In the 1980s, there was a novella about a Beijing opera. There was a saying that this love had nothing to do with the wind and the moon.
In the 1980s, there was a famous saying in a novella about Peking opera,"This love has nothing to do with the wind and the moon."
Kunqu opera and Beijing opera
The Qingyi in Kunqu and Peking operas belonged to the Dan Xing, and they had an important position in their respective operas. ** 1. Kunqu Qingyi ** 1. ** Acting Style ** - The performance of Kunqu opera was restrained, tactful and delicate. Kunqu Qingyi needed to adjust her breath reasonably when performing, because Kunqu singing did not "pass the door", and it was a test of strength to sing while doing the body. 2. [Character Creation] - For example, when Fang Tingyu played Cui Yingying, she showed her oriental aesthetics by turning her head and raising her eyes. Kunqu Qingyi emphasized on traditional China aesthetics when creating characters. 3. ** Inheritance and Development ** - There were examples of Peking opera actors like Lian Wenqing learning from Kunqu opera. Lian Wenqing had studied Kunqu's "Peony Pavilion" for a year and a half from Liang Guyin, an 80-year-old Kunqu artist. This showed that the performing arts of Kunqu Qingyi were worth learning from Peking opera actors. At the same time, it also reflected that the exchange and integration of opera arts would help the inheritance and development of Kunqu Qingyi performing arts. ** 2. Beijing opera, Tsing Yi ** 1. ** Acting Style ** - Peking opera performances were more external. The movements of Qing Yi in Beijing opera were relatively small, but her movements were more stable. She was usually dignified, calm, and beautiful. The recitation of the poem is generally called "rhyme", and the main focus is on singing. 2. [Character Creation] - The role played by Qing Yi in Beijing opera was usually a dignified and quiet married young woman. When performing tragic characters and people at the bottom of society, their costumes were often black (black was called "Qing" in ancient times, which was also one of the origins of the name Qing Yi). For example, Zhang Huoding played the role of Concubine Yu. As an actress of the Cheng School, she found a unique Cheng School performance style for the role of Concubine Yu when she performed Farewell My Concubine. From the singing to the performance movements, she carefully designed them, reflecting the uniqueness of the role creation of the Qing Yi in Beijing opera. 3. ** Inheritance and Development ** - In the course of development, it had undergone many reforms. In the 1920s, Wang Yaoqing and Mei Lanfang reformed the Qingyi industry, integrating the skills of Hua Dan and Dao Ma Dan into Qingyi performances. In the 1950s, Zhang Junqiu integrated the characteristics of the four famous actresses, making the Peking opera Qingyi continue to develop. According to the genre, the Qingyi of Beijing opera can be divided into the Qingyi of the Plum Sect and the Qingyi of the Zhang Sect. The singing of the Plum Sect is simple and fresh, with a combination of hardness and softness, with the beauty of natural harmony; the singing of the Zhang Sect is vigorous and euphemistic, beautiful and fresh. The development of different schools had enriched the performing arts of the Beijing opera. The novel "The Legend of Dian Kingdom in Clouds as Deep as the Sea" is equally exciting. Everyone is welcome to click and read it!
This hate has nothing to do with the wind and the moon. There is naturally love in the world
The meaning of these two lines was that life was full of love, and when love was deep, the hatred of parting had nothing to do with the breeze and the moon. These two lines expressed that human emotions were instinctive and deep. The "hate" brought about by this emotion (the hate here was more complicated emotions such as regret and sorrow) was not triggered by natural things such as the wind and moon in the outside world, but originated from the emotions deep in the human heart. Many literary works quoted these two lines to express the purity and inner nature of emotions, and the emotional realm that was not affected by external factors. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
This feeling has nothing to do with the wind and the moon
" This Love Has Nothing to Do with the Wind and the Moon " was written by Lonely Scorpio. It was an essay, not a novel. The novel " Sitting and Watching Immortals " is equally exciting. Everyone is welcome to click and read it!
