and other characteristics in the story. These characteristics were somewhat similar to the sickly girl attribute. In addition, the appearance and personality design of many female characters in the two-dimensional culture were more detailed and gentle. This design was more likely to attract the interest and emotional resonance of readers. However, it should be noted that the 2D culture is a virtual world, and its content does not represent the facts in the real world. In real life, both men and women could display a sickly personality or other behaviors that did not conform to the character's usual settings.
Why didn't anyone develop technology in Xianxia novels?
The development of science and technology in Xianxia novels was often an idealistic setting because the theme of Xianxia novels was usually related to myths, legends and magic, which did not match the development of science and technology. In xianxia novels, people often see technology as a threat because they may destroy traditional morality and values. Therefore, the development of technology in novels was often a negative behavior. The protagonist usually did not pursue the development of technology. In addition, the development of science and technology in many Xianxia novels was often restricted because certain rules and restrictions would affect the development of science and technology. For example, in some novels, the world view believed that magic was more powerful than technology, so the development of technology was often limited by magic. In summary, although the development of science and technology in Xianxia novels was an idealistic setting, in reality, the development of science and technology was often influenced by traditional values and worldviews.
Why didn't anyone write a novel about firefighters?
Writing novels about firefighters is a very interesting topic because firefighters play a very important role in our lives. However, because being a firefighter is a very dangerous profession, writing novels about firefighters may face some challenges. Writing a novel about a firefighter requires sufficient detail to make the reader feel that the job of a firefighter is dangerous and requires a certain level of skill and knowledge. These details could include the firefighter's work processes, their training and equipment, and how they would respond in an emergency. Writing a novel about a firefighter needed to provide enough plot to attract the reader's interest. These scenarios can include various types of emergencies such as fires, explosions, chemical leaks, etc., as well as the challenges and difficulties faced by firefighters in dealing with these emergencies. Writing a novel about firefighters also needed to provide enough emotional elements to attract the reader's emotional resonance. These emotional elements could include the firefighter's family, friends, and colleagues, as well as the psychological pressure and sense of accomplishment they faced when dealing with emergencies. Firefighter was a very dangerous profession, so novels about firefighters needed to provide enough details, plot, and emotional elements to attract readers 'interest and make them feel the importance of this profession.
Why didn't anyone adapt a fantasy novel into an anime?
Fantasy novels usually contained a lot of complicated character relationships, worldviews, and plot developments. These elements needed to be adapted and deleted in animation production to suit the tastes of television or movie audiences. In addition, fantasy novels usually contain a lot of magic, martial arts, mythological elements, etc. These elements need to be reset and expressed in animation production to meet the visual needs of television or movie audiences. Fantasy novels often require a lot of time and energy to create, and readers usually have a deep emotional investment in the plot and characters of the novel. Therefore, animation may need to adjust the storyline and character settings to better meet the needs of the audience. Animation also faced some technical and cost challenges. For example, the production of animation required a lot of time and money, and it also needed to take into account the frame count, image effects, sound effects, and other factors of animation. These needed to be adjusted and optimized on the basis of traditional comics and novels. In summary, there are many factors to consider when adapting a fantasy novel into an anime, and a lot of adaptation and adjustment are needed to better meet the needs of the audience.
Why didn't anyone write a novel about transmigration?
Anti-Qing and Ming novels had a relatively small audience, but it wasn't as if they didn't exist. This kind of novel usually involved historical, political, emotional, and other factors. It required the reader to have a certain amount of historical knowledge and cultural background. At the same time, this kind of novel also had a certain degree of challenge. The author needed to put in a lot of effort in the plot, character creation, and story development. To write a novel about the rebellion against the Qing Dynasty and the restoration of the Ming Dynasty, the author needed to have strong writing ability and creativity, as well as a deep understanding of the historical and cultural background. If the author could skillfully use the historical background and characters to create a novel with a compact plot, deep character descriptions, and fascinating story, it might gain a higher reader evaluation and reputation. Of course, it was not an easy task to write a novel about anti-Qing and reviving the Ming Dynasty. It required the author to invest a lot of time and energy in research and creation. If an author was interested in writing this kind of novel, he could start by understanding the historical and cultural background to accumulate relevant experience and continuously improve his writing level.
Why didn't anyone use the hero Di Renjie?
The reason why no one used Di Renjie was mainly because of his short attack range and lack of displacement skills. Moreover, among the archer heroes without displacement skills, his damage was not very high. His damage output was not high, his control ability was almost zero, and he had no movement ability or vision. His first skill dealt relatively low damage, and his second skill was pretty good at nullifying damage. However, the stun from his third skill could barely hit the enemy. In contrast, other archer heroes had outstanding characteristics and were easier to defeat Di Renjie. Therefore, Di Renjie was not very popular among the players.