This feeling has nothing to do with the wind and the moon
"This love has nothing to do with the wind and the moon" could be understood in many ways. From Ouyang Xiu's poem,"There is love in life, but this hatred has nothing to do with the wind and the moon." The "wind" here referred to the breeze, and the "moon" referred to the moon. They expressed that life was filled with love, and when love reached a deep level, the hatred of parting had nothing to do with the breeze and the moon. In some modern context,"this feeling has nothing to do with the wind and the moon" may be extended to express an emotion that has nothing to do with the external romantic situation (such as the romantic scene represented by the wind and the moon), but has a deeper, inner or other special meaning. For example, it is used to describe the relationship between men and women that is not based on the external romantic situation. The novel "Sitting and Watching Immortals" is equally exciting. Everyone is welcome to click and read it!
This hate has nothing to do with the wind and the moon
There was a book called " This Hatred Has Nothing to Do with the Wind and Moon: Handsome Guys Through History." From its content, it seemed to contain many stories related to historical figures. However, it was difficult to fully describe the details of the novel's plot, style, depth of the theme, and more based on the existing information. The novel " Sitting and Watching Immortals " is equally exciting. Everyone is welcome to click and read it!
Similar to the ancient saying of the endless wind and moon
There were many ancient sayings that were similar to the endless wind and moon. The following are some examples: 1. Demonic Patriarch "Three Lives Three Lives Ten Miles Peach Blossom" 3 "Thousand Bones of Flowers" 4. Chu Qiao's Biography 5 Fuyao Dream of the Red Chamber 7 "Do you know, do you know, should be green fat, red thin" 8 "Jin Se" 9: Mo Duoduo is Poisonous Night Glory
Who was the main character of " Beijing opera cat: braving the wind and waves "?
The main characters of " Beijing opera cats riding the wind and waves " were Hudi and Meow Meow.
Beijing opera teaching video, learn Beijing opera from me
At present, there were some resources related to the teaching of Peking opera. For example, on TikTok, there was the teaching of the singing section of "Selling Water". The teacher would teach the content of the singing section,"Pow full, inside the sound." Sister Red Flower, Green Flower Man, Dried Plum Blossoms 'Curtain. Ivory bed, mandarin duck pillow. Put a mattress with osmanthus flowers on the bed and cover the bed." There was also the Peking opera teaching content of Li Chonglin's "For the Country (Part 1)" from "Hongyang Cave" in the "Good Morning Peking opera" series on the official account. These could be used as resources for learning Peking opera. The novel "Don't Consume My Identity" is equally exciting. Everyone is welcome to click and read it!
Information on Beijing opera?
Peking opera is an ancient Chinese opera art form that originated in Beijing and has been passed down to this day in Beijing and its surrounding areas. Peking opera's performance forms were very diverse, including singing, reciting, acting, fighting, dancing, and many other elements. Peking opera usually includes many classic stories and historical events and uses a lot of music, dance, and costumes to enhance its visual effects. Peking opera is regarded as an important part of Chinese culture and art and has a wide audience around the world. The actors and plays of Peking opera are often commended by awards and honors and are regarded as one of the treasures of Chinese traditional culture. Information about Peking opera could be found on the internet, including its history, performance forms, songs, and actors. If you want to know more about Beijing opera, you should consult relevant information or watch a Beijing opera performance.
The History of Beijing opera
Beijing opera originated from Beijing and is one of the traditional Chinese operas with a long history. Peking opera originated in Beijing at the end of the 19th century. It was a form of palace opera performance that gradually developed into one of the representatives of the national opera art. The founder of Peking opera was Mei Lanfang, one of the founders of China's Peking opera. Mei Lanfang founded Peking opera in the early 20th century. Through continuous innovation and improvement, Peking opera gradually became an art form with strong Chinese characteristics. Peking opera had a variety of forms, including shadow play, singing, costumes, and music. Peking opera had a wide audience in China and was highly praised internationally